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Topic: Giovanni Artusi

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Functional tonality

Johannes Nucius

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Franchinus Gaffurius

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Vincenzo Galilei

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Tomas de Santa Maria

Vicente Lusitano

Counterpoint

Monteverdi

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Burgundian School

Renaissance music

	Giovanni Artusi Information
		Artusi was one of the most famous reactionaries in musical history, fiercely condemning the new style developing around 1600, the innovations of which defined the early Baroque era.
		The most famous episode of Artusi's career, and one of the most famous episodes in the history of music criticism, occurred in 1600 and 1603 when he attacked the "crudities" and "license" shown in the works of a composer he initially refused to name (it was Monteverdi).
		Artusi's compositions were few, and in a conservative style: one book of canzonette for four voices (published in Venice in 1598) and a Cantate Domino for eight voices (1599).
	www.bookrags.com /Giovanni_Artusi (312 words)

	Giovanni Artusi - Wikipedia, the free encyclopedia
		Artusi was one of the most famous reactionaries in musical history, fiercely condemning the new style developing around 1600, the innovations of which defined the early Baroque era.
		The most famous episode of Artusi's career, and one of the most famous episodes in the history of music criticism, occurred in 1600 and 1603 when he attacked the "crudities" and "license" shown in the works of a composer he initially refused to name (it was Monteverdi).
		Artusi's compositions were few, and in a conservative style: one book of canzonette for four voices (published in Venice in 1598) and a Cantate Domino for eight voices (1599).
	en.wikipedia.org /wiki/Giovanni_Artusi (339 words)

	www.artusi.it
		From 1878 until 1913, the year in which he died, the factory was named "Ditta Artusi Antonio and Figli", due to the fact that his sons Primo and Giovanni actively collaborated with their father.
		After the death of Giovanni, in 1970, Vladimiro called to collaborate in the management the operational areas of the firm, transforming the firm into a company.
		Armando Zoli, which had been assumed by Sir Giovanni Artusi in 1918 (at the age of 9) as an apprentice.
	www.artusi.it /en/storia.htm (719 words)

	Giovanni Artusi: biography and encyclopedia article (Site not responding. Last check: 2007-10-13)
		The most famous episode of Artusi's career, and one of the most famous episodes in the history of music criticism, occurred in 1600 and 1603 when he attacked the "crudities" and "license" shown in the works of a composer he initially refused to name (it was Monteverdi (Monteverdi: Italian composer (1567-1643))).
		Artusi's major contribution to the literature of music theory was his book on dissonance (dissonance: Disagreeable sounds) in counterpoint (counterpoint: A musical form involving the simultaneous sound of two or more melodies).
		Artusi's compositions were few, and in a conservative style: one book of canzonette (canzonette: in music, a canzonetta (pl....
	www.absoluteastronomy.com /reference/giovanni_artusi (509 words)

	Claudio Monteverdi Summary
		Claudio Giovanni Antonio Monteverdi (1567-1643) was an Italian composer who, in addition to being the first great operatic writer, reflected in his works, especially the madrigals, the change in style from late Renaissance to early baroque.
		The Quinto Libro, published in 1605, was at the heart of the controversy between Monteverdi and Giovanni Artusi, where the latter attacked the "crudities" and "license" of the modern style of composing, centering his attacks on madrigals (including Cruda Amarilli, see Media, below) from the fourth book.
		The managers of the basilica were relieved to have such a distinguished musician to take the post, where music had been in decline since the death of Giovanni Croce in 1609.
	www.bookrags.com /Claudio_Monteverdi (2525 words)

	Artusi, Giovanni Maria - Hutchinson encyclopedia article about Artusi, Giovanni Maria
		Here he promised a treatise, never completed, to be entitled Seconda prattica overo delle perfettioni della moderna musica, in contradistinction to the ‘Prima prattica’ of the conservatives.
		The controversy was continued in two more works by Artusi, published under a pseudonym (1606 and 1608), and by Monteverdi's brother Giulio Cesare in the preface to the Scherzi musicali of 1607.
		This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
	encyclopedia.farlex.com /Artusi,+Giovanni+Maria (181 words)

	ILIAS CHRISSOCHOIDIS, 'The 'Artusi-Monteverdi' Controversy: Background, Content, and Modern Interpretations'
		Born around 1540, Giovanni Maria Artusi became a canon in the Congregation of S. Salvatore in Bologna, a city equally famous for its library and for its music-theoretical quarrels.
		Of the eight criteria Artusi proposes, the last specifies that 'all instruments should be tuned to the same temperament by a single ear'.
		For her, Artusi's aim was 'to discredit modern music as unnatural, feminine, and feminizing of both its practitioners and its listeners' (3).
	www.bpmonline.org.uk /bpm6-artusi.htm (4394 words)

	www.artusi.it
		Artusi dal 1830 fabbrica biliardi che sono nella storia
		Dal 1878 al 1913, anno in cui morì, la fabbrica si chiamò "Ditta Artusi Antonio and Figli", poichè i figli Primo e Giovanni collaboravano attivamente con il padre.
		Giovanni Artusi nel 1918 (all'età di 9 anni) in qualità di apprendista e poi del figlio Gian Carlo Zoli che si è ritirato nel dicembre 2006.
	www.artusi.it /storia.php (561 words)

	Giovanni Artusi (Site not responding. Last check: 2007-10-13)
		The most blatant and harsh display of the polemics against him came in the pamphlet written by the Bolognese canon Giovanni Artusi - "L'Artusi overo delle imperfettioni della moderna musica" [Artusi or on the imperfections of modern...
		Fabio Artusi, Czterj Bacowie, Giovanni Bellingeri, Marco Bruzzo, Giuseppe Cucco, Paolo di Croce, Carlo Fanti, Andre Federov, Anya Fernald, Giuseppe Fassinno, Tino Gerbaldo, Jean-Claude Leberre, Marco Sasia, Marcello Marengo,...
		Org more like this arte fiorentina dei legnaioli for at the age of 9 and nor important but compositore e teorico della mu or c yet tierlabel so the president of both giovanni maria artusi and incipitario either font size 110 or label neither zarlino, vicente lusitano, vincenzo galilei, Giovanni Artusi, johannes nucius, and pietro.
	polo.best-resource-links-7.info /1613/Giovanni_Artusi (562 words)

	November 12, 2005 Concert: CENTER OF THE UNIVERSE program notes
		Three composers—the Italian Giovanni Gabrieli (c.1554-57-1612), his student the German composer Heinrich Schütz (1585-1672), and Monteverdi—stood at the center of a new musical universe.
		It was the composer Giovanni Gabrieli who in many respects refined and expanded the Venetian style to unheard-of proportions, sometimes employing two, three, or four choirs in addition to brass and organ.
		In 1609, Moritz advised that since Giovanni Gabrieli was still alive, Schütz “should not miss the chance to hear him and learn something from him.” With financial support from the Prince, Schütz traveled to Venice in 1609 and spent two years studying with Gabrieli.
	www.dessoff.org /concerts/concert-051112_notes.htm (1945 words)

	PRODUCTIONS / L'ORFEO / COMPOSER (Site not responding. Last check: 2007-10-13)
		Claudio Giovanni Antonio Monteverdi was born in Cremona, in 1567.
		With permission of the duke, he married court singer Claudia Cattaneo in May 1599 and when Pallavicino died in 1601, Monteverdi again applied for his position and was awarded the post, the same year that his son Francesco was born.
		As he became more famous his music was attacked by Bolognese theorist Giovanni Maria Artusi, who in 1600 and 1603 pointed to Monteverdi as perpetrator of crimes against music.
	www.pinchgutopera.com.au /productions/lorfeo/composer (1047 words)

	Gioseffo Zarlino - (Site not responding. Last check: 2007-10-13)
		In 1565, on the resignation of Cipriano de Rore, Zarlino took over the post of maestro di cappella of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death.
		While maestro di cappella he taught some of the principal figures of the Venetian school of composers, including Claudio Merulo, Girolamo Diruta, and Giovanni Croce, as well as Vincenzo Galilei, the father of the astronomer, and the famous reactionary polemicist Giovanni Artusi.
		While he was a moderately prolific composer, and his motets are polished and display a mastery of canonic counterpoint, his principal claim to fame was his work as a theorist.
	www.mumbaigrid.com /mediawiki/index.php/Gioseffo_Zarlino (541 words)

	Claudio Monteverdi - mp3 - Operas'early years, madrigals - Opera Italiana
		The most blatant and harsh display of the polemics against him came in the pamphlet written by the Bolognese canon Giovanni Artusi - "L'Artusi overo delle imperfettioni della moderna musica" [Artusi or on the imperfections of modern music] - published in 1600.
		Incoronazione di Poppea, performed at the Teatro Santi Giovanni e Paolo in 1643, shortly before the composer died.
		With this last opera Monteverdi introduced a genre that was to have great importance in music theatre, the opera on an historical subject, abandoning the subjects which had always been used previously based on imaginary characters from mythology.
	www.operaitaliana.com /opera_italiana/opere.asp-id=11&Lingua=1.htm (949 words)

	Major Baroque Composers \| About the “Baroque” Period \| Music of the Baroque
		Monteverdi responded to Artusi in the preface to his Fifth Book of Madrigals (1605), dividing musical practice into prima prattica (first practice), in which rules of harmony and counterpoint took precedence over the text, and seconda prattica (second practice), in which the meaning of the words drove the harmony.
		Born in Ferrara, Girolamo Frescobaldi was a student of the organist and madrigalist Luzzasco Luzzaschi; he was also likely influenced by the maverick composer Carlo Gesualdo, who was also in Ferrara at the time.
		One of the most dominant figures of the French baroque, Giovanni Battista Lulli (later Jean-Baptiste Lully) was actually an Italian of noble birth who arrived in Paris in 1646.
	www.baroque.org /baroque/composers.htm (4479 words)

	Giovanni Artusi (Site not responding. Last check: 2007-10-13)
		it provoked Artusi to defend his teacher and the style he represented.
		Artusi's major contribution to the literature of music theory was his book on dissonance (Disagreeable sounds)
		Artusi's compositions were few, Exception Handler: No article summary found.
	www.absoluteastronomy.com /ref/giovanni_artusi (1483 words)

	Giovanni Artusi - TheBestLinks.com - August 18, Baroque music, Counterpoint, Italy, ... (Site not responding. Last check: 2007-10-13)
		Giovanni Artusi - TheBestLinks.com - August 18, Baroque music, Counterpoint, Italy,...
		Giovanni Artusi, August 18, Baroque music, Counterpoint, Italy, Polyphony...
		You can add this article to your own "watchlist" and receive e-mail notification about all changes in this page.
	www.thebestlinks.com /Giovanni_Artusi.html (327 words)

	HOASM: Giovanni Maria Artusi
		He studied with Zarlino in Venice, and defended and amplified that composer's views in L'arte del contrapunto (1598), a theoretical work of wide influence.
		In L'Artusi, overo delle imperfettioni della moderna musica ragionamenti dui (Venice, 1600), and in the Seconda parte dell' Artusi (1603), he spoke out against the abuses of an unnamed composer.
		Claudio Monteverdi, the composer in question, responded in the preface to his fifth book of madrigals (1605), and in a pamphlet, Ottusio accademico.
	www.hoasm.org /IVN/Artusi.html (118 words)

	Vincenzo bellini (Site not responding. Last check: 2007-10-13)
		The most evident and rougher exhibition of the controversies against him came in the pamphlet written by the canon Giovanni Artusi de Bolognese - "musica of modern of della of imperfettioni of delle of the overo of L'Artusi" [ Artusi or in the imperfections of modern music ] - published in 1600.
		In spite of all this Monteverdi of the opposition prestige continued growing in the cut of Mantua, as composer and as a master of the concert and director of the events of music; in 1602 Duke Vincenzo designated ' teacher I gave musicÃ¡ to it, a position that was more honorary than financially compensating.
		With this last Monteverdi opera it introduced a sort that was to have great importance in theater of music, the opera in an historical subject, leaving the subjects that had been used always previously imaginary character based of mythology.
	bellini.loadmp3music.com /vincenzo-bellini.htm (1082 words)

	Giovanni Artusi . 1613 . 1540 . Gioseffo Zarlino
		The most famous episode of Artusi s career, and one of the most famous episodes in the history of music criticism, occurred in 1600 and 1603 when he attacked the "crudities" and "license" shown in the works of a composer he initially refused to name it was Monteverdi.
		Monteverdi replied in the introduction to his fifth book of madrigal music madrigals 1605 with his discussion of the division of musical practice into two streams: what he called prima prattica, and seconda prattica : prima prattica being the previous polyphony polyphonic
		ISBN 0393097455 Giovanni Artusi, L Artusi, ovvero, Delle imperfezioni della
	www.uk.kunsimuna.net /Giovanni_Artusi_UK_317133_px (579 words)

	wer-weiss-was \| "Giovanni Maria Artusi" \| aus Forum Klassische Musik
		Zu beachten: Es handelt sich um keine aktuelle Diskussion, daher kann auf die Artikel nicht mehr geantwortet werden.
		Giovanni Maria Artusi (E v e, 4.11.2004 07:50)
		Giovanni Maria Artusi schrieb 1598 das Werk "L'Arte del Contraponto".
	www.wer-weiss-was.de /theme180/article2526011.html (204 words)

	Music 343—Encounter 5
		Giovanni Maria Artusi, From Artusi, or, Of the Imperfections of Modern Music Second Discourse, pp.
		Giovanni Maria Artusi, From Artusi, or, Of the Imperfections of Modern Music Second Discourse, Vol.
		Monteverdi argues that Artusi is judging his music with criteria that apply only to the older style.
	www.elmhurst.edu /~markh/history1/5Encounter343.htm (2054 words)

	Monteverdi Vespers of 1610 - an Essay by Predrag Gosta
		While Monteverdi’s inventions and treatment of harmony and counterpoint were accepted and even praised by the public, he was not always complimented for them by his colleagues.
		In 1600 and 1603 he was attacked by the Bolognese theorist Giovanni Maria Artusi (c.
		It is based on a chamber canzona by Francesco Crotti (Wong, “Vespers”), and the Sonata has been considered one of the most Venetian examples from Monteverdi’s opus “because of its obvious similarity to the canzonas and sonatas of Giovanni Gabrieli” (Whenham 56).
	www.monteverdivespers.com /home.htm (8851 words)

	Class 45: The Late 16th-Century Madrigal; Monody (Site not responding. Last check: 2007-10-13)
		Giovanni Maria Artusi, L’Artusi, ovvero, Delle imperfezioni della moderna musica (1600)
		Giovanni de’Bardi, Laura Peperara, Vittoria Archilei, Giulio Caccini, Emilio de’Cavalieri
		The Florentine Camerata(s) [Giovanni Bardi and Jacopo Corsi]
	www.arts.arizona.edu /mus530/class-45.htm (236 words)

	Giovanni Artusi - Art History Online Reference and Guide
		Giovanni Artusi - Art History Online Reference and Guide
		Giovanni Artusi - Your Art History Reference Guide!
		Ironically, the usage of Monteverdi in the seconda prattica largely agreed with his book, at least conceptually; the differences between Monteverdi's music and Artusi's theory were in the importance of the different voices, and the exact intervals used in shaping the melodic line.
	www.arthistoryclub.com /art_history/Giovanni_Artusi (341 words)

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