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Topic: Giovanni Battista Rubini

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	Giovanni Battista at AllExperts
		* Giovanni Battista Amici (1786-1863), astronomer and microscopist.
		* Giovanni Battista Caprara (1733-1810), statesman and cardinal.
		* Giovanni Battista Cipriani (1727â"1785), painter and engraver.
	en.allexperts.com /e/g/gi/giovanni_battista.htm (389 words)

	Giovanni Battista Rubini at AllExperts
		Giovanni Battista Rubini (born April 7, 1794 in Romano di Lombardia, Bergamo, Italy; died March 3, 1854 in Romano di Lombardia) was an Italian tenor.
		As a singer Rubini was the major early exponent of the Romantic style of Vincenzo Bellini and Gaetano Donizetti.
		Rubini is remembered as an extraordinary bel canto singer, one of the most famous singers in Europe in the 1830s and 40s.
	en.allexperts.com /e/g/gi/giovanni_battista_rubini.htm (325 words)

	Rubini, Giovanni Battista - Musical Biographies
		Rubini next revisted Italy, stopping at Vienna, and in the winter of 1844 returned to Russia.
		Rubini owed his celebrity entirely to his voice and his control of it, as he lacked the gifts of dramatic ability and pleasing stage presence.
		Rubini had many followers who copied certain peculiarities of style natural to and original with him, which, when imitated, became caricatures, and injured his traditional reputation to some extent, but unjustly.
	www.tribalsmile.com /music/article_420.shtml (528 words)

	Rubini Giovanni Battista - Risultati della ricerca - MSN Encarta
		Giovanni Battista (Nazareth tra l'8 e il 4 a.C. 27 ca. d.C.), predicatore e profeta; santo.
		Giovanni Battista de La Salle (Reims 1651 - Rouen 1719), pedagogista francese; santo.
		Dopo aver preso i voti divenne canonico della cattedrale di...
	it.encarta.msn.com /Rubini_Giovanni_Battista.html (66 words)

	Review/Opera; How Bellini's Second Thoughts Were Really First - New York Times
		Such is the history of "La Straniera." The composer's fourth opera, written in 1828, was originally conceived for Giovanni Battista Rubini, owner of the high, liquid tenor apparatus then in operatic favor.
		Bellini had also written "Il Pirata" with Rubini's voice in mind, but when it became clear that the tenor was not free to sing the premiere of "La Straniera" at La Scala in Milan, the tenor role of Arturo was composed in a downward version for the tenor Domenico Reina.
		Rubini did sing "La Straniera" later on, and Bellini rewrote the tenor part for him, including ancillary alterations in orchestration and key relationships.
	query.nytimes.com /gst/fullpage.html?res=9F0CE6D71E3BF933A25751C0A965958260 (586 words)

	The Cardinals of the Holy Roman Church - Consistories of the XVII Century (Site not responding. Last check: 2007-10-20)
		Giovanni Garzia Millini, titular archbishop of Colosse, auditor of the Sacred Roman Rota.
		Giovanni Battista Pamphili, titular patriarch of Antioch, auditor of the Sacred Roman Rota, nuncio in Spain.
		Giovanni Battista Maria Pallotta, titular archbishop of Tessalonica, nuncio in Austria.
	www.stjohnxxiii.com /Cardinals/The_Cardinals_of_the_Church/consistories-xvii.htm (4610 words)

	Papa Clemente XI - Wikipedia
		Stemma pontificio di Clemente XI Papa Clemente XI Clemente XI, nato Giovanni Francesco Albani ( Urbino, 23 luglio 1649 â“ Roma, 19 marzo 1721), fu Papa dal 1700 al 1721.
		La Santa Sede, consapevole dell'incombente conflitto, si rese anche conto che i contrasti tra le fazioni filofrancese e filoimperiale all'interno del Sacro Collegio avrebbero potuto paralizzare a lungo i lavori del Conclave, con conseguenze disastrose all'interno della Chiesa in generale e dello Stato Pontificio in particolare.
		Il Conclave si aprÃ¬ il 9 novembre e il giorno 23 successivo, pochi giorni dopo la proclamazione di Filippo d'AngiÃ² a Re di Spagna, fu eletto come successore di Innocenzo XII il Cardinale Giovanni Francesco Albani, marchigiano, la cui scelta fu certamente il frutto di un compromesso tra i due schieramenti.
	it.wikipedia.org /wiki/Papa_Clemente_XI (2131 words)

	Baltimore Opera Company
		He was born Giovanni Battista Rubini in Bergamo, Italy on 7 April, 1794 and showed musical talent early on, being accomplished not only as a singer, but also as a violinist.
		Rubini's voice, while naturally situated high, apparently was a mix of a chest resonance with a strengthened falsetto.
		Rubini retired from the stage in 1845 at the age of 51 and lived in a villa in Bergamo for the rest of his life, which is now a museum dedicated to his memory.
	www.baltimoreopera.com /education/studyguide/lasonnambula_08.asp (826 words)

	The Cardinals of the Holy Roman Church - Conclaves by century
		-Giovanni Battista Rubini, bishop of Vincenza, legate in Urbino.
		-Giovanni Battista Tolomei, S.J. -Benedetto Odescacalchi Erba, archbishop of Milan.
		-Giovanni Battista Tolomei, S.J. -Benedetto Odescalchi Erba, archbishop of Milan.
	www.fiu.edu /~mirandas/conclave-xviii.htm (2302 words)

	OPERA: VINEYARD SHOP PRESENTS 'GIANNI DI PARIGI' - New York Times
		Donizetti composed it on his own, hoping to tempt Giovanni Battista Rubini with its juicy tenor part.
		Rubini turned elsewhere, leaving the piece to lie unperformed until 1839 - in a poorly received production at La Scala in which the composer took no part.
		Given the great Rubini's inspiration, it is a shame that the Vineyard could not have cast a Gianni with more dash and vocal flexibility.
	query.nytimes.com /gst/fullpage.html?res=9806E7DD173BF93AA35751C1A963948260 (592 words)

	cardR
		15); Segretario della Sacra Consulta; Giovanni a Porta Latina, 1666 marzo 15.
		ROCHE (DE) TAISLE GIOVANNI (+1437 mar. 24 a Bologna — creato da Martino V nel 1426 maggio 24); Arcivescovo di Rouen; Lorenzo in Lucina, 1426 maggio 24.
		ROLANDI GIOVANNI (+1388 - creato dall’antipapa Clemente VII nel 1385 luglio 12); Vescovo di Amiens; titolo (?); Frascati, 1385.
	www.araldicavaticana.com /cardR.htm (4429 words)

	RUBINI di Spessa
		Robino Rubini era nonno di Camillo, Guardian Grande dell'Arciconfraternita di San Rocco, nel 1614.
		Osvaldo Rubini nel 1700 si trasferisce da Venezia a Teglio Veneto e continua l'attività della famiglia nel campo della seta.
		Pietro Rubini, che dopo aver vissuto per gran parte della sua vita all'estero, tra l'Africa e l'America, ritornò negli anni '50 a Spessa dove diventò Presidente Fondatore del Consorzio Tutela Vini DOC Colli Orientali del Friuli.
	www.villarubini.net /italiano/tenuta.html (349 words)

	The Bel Canto Clarinettist
		The term bel canto did not enter the musical vocabulary until the mid nineteenth century, and it was coined to describe, in retrospect, the style of singing cultivated in Italy through the 17th and 18th centuries.
		The bel canto ideal was control and beauty of tone (glorification of the voice for the voice's sake) and the exploitation of the voice's gymnastic possibilities.
		Some were not above adding their own bit of spice to a performance and it was reported that Giovanni Bimboni (1813-1893) was in the habit of doing a grand improvisation to herald a singer's aria which provoked a frenzy of applause.
	www.clarinet.demon.co.uk /belcanto.htm (586 words)

	Rubini, Giovanni Battista -- Encyclopædia Britannica
		Rubini showed early musical promise and was engaged as violinist and chorister at the Riccardi Theatre in Bergamo at the age of 12.
		Italian artist Giovanni Battista Cipriani was noted for his historical paintings and murals and especially for his pen and ink drawings.
		The Italian Renaissance court poet Battista Guarini, along with Torquato Tasso, is credited with establishing a new literary genre, the pastoral drama.
	www.britannica.com /eb/article?eu=65987&tocid=0&query=nicholas,%20czars%20of%20russia (517 words)

	Rubini Giovanni Battista
		Spettacolo.; Rubini, Giovanni Battista - MSN EncartaRubini, Giovanni Battista (Romano di Lombardia, Bergamo 1794-1854), tenore italiano.
		Giovanni Battista Rubini in uniforme da colonnello dello Zar Nicola IÂ°...; Giovanni Battista RubiniArena di Verona Official Reseller, throught this site you can buy tickets online and book Hotels in Verona with instant confirmation.; Rubini, Giovanni BattistaRubini, Giovanni Battista.
		Rubini, Giovanni Battista:: Licida, Niobe: Il Cavaliere del Leopardo, Il talismano, ossia La Terza...; CERCA NEL SITO.
	xoomer.alice.it /c4tcvi/images/udatarofe (136 words)

	Collins, Count Fosco, and the Concertina
		But therein does not lie his greatest merit … That which raises Signor Regondi above other performers, is the sentiment and expression by which he assimilates his instrument to the human voice, and sings in a manner to rival the effects of the greatest singers.
		Thus while those of Collins’s mid-Victorian readers who were acquainted with the “English” would have known that it was an entirely home-grown instrument, it was with the Italian Regondi that the instrument had, to a certain extent, become synonymous, and it was with him that they would have immediately associated it.
		Giovanni Battista Rubini (1794–1854) was one of the great tenors of the period, and was extremely popular in London from 1831 to 1843 (he retired in 1845).
	www.concertina.com /atlas/collins-countfosco (1798 words)

	Baltimore Opera Company
		Laying the blame for the high F on Rubini himself makes sense, considering how closely tailored early nineteenth-century operas were for individual singers; often the cast and the number of arias for each singer were decided before the plot or even the librettist was chosen.
		In fact, an influential singing treatise of the period names Rubini as, literally, the textbook example of the type of very high tenor called the tenor-contraltino in Italian (haut-contre in French), suggesting that Rubini's voice was more norm than anomaly.
		In fact, it seems that register shifts were only one of a number of "disjunctions" that Rubini cultivated; critics of the time speak of sudden shifts in volume, constant melodic ornamentation of the written line, and especially sobs and sighs with which he would break up a phrase.
	www.baltimoreopera.com /education/studyguide/ipuritani_04.asp (1724 words)

	FanFaire Press Room
		Both of them sang in other Bellini premieres (Pasta was the first Norma and Rubini the first Arturo in I Puritani, for instance), but this was the only time he wrote for the two of them together, and he made the most of it, with duets of spellbinding beauty and bel canto intricacy.
		This unusual situation stems from the special difficulty of the tenor role written for Rubini, whose intense, poetic singing enchanted Chopin, Heine, Rossini, Liszt and a whole generation of audiences.
		Rubini had one of the highest tenor voices of the 19th century, and Bellini gave a limpid, almost ethereal color to the score by using that high range lavishly in the most delicate as well as the most passionate passages.
	www.ffaire.com /pr/pr-opera/caramoor-belcanto1.htm (2968 words)

	W02
		Henriette Méric-Lalande - Giovanni Battista Rubini - Luigi Lablache - Gaetano Chizzola - - - -
		Emilia Bonini - Giuseppe Frezzolini - Domenico Cosselli - Giovanni Batista Verger - Luigi Garofolo - Anna Scudellari - Agnese Loyselet -
		Adelaide Tosi - Giovanni Battista Rubini - Luigi Lablache - Gaetano Chizzola - - - -
	www.euro-opera.de /W_NN_D.html (695 words)

	Sheet music downloads - Rubini
		Giovanni Battista Rubini was a distinguished Italian tenor remembered as the major early exponent of the Romantic style of Vincenzo Bellini and Gaetano Donizetti.
		Rubini showed early musical promise and was engaged as violinist and chorister at the Riccardi Theatre in
		Rubini is remembered as an extraordinary singer, one of the most famous singers in
	www.everynote.com /rubini/391.html (234 words)

	Gonzaga - La Celeste Galeria
		Successivamente, i rapporti sempre più stretti con la corte di Firenze (nel 1584 Vincenzo sposò Eleonora de' Medici) arricchirono tale predisposizione anche con il gusto per la componente più squisitamente fiorentina del canto a solo con accompagnamento di chitarrone.
		La sua presenza a Pisa durante i preparativi dell'Orfeo e delle feste per le nozze del fratello Francesco con Margherita di Savoia (1608) favorì l'infittirsi dei contatti con la corte dei Medici, e in concreto l'arrivo a Mantova di virtuosi quali il castrato Giovanni Gualberto Magli e il contralto Antonio Brandi.
		Duraturo fu poi il legame con Marco da Gagliano, che per lui assunse i ruoli di compositore, di guida 'didattica' nelle attività compositive e di intermediario.
	www.mostragonzaga.it /italiano/mostra/musica.html (762 words)

	Allan W. Atlas -- Collins, Count Fosco, and the Concertina
		But therein does not lie his greatest merit … That which raises Signor Regondi above other performers, is the sentiment and expression by which he assimilates his instrument to the human voice, and sings in a manner to rival the effects of the greatest singers.
		Thus while those of Collins’s mid-Victorian readers who were acquainted with the “English” would have known that it was an entirely home-grown instrument, it was with the Italian Regondi that the instrument had, to a certain extent, become synonymous, and it was with him that they would have immediately associated it.
		Giovanni Battista Rubini (1794–1854) was one of the great tenors of the period, and was extremely popular in London from 1831 to 1843 (he retired in 1845).
	www.maccann-duet.com /atlas/atlas-collins-countfosco.htm (1712 words)

	Classics Today.com - Your Online Guide to Classical Music
		Donizetti’s “Anna Bolena” was first presented in 1830 in Milan with arguably the world’s greatest soprano and tenor — Giuditta Pasta and Giovanni Battista Rubini — as Anna and Percy.
		It continued to be performed now and then until the end of the 19th century, after which it lay dormant until it was mounted at La Scala in 1957 for Maria Callas, a moment which is sometimes acknowledged to have officially sparked the bel canto revival.
		The voice is a genuine lyric but with a nice “ping” at the top; a bit more involvement in the text would make him a very valuable addition to the tenor world.
	www.classicstoday.com /Classics/ConcertReview_ASPFiles/ViewConcertReview.asp?Action=User&ID=376 (542 words)

	The Episcopal Lineage of Pope Clement XI
		POPE CLEMENT XI Giovanni Francesco Albani, Pope Clement XI.
		Consecrated 30 November 1700 in Saint Peter`s Basilica by Emmanuel Théodose Cardinal de la Tour d`Auvergne de Bouillon, Bishop of Porto e Santa Rufina, Sub-dean of the Sacred College of Cardinals, assisted by Nicolo Cardinal Acciaiuoli, Bishop of Frascati, and Gaspare Cardinal Carpegna, Bishop of Sabina.
		Consecrated 20 November 1689 in the Basilica of Santa Maria Maggiore, Rome, by Flavio Cardinal Chigi, assisted by Giovanni Battista Rubini, Bishop of Vicenza, and Francesco Giusti, Bishop of Sutri.
	mysite.verizon.net /res7gdmc/aposccs/id18.html (169 words)

	Donizetti Turns 200
		But his first major success came only in 1830 with the premiere of Anna Bolena at the Teatro Carcano in Milan.
		The cast included such operatic luminaries as Giuditta Pasta and Giovanni-Battista Rubini.
		The work was so well-received, it was soon given as far afield as Paris, London, Madrid, Dresden and Havana.
	calendrier-aide.scena.org /lsm/sm3-3/sm3-3donizetti.html (1188 words)

	Storia dell'Accademia Filarmonica di Bologna (Site not responding. Last check: 2007-10-20)
		Giovanni Paolo Colonna, Pietro degli Antoni, Giovanni Battista Vitali, that is to say some of the most reputed musicians of the century.
		During the early years those feasts were held in various churches of the town-, in accordance with the Founder's testamentary dispositions,
		Giuseppe Martucci, Giovanni Sgambati, Ferruccio Busoni, Ottorino Respighi.
	www.comune.bologna.it /iperbole/accfilbo/testi/storia-english.htm (1414 words)

	Giuseepe Sabbatini Review - I Puritani, Turin 1996
		A tal riguardo merita analizzare con occhio didattico l'interessante prestazione offerta da Giuseppe Sabbatini nei panni di Arturo.
		Per la seconda volta nella sua carriera dopo l'edizione di Londra del 1992 alle prese con uno dei più impegnativi ruoli tenorili del repertorio ottocentesco, Sabbatini affronta il personaggio con la volontà di recuperare quello stile di canto alato, delicatamente astratto che era proprio del mitico Giovanni Battista Rubini, creatore della parte.
		Raramente capita di ascolatare il recitativo e la dolente romanza che apre il terzo atto con una gamma di colori, accenti e messe di voce così varia e fantasiosa, dove ogni parola acquista nel canto, il suo dovuto spessore espressivo.
	www.jcarreras.homestead.com /SabbatiniRevPuritaniTor96.html (771 words)

	Opera Today : DONIZETTI: Marino Faliero (Site not responding. Last check: 2007-10-20)
		With Rossini entrenched in a position of power in the musical life of Paris, he extended invitations to both Bellini and Donizetti to compose new works for the 1834-1835 season.
		They were splitting their seasons between Paris (autumn and winter) and London (spring and early summer), often performing as a unit.
		It would be unkind to discuss his attempts at the high Ds in the tenor role, which had been created by Rubini.
	www.operatoday.com /content/2006/05/donizetti_marin.php (2230 words)

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