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Topic: Giovanni Bellini

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	Encyclopedia: Giovanni Bellini (Site not responding. Last check: 2007-11-07)
		GIovANNI BELLINI (143014311516) is generally assumed to have been the second son of Jacopo by his wife Anna; though the fact that she does net mention him in her will with her other sons has thrown some slight doubt upon the matter.
		Of Giovannis activity in the interval between the altar-pieces of San Giobbe and of Murano and that of San Zaccania, there are a few minor evidences left, though the great mass of its results perished with the fire of the ducal palace in 1577.
		Bellini painted this altarpiece for the sacristy in the Santa Maria Gloriosa dei Frari, one of the greatest churches of Venice.
	www.nationmaster.com /encyclopedia/Giovanni-Bellini (688 words)

	CATHOLIC ENCYCLOPEDIA: Bellini
		Giovanni preferred half-length figures even when a number of saints were grouped together; as, for example, in the pictures which represent Mary Magdalen and St. Catherine, or St. Paul and St. George, in company with the Madonna.
		Giovanni did not attempt to solve, even in his larger works, such difficult problems of perspective and of the gradation of light and shade as his brother undertook.
		Giovanni continued to learn even when he was old, although he was properly more often the teacher and never obscured his own individuality of style.
	www.newadvent.org /cathen/02416b.htm (2184 words)

	Biography
		Venetian painter, founder of the Venetian school of painting, Giovanni Bellini raised Venice to a center of Renaissance art that rivaled Florence and Rome.
		Giovanni and his brother Gentile probably began their careers as assistants in their father's workshop.
		The personal components of Bellini's style, which became fundamental to the character of Venetian Renaissance painting as a whole, found expanded scope and an altered form in his painting of the 1470s.
	www.kfki.hu /~arthp/bio/b/bellini/giovanni/biograph.html (739 words)

	ART / 4 / 2DAY
		It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation.
		When Giovanni's sister Nicosia married Andrea Mantegna in 1453, close relations between Venice and Padua were established, and Giovanni began to explore the physical and special representation of the Early Renaissance.
		Titian, Giovanni, whom Dürer on his second visit to Venice from 1505 till 1507 still called the greatest painter of his time, was of immeasurable significance for Venetian art in the 16th century.
	www.safran-arts.com /42day/art/art4nov/art1129.html (4072 words)

	All about giovanni bellini (Site not responding. Last check: 2007-11-07)
		With the transition to oil Bellini lost much of his severe style, though he retained his most identifying and lasting characteristic that is, his attention to, to the point of obsession with, the portrayal of natural light.
		Bellini expertly portrayed the elected ruler of Venice, the Doge Leonardo Loredan in portraiture.
		Bellini brought a new face to landscape, integrated principals of light and color on a monumental scale, fused earlier cannons of art with revolutionary technique, and up until his death, held the position of the primary painter of Venice, thwarting usurps from the younger generation of artists.
	www.webguru.com /giovanni-bellini.htm (997 words)

	BELLINI (Site not responding. Last check: 2007-11-07)
		Giovanni Bellini was the most important painter active in Venice in the late 15th Century.
		Giovanni was born in Venice in 1430 where he was later raised by his mother and father, Jacopo Bellini and Anna Reversi.
		Bellini is remembered for the realistic landscapes and the harmony of light, colour, and mood.
	www.yesnet.yk.ca /schools/projects/renaissance/bellini.html (287 words)

	Giovanni Bellini
		GIOVANNI BELLINI, like his brother Gentile Bellini, began his career as an assistant in the studio of his father, Jacopo Bellini (c.
		He was later influenced by Donatello (to whose works he was exposed while executing with his father and brother the Pala Gattamelata for the Church of Sant'Antonio da Padova) and by the work of his sister's husband, Andrea Mantegna.
		Giovanni Bellini's six or seven canvases in the series, acclaimed as among his masterpieces, were destroyed in the devastating Palace fire of 1577.
	www.boglewood.com /cornaro/xgbellini.html (494 words)

	Giovanni Bellini Online
		Bellini's students included Giorgione, Titian, Sebastiano del Piombo, Giulio Campagnola, Giovanni Mansueti and Girolamo Santacroce.
		Giovanni Bellini at the Metropolitan Museum of Art, New York City
		All images and text on this Giovanni Bellini page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/bellini_giovanni.html (441 words)

	CGFA- Bio: Giovanni Bellini
		Giovanni Bellini was a Venetian painter who was the presiding genius of early Renaissance painting in Venice, and an artist of world rank.
		Born in Venice, Giovanni Bellini began as an assistant in his father's workshop and continued painting into his mid-80s, gaining steadily in achievement and recognition.
		These personal components of Bellini's style, which became fundamental to the character of Venetian Renaissance painting as a whole, found expanded scope and an altered form in his painting of the 1470s.
	sunsite.auc.dk /cgfa/bellini/bellini_bio.htm (605 words)

	Ruskin MP I Notes (Site not responding. Last check: 2007-11-07)
		Giovanni Bellini, ?1431-1516, Venetian painter, was the brother of Gentile Bellini.
		As far as Vasari was concerned, the fact that Giovanni Bellini had not studied the art of the ancients led to a 'hard, dry and laboured style'.
		For Ruskin on Giovanni Bellinim, as for Reynolds, he is the last of the artists of the old style - a definitive pre-Raphaelite, perhaps - but for Ruskin, though not for Reynolds, the change which followed was a change for the worse
	www.comp.lancs.ac.uk /computing/users/rgg/ruskin/Results/notes/bbellini01.htm (227 words)

	In Italy Online - Giovanni Bellini
		Giovanni spent his childhood working as an apprentice in the very successful workshop of his father Jacopo, during the years when the decoration of St. Mark's Basilica was in full swing.
		Giovanni was deeply impressed by his brother-in-law's evolutionary work, just as he was later amazed by the ability of Piero della Francesca and Antonello da Messina to place groups of people within complex three-dimensional settings, something that had been virtually unknown just a few years before.
		By the time Titian was starting his career, the elderly Bellini was breaking new ground again by adding mythological and allegorical scenes to the religious ones that had dominated the art of the fifteenth century.
	www.initaly.com /regions/veneto/bellini.htm (551 words)

	ArtLex on the Earlier Renaissance Art
		Giovanni Bellini, Madonna with Saints, 1505, altar painting: oil on wood panel, transferred to canvas, 158 1/2 x 102 1/2 inches (402 x 273 cm), church of St. Zaccaria, Venice.
		Giovanni Bellini's Madonna with Saints is painted on the wall above a side altar in Venitian church of San Zaccaria.
		This exceptionally fine frame has a painted lunette by Bartolomeo di Giovanni, who not only collaborated with Botticelli on at least one occasion but copied this picture as well.
	www.artlex.com /ArtLex/r/renaissance.earlier.html (1046 words)

	Giovanni Bellini
		"Brother of Gentile and son of Jacopo, Giovanni Bellini was probably the greatest of the Bellini dynasty.
		In 1506, when Giovanni was 76, Dürer wrote that he was 'very old but still the best in painting'.
		Bellini portrayed the elected ruler of Venice, the Doge Leonardo Loredan.
	www.artchive.com /artchive/B/bellini.html (244 words)

	Cima, Giovanni Battista - Hutchinson encyclopedia article about Cima, Giovanni Battista (Site not responding. Last check: 2007-11-07)
		His work resembles that of Giovanni Bellini, whose studio foreman he is said to have been.
		Cima was a prolific artist, and there are paintings by him in various churches in Venice and a number of galleries, including Milan, Munich, Dresden, the Louvre, and the National Gallery, London.
		This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
	encyclopedia.farlex.com /Cima,+Giovanni+Battista (140 words)

	WebMuseum: Bellini, Giovanni
		The founder of the Venetian school of painting, Giovanni Bellini raised Venice to a center of Renaissance art that rivaled Florence and Rome.
		Four triptychs (a triptych is a set of three panels used as an altarpiece) in the Venice Accademia and two Pietas, both in Milan, are all from this early period.
		altarpiece, which is still in the church of Santi Giovanni e Paolo in Venice, was painted in the mid-1470s.
	www.ibiblio.org /wm/paint/auth/bellini (538 words)

	Giovanni Artworks and Fine Art at arthistorynet.com
		Giovanni Boldini, Recto: Portrait Study of a Woman in Profile
		Giovanni Paolo Lasinio, pl. 14 from Memorial exercises for Cosimo de" Medici, 19th century
		Giovanni Lanfranco A painter in Parma, Rome and Naples (1582 — 1647)
	www.absolutearts.com /masters/g/giovanni.html (780 words)

	Giovanni Bellini - Allegory Of Purgatory
		As one cannot enjoy Dante's poetry to the full without learning some of his basic hidden meanings, so an understanding of pictorial symbolism can be made to enrich one's total enjoyment of pictures where it plays an important role.
		Without attempting to explain the meanings of Bellini's Allegory in detail, we may notice it as an example of how symbolism can be woven into design.
		The same symbols could be mere dead hieroglyphics, but here they are built into a complex, visible world of solid forms in deep space, capable of giving, as one looks, the mystic illusion that one is actually present in that strange twilight limbo of waiting souls called Purgatory.
	www.oldandsold.com /articles12/paintings-52.shtml (551 words)

	BBC - Painting the Weather - Agony in the Garden (Site not responding. Last check: 2007-11-07)
		The sun’s rays gradually fill the sky, softly touching the underside of the clouds, and tinting them pink.
		Bellini was one of the first artists to base his representation of nature on such close observation of the real world.
		Any form of reproduction, transmission, performance, display, rental, lending or storage in any retrieval system of the images displayed on this website without the written consent of the copyright holders is prohibited.
	www.bbc.co.uk /paintingtheweather/csv/painting/agony.shtml (150 words)

	NGA - The Feast of the Gods
		This famous canvas formed the key element in one of the finest domestic decorative schemes of the Italian Renaissance, the private study of Alfonso d'Este, duke of Ferrara.
		The duke commissioned the two leading painters from Venice -- first Giovanni Bellini and, later, his former pupil Titian -- to depict bacchanals or revelries with mythological themes for the study.
		Giovanni Bellini and Titian, The Feast of the Gods, 1514/1529
	www.nga.gov /collection/gallery/gg17/gg17-main1.html (116 words)

	CATHOLIC ENCYCLOPEDIA: Sebastiano Del Piombo
		He was known as del Piombo, from the office, conferred upon him by Clement VII, of keeper of the leaden seals.
		He was a pupil of Giovanni Bellini, and later on of Giorgione.
		It was on Giorgione's recommendation that he entered the studio of Bellini and, later, worked with Giorgione in his own studio.
	www.newadvent.org /cathen/12104b.htm (659 words)

	Haber's Art Reviews: Nature, Artifice, and Giovanni Bellini's Sunlight
		Bellini has somehow encompassed both the ecstasy that was held to accompany the stigmata and the solitude and community with nature of a life spent in contemplation.
		To ask how Bellini could combine the richness and austerity of the saint's legend is to look for the subject of the painting, and art historians cannot agree on one.
		Bellini's innovations take the naturalism of these features as one pole, the figure as another.
	www.haberarts.com /francis.htm (1643 words)

	Titian on Encyclopedia.com (Site not responding. Last check: 2007-11-07)
		Of the very first rank among the artists of the Renaissance, Titian had an immense influence on succeeding generations of painters, especially in his use of color.
		After the deaths of Giorgione and of Giovanni Bellini, Titian was established as the finest painter in Venice.
		The first is marked by the strong influence of Giovanni Bellini and Giorgione, exemplified in the so-called Sacred and Profane Love (c.1513; Borghese Gall., Rome) and in the Madonna of the Cherries (c.1515; Vienna).
	www.encyclopedia.com /html/section/Titian_LifeandWorks.asp (1437 words)

	Giovanni Bellini Artworks and Fine Art at arthistorynet.com
		Madonna and Child with Saints Giovanni Bellini and Workshop (Italian, Venetian, active by 1459, died
		The Circumcision, 1511 Workshop of Giovanni Bellini (Italian, Venetian, active by 1459, died 1516)Oil on
		Bellini, Giovanni: Madonna with saints Bellini, Giovanni Madonna with saints 1505 (180 Kb); Altar...
	www.absolutearts.com /masters/b/bellini-giovanni.html (296 words)

	Gentile Bellini (Site not responding. Last check: 2007-11-07)
		GENTILE BELLINI is often seen in the shadow of his father Jacopo Bellini (c.
		1400-70), a Venetian pioneer in the use of oil paint as an artistic medium, his acclaimed brother Giovanni Bellini, and his brother-in-law Andrea Mantegna ("the most classical artist in all Italy," in the view of arts historian Paul Holberton).
		The early art historian Giorgio Vasari reports that Gentile Bellini himself travelled, 1479, to Constantinople, where his skills were praised and richly rewarded by the Turkish ruler.
	www.boglewood.com /cornaro/xgentilebellini.html (170 words)

	Jacopo, Giovanni, and Gentile Bellini - Biography and Gallery of Art
		Jacopo Bellini, painter of Venice, was a pupil of Gentile
		Giovanni was put in its place, but not so good or so well executed as
		Giovanni had many pupils, because he taught all with pleasure.
	www.artist-biography.info /artist/bellini (3417 words)

	Giovanni Bellini found Swiftly (Site not responding. Last check: 2007-11-07)
		Bellini Family of Venetian painters, including Jacopo, most of whose works have been lost, and his two sons, Gentile and Giovanni.
		Giovanni Bellini art prints and posters from Easyart.com.
		Browse all your favorite Giovanni Bellini posters, art prints and framed art at Art.com, the...
	www.rlps.co.uk /classic/giovanni_bellini.html (354 words)

	Annotated bibliography
		The video illustrates the restoration in progress, use of some techniques, the interpretation of the data and shows, on location in Italy, other paintings by Bellini and Titian in Venice and Alfonso's palace in Ferrara.
		Goodgal (1987) concluded the painting was damanged, but we present the theory of David Bull that it wasa stylistic change.
		Walker, John, Bellini and Titian at Ferrara: A Study of Styles and Taste, Yale University Press, London, 1966.
	webexhibits.org /feast/bibliography.html (962 words)

	BBC - Painting the Weather - Bellini
		Born into a family of painters, Giovanni Bellini became the leading Venetian artist of his time.
		During a long and prolific career, his large workshop mainly produced altarpieces, devotional paintings and portraits.
		In 1483, Bellini was made official painter to the Republic of Venice.
	www.bbc.co.uk /paintingtheweather/csv/artist/bellini.shtml (132 words)

	WebMuseum: Bellini, Giovanni
		Giovanni Bellini was born in Venice, Italy, in about 1430.
		Giovanni and his brother probably began their careers as assistants in their father's workshop.
		He achieved a certain richness by layering colors in new and varied ways.
	sunsite.unc.edu /wm/paint/auth/bellini (538 words)

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