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Topic: Giovanni Caccini

	Giulio Caccini - Wikipedia, the free encyclopedia
		With Caccini's abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody—an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments—which was a revolutionary departure from the polyphonic practice of the late Renaissance.
		Caccini's character seems to have been less than perfectly honorable, as he was frequently motivated by envy and jealousy, not only in his professional life but for personal advancement with the Medici.
		Caccini's achievement was to create a type of direct musical expression, as easily understood as speech, which later developed into the operatic recitative, and which influenced numerous other stylistic and textural elements in Baroque music.
	en.wikipedia.org /wiki/Giulio_Caccini (918 words)

	Giovanni Battista Caccini ( - ) Artwork Images, Exhibitions, Reviews
		Giovanni Battista Tiepolo, Cherub, circa 1740 - 1745
		Giovanni Battista Canossa, Pilate and the Pharisees, 1706
		Giovanni Battista Caccini / Phalaris and the Bull of Perillus / 1590/1600
	wwar.com /masters/c/caccini-giovanni_battista.html (262 words)

	Caccini - Wikipedia, the free encyclopedia
		Francesca Caccini (1587–1640?), Giulio's daughter, and a well-known opera composer in the early 17th century;
		Giovanni Caccini, Florentine sculptor of the late Renaissance, possibly related to Giulio;
		Tommasso Caccini (1574–1648), Dominican friar who denounced Galileo from the pulpit.
	en.wikipedia.org /wiki/Caccini (158 words)

	Giulio Caccini biography .ms (Site not responding. Last check: 2007-11-06)
		With Caccini's abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody--an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments--which was a revolutionary departure from the polyphonic practice of the late Renaissance.
		Caccini's most influential work was a collection of madrigals and songs for solo voice and basso continuo, published in 1601 (old style), called Le nuove musiche.
		It includes musical examples of ornaments--for example how a specific passage can be ornamented in several different ways, according to the precise emotion that the singer wishes to convey; it also includes effusive praise for the style which he himself invented, and amusing disdain for the work of more conservative composers of the period.
	giulio-caccini.biography.ms (871 words)

	HOASM: Francesco Caccini
		Francesca Caccini, often called "La Cecchina" ("The Songbird"), was born in Florence, Italy, on the eighteenth of September, 1587.
		Music was a huge part of Francesca's life from almost before her birth, as her father, Guilio Caccini, was a well respected and prolific composer, and her mother, Lucia Gagnolanti, was a singer herself.
		Francesca's musical training began early, and she was known to have played the keyboard, lute, guitar, and harp, in addition to her singing for which she was most famous.
	www.hoasm.org /VA/CacciniF.html (764 words)

	HOASM: Giulio Caccini (Site not responding. Last check: 2007-11-06)
		After instruction with Giovanni Animuccia in Rome, he studied with Scipione delle Palle in Florence, under Medici patronage.
		During the 1570s and 1580s he began a celebrated association with the "camerata" of Florence, and partly under the influence of its members--including Vincenzo Galilei and Bardi--he began composing in a vocal style that, as he declared, more closely approximated speech.
		Beginning about 1610 Caccini frequently took part in chamber concerts for Grand Duke Ferdinando de' Medici; 1610 was also the year in which he was made director of sacred music at S. Nicola.
	www.hoasm.org /IVD/Caccini.html (244 words)

	Firenze nel 600 e 700 (Site not responding. Last check: 2007-11-06)
		Caccini even reproduced the details of Brunelleschi's language such as the conclusion of the corner pillars derived from the transepts of the churches of San Lorenzo and Santo Spirito.
		Precious cladding became the dominant theme in the chapel of the Princes, situated on the longitudinal axis of the church of San Lorenzo and conceived as its scenic conclusion (even though the wall between the chapel and church was never torn down).
		For the occasion, the statues of the four seasons by Pietro Francavilla, Giovanni Caccini and Taddeo Landini, were placed at the ends of the Ponte Santa Trinita, as were the two inlaid "needles" by Seravezza set in Piazza Santa Maria Novella where the traditional "palio dei Cocchi" race was held.
	www.firenze.turismo.toscana.it /apteng/itinerari/fi600700text.html (10748 words)

	Journal of Seventeenth-Century Music \| Vol. 9 No. 1 \| Carter: Rediscovering Il rapimento di Cefalo
		Caccini, Cavalieri, and Peri—and also the poet Ottavio Rinuccini—were concerned each to claim precedence for their achievements prior to and within their published work, and also to explain theoretical and practical novelties for the uninitiated, the ill-informed, or the skeptical.
		Giovanni de’ Bardi, a loyal servant of His Highness, asked me with amazement, how it is possible that His Highness had not made use of Bernardo [Buontalenti] and of me and failed to follow the example of the comedy of the wedding [of 1589] by having a comedy with intermedi, using Guarini also.
		She had married Caccini by the time the family made its tour to France in Autumn 1604; in the preface to Le nuove musiche (the dedication is dated 1 February 1601/2), however, Caccini refers (with some respect) to his “moglie passata,” i.e., Lucia, who was excellent in performing trilli.
	sscm-jscm.press.uiuc.edu /jscm/v9/no1/Carter.html (10175 words)

	Bardi, Giovanni, Conte Di Vernio -- Encyclopædia Britannica
		The Italian Renaissance sculptor Bertoldo di Giovanni was a student of Donatello and a teacher of Michelangelo.
		He was Giovanni Cimabue, who brought Byzantine religious art to its peak by adding drama to its traditional splendor and more human characteristics to the figures of the saints.
		Italian journalist and novelist Giovanni Guareschi achieved fame as the founder and editor of the satirical paper Candido.
	www.britannica.com /eb/article?tocId=9013340 (715 words)

	" Podere Torcilacqua " farm in Tuscany, produces olive oil and wine (Site not responding. Last check: 2007-11-06)
		In 1050 Giovanni Gualberto, founder of the Vallombrosian order, gave new life to the Badia increasing its influence on the church in Tuscany.
		In 1499 Giovanni, after becoming Pope taking the name of Leo X, gave the Abbey back to the monks for a considerable yearly tribute.
		There are notable works of art in the Badia: the statue of Giovanni Gualberto by Giovanni Battista Caccini, paintings by Domenico Cresti, known as "Passignano", frescoes by Alessandro Allori and Ghirlandaio.
	www.torcilacqua.it /sights.htm (185 words)

	Giovanni Caccini ( - ) Artwork Images, Exhibitions, Reviews
		Giovanni Battista Piranesi, Veduta della Facciata della Basilica di S.Giovanni Laterano (View of the Facade of the Basilica of S. Giovanni Laterano) from the series Veduta di Roma, ca.
		Giovanni Lanfranco (Giovanni di Stefano), The Adoration of the Magi, from the series after the frescoes by Raphael in the Vatican Loggia, 17th century
		Giovanni Lanfranco (Giovanni di Stefano), The Expulsion of Adam and Eve, from the series of etchings Biblical Scenes, after the frescoes by Raphael in the Vatican Loggia, 1638
	wwar.com /masters/c/caccini-giovanni.html (537 words)

	Animuccia, Giovanni -- Encyclopædia Britannica (Site not responding. Last check: 2007-11-06)
		The founder of the Venetian school of painting, Giovanni Bellini raised Venice to a center of Renaissance art that rivaled Florence and Rome.
		The Italian novelist, short-story writer, and playwright Giovanni Verga is considered the most important figure of the Italian verismo, or realist, school of novelists.
		His reputation was slow to develop, but modern critics have judged him one of the greatest of all Italian novelists.
	www.britannica.com /eb/article?tocId=9002273 (640 words)

	Il Rossignolo - discography (Site not responding. Last check: 2007-11-06)
		He was the son of Michelangelo Caccini, a carpenter (or wood merchant) who had moved, for reasons unbeknownst to us, from Montopoli in val d'Arno, his place of birth and florentine territory at the time, to Tivoli; he was baptized in Rome at the Church of San Giovanni dei Fiorentini on February 19, 1548.
		A typical eighteenth-century man of culture, Padre Giovanni Battista Martini (1706 - 1784) was a musical theoretician, teacher, composer, scholar of phisical and mathematical sciences, an encyclopedic mind in the noblest and most complete sense of the word.
		A teacher, composer, musical theorist, scholar of phisical and mathematical sciences, encyclopedic mind in the best and most complete sense of the word: Padre Giovanni Battista Martini was without question the greatest and most authoritative figure in European musical culture during the eighteenth century.
	www.ilrossignolo.it /index.cfm?lang=eng&x=discography (1385 words)

	Thais - Caccini Giovanni - L' Estate
		Molto più personale è la reazione del Caccini alla tradizione fiorentina accademica, anche se par ignorare completamente le impennate giambolognesche; più che ai rilievi per le porte del duomo pisano, la sua fama è affidata alle allegorie del ponte sull'Arno, stilizzate secondo una sigla non priva di raffinata eleganza.
		Caccini worked in Florence and Pisa, his fame is based on the Allegories of the bridges across the Arno.
		Attivo a Firenze e a Pisa, la fama di Caccini è affidata alle allegorie del ponte sull'Arno.
	www.thais.it /scultura/sch00306.htm (85 words)

	Biography
		He knew the works of Giambologna at first hand and collaborated with one of Giambologna's pupil, Giovanni Caccini (1556-1612); this knowledge he passed on to his more gifted son.
		Pietro's technical expertise was quickly recognized in Rome, for he received prominent commissions in Santa Maria Maggiore, the most memorable being the handsome relief of the Assumption of the Virgin for the sacristy.
		Pietro Bernini had talent and phenomenal technical ability, and in some works, such as the Faun Teased by Cupids in the Metropolitan Museum in New York, a strong overlap with the first independent works of his son is apparent.
	gallery.euroweb.hu /bio/b/bernini/pietro/biograph.html (261 words)

	artnet.com: Resource Library: Caccini, Giovanni Battista (Site not responding. Last check: 2007-11-06)
		He was the pupil and assistant of Giovanni Antonio Dosio and probably moved with his master from Rome to Florence in November 1575, spending the rest of his life in Florence.
		He had become fully established by the late 1590s, and his predominance as a sculptor in Florence was assured by the move of his rival, Pietro Francavilla, to France in 1601.
		Of a secondary nature, Caccini’s rather obscurely documented work as an architect began in the 1590s and continued until his death.
	www.artnet.com /library/01/0129/T012910.asp (226 words)

	Giovanni Caccini Online
		Giovanni Caccini art links/last verified May 9/10, 2005
		Highbeam Research - Search Millions of Published Articles for Giovanni Caccini
		All images and text on this Giovanni Caccini page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/caccini_giovanni.html (94 words)

	Il Rossignolo - home (Site not responding. Last check: 2007-11-06)
		The ensemble's tasks also include musicological research and the publications resulting from such investigation as well as first recordings from the historical repertoire.
		After its first CD featuring a complete recording of the madrigals and canzonets of Orazio Caccini (worldwide recording premiere, 1989), Il Rossignolo is now releasing a series of CDs focusing on the italian repertoire of the early eighteenth century: first recordings of music by Vivaldi, G.B. Sammartini, both Scarlattis, Valentini, Bellinzani, and Padre Martini.
		In his roles as a researcher and an editor, he is working on editions of the complete madrigals of Orazio Caccini and the sonatas for flute and obbligato harpsichord by J.J. Quantz.
	www.ilrossignolo.it /index.cfm?lang=eng&x=discography (435 words)

	Music Timeline
		Giovanni Da Palestrina satisfies the pope's rigid requirements and creates a new spiritual style that legend says “saved polyphony” when he writes
		A group of musicians and intellectuals gather in Count Giovanni de Bardi's camerata (salon) and discuss and experiment with music drama.
		It is during this period that opera is born.
	www.factmonster.com /ipka/A0151192.html (2106 words)

	Giulio Caccini biography - 8notes.com (Site not responding. Last check: 2007-11-06)
		Giulio Caccini (c.1545 — December 10, 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the very late Renaissance and early Baroque eras.
		Search for other pieces by Caccini by entering text in the box below:
		Browse our extensive collection of free piano sheet music titles.
	www.8notes.com /biographies/caccini.asp (966 words)

	Encyclopedia article on Galileo Galilei [EncycloZine] (Site not responding. Last check: 2007-11-06)
		The method was first successfully applied by Giovanni Domenico Cassini in 1681 and was later used extensively for land surveys; for navigation, the first practical method was the chronometer of John Harrison.
		Before Galileo had trouble with the Jesuits and before the Dominican friar Caccini denounced him from the pulpit, his employer heard him accused of contradicting Scripture by a professor of philosophy, Cosimo Boscaglia, who was neither a theologian nor a priest.
		The first to defend Galileo was a Benedictine abbot, Benedetto Castelli, who was also a professor of mathematics and a former student of Galileo's.
	encyclozine.com /Galileo_Galilei (4270 words)

	Giulio Caccini Audio CDs: Music-Hills.com (Site not responding. Last check: 2007-11-06)
		Wolfgang Amadeus Mozart, Gioachino Rossini, Giulio Caccini, Guiseppe Giordani, Alessandro Parisotti, Ion Marin, Christopher Hogwood, Riccardo Chailly, GyÃ¶rgy Fischer, Lesley Schatzberger - Cecilia Bartoli - A Portrait
		Johann Michael Bach, Johann Sebastian Bach, Dietrich Buxtehude, Giulio Caccini, Salomon Franck, George Frideric Handel, Max Reger, Camille Saint-Saens, Arvids Klisans, Chamber Orchestra - The Organ of the Riga Domi: Bach, Reger, Handel, Caccini, et al.
		Giulio Caccini, Giuseppe Verdi, Camille Saint-Saens, Charles Gounod, Anton Bruckner, Francesco Paolo Tosti, Igor Stravinsky, Franz Schubert, Franz Liszt, Georges Bizet - Vyatcheslav Kagan-Paley (Slava) - Ave Maria
	www.music-hills.com /Giulio-Caccini (548 words)

	artnet.com: Resource Library: Silvani: (1) Gherardo Silvani (Site not responding. Last check: 2007-11-06)
		His early interest in sculpture led him to frequent, albeit for only a short time, the workshop of Valerio Cioli and Giovanni Bandini.
		He then made contact with Bernardo Buontalenti, with whom he collaborated on the production of the wooden models (destr.) for his Cappella dei Principi in the church of S Lorenzo and the pulpit for S Maria at Settignano, near Florence.
		On Buontalenti’s advice, Silvani sought admission to the circle of Giambologna, but on being refused, he allied himself to the school of Giovanni Battista Caccini, becoming his principal apprentice and later a collaborator, inheriting a large number of Caccini’s incomplete projects on the latter’s death in 1613.
	www.artnet.com /library/07/0787/T078765.asp (236 words)

	GIOVANNI CACCINI (Site not responding. Last check: 2007-11-06)
		Giovanni, figlio di Michelangelo, originario di Montopoli, dopo aver frequentato l’Accademia del disegno, diventò un celebre architetto e scultore.
		Fra sue opere, le due statue ornamentali dell’Estate e dell’Autunno per il ponte di Santa Trinita, il gruppo marmoreo di Carlo V e del Papa Clemente VII nel Salone dei Cinquecento, molte statue allegoriche nel giardino di Boboli, numerosi busti di personaggi dell'epoca.
		Giovanni Caccini: L’estate (Firenze, Ponte a Santa Trinita); San Giovanni Gualberto (Badia in Passignano)
	www.montopoli.net /giovanni_caccini.htm (86 words)

	►► Classical Music ►► Giulio Caccini
		by: Giulio Caccini, Giuseppe Verdi, Camille Saint-Saens, Charles Gounod, Anton Bruckner, Francesco Paolo Tosti, Igor Stravinsky, Franz Schubert, Franz Liszt, Georges Bizet
		by: Giulio Caccini, Antonio Caldara, Giacomo Carissimi, Vincenzo Ciampi, Francesco Durante, Giuseppe Giordani, Giovanni Legrenzi, Antonio Lotti, Benedetto Marcello, Louis Niedermeyer
		by: Giulio Caccini, Girolamo Frescobaldi, Giovanni Girolamo (Johann Hieronymus) Kapsberger, Claudio Monteverdi, Jacopo Peri
	www.bestgiftbuys.net /products-mode-classical-page_num-3-search_type-ArtistSearch-input_string-Giulio+Caccini-locale-us.html (227 words)

	►► Classical Music ►► Giulio Caccini
		by: Giulio Caccini, Wolfgang Amadeus Mozart, Richard Strauss, Mikulás Schneider-Trnavský, Gabriela Benacková, Ronald Schneider
		by: Antonio Brunelli, Giulio Caccini, Giovanni Francesco Capello, Enrico Radesca di Foggia, Giacomo Fornaci, Girolamo Marinoni, Giovanni Battista Muti, Cesare Negri, Premysl Vacek
		by: Giulio Caccini, Dario Castello, Giovanni Battista Fontana, Girolamo Frescobaldi, Isabella Leonarda, Biagio Marini, Giovanni Picchi, Marco Uccellini, Byron Schenkman, Ingrid Matthews
	www.bestgiftbuys.net /products-mode-classical-page_num-7-search_type-ArtistSearch-input_string-Giulio+Caccini-locale-uk.html (220 words)

	Vincenzo Bellini Gaetano Donizetti Gioachino Rossini Cecilia Bartoli James Levine Alessandro Scarlatti Antonio Caldara ... (Site not responding. Last check: 2007-11-06)
		Alessandro Scarlatti Antonio Caldara Antonio Lotti Antonio Cesti Giovanni Paisiello Anonymous Benedetto Marcello Giuseppe Giordani Giulio Caccini Alessandro Parisotti
		Antonio Vivaldi Giovanni Antonini Cecilia Bartoli Il Giardino Armonico
		Wolfgang Amadeus Mozart Gioachino Rossini Giulio Caccini Guiseppe Giordani Alessandro Parisotti Ion Marin Christopher Hogwood Riccardo Chailly György Fischer Lesley Schatzberger
	www.audio-obsessive.com /apf/search_type-SimilaritySearch-input_string-B00000DBTM-locale-us.html (186 words)

	Giovanni Battista Guarini (The Lied and Art Song Texts Page: Texts and Translations to Lieder, Mélodies, ...
		Giovanni Battista Guarini (The Lied and Art Song Texts Page: Texts and Translations to Lieder, Mélodies, Chansons and other Classical Vocal Music)
		Please visit Artsconverge, a Lieder-related web-project on which I once did some work.
		Ch'io non t'ami cor mio (Ch'io non t'ami cor mio) - Caccini, Pallavicino
	www.recmusic.org /lieder/g/guarini (870 words)

	MaximumEdge.com Marketplace - Classical Music - Giulio
		by: Johann Christian Bach, Giulio Caccini, Christoph Willibald Gluck, George Frideric Handel, Wolfgang Amadeus Mozart, Giovanni Pergolesi, Alessandro Scarlatti, Franz Schubert, Georg Philipp Telemann, Francesco Maria Veracini
		by: Bernardino Balletti, Giulio Cesare Barbetta, Giovanni Battista Della Gostena, Vincenzo Galilei, Giacomo Gorzanis, Francesco Canova da Milano, Simone Molinaro, Giovanni Antonio Terzi, Jakob Lindberg
		by: Giovanni de' Bardi, Giulio Caccini, Emilio de' Cavalieri, Cristofano Malvezzi, Luca Marenzio, Jacopo Peri, Matthias Werrecore, Paul van Nevel, Huelgas Ensemble, Katelijne van Laethem
	www.maximumedge.com /marketplace/mode-classical-page-6-search-ArtistSearch-string-Giulio.htm (174 words)

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