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	Giovanni Croce - Definition, explanation
		Croce wrote less music in the grand polychoral style than Andrea and Giovanni Gabrieli, and as a result his music has not maintained the same fame to the present day; however he was renowned as a composer at the time, and was a large influence on music both in Italy and abroad.
		Croce was particularly important in the development of the canzonetta and the madrigal comedy, and wrote a large quantity of easily singable, popular, and often hilarious music.
		Croce was one of the first composers to use the term capriccio, as a title for one of the canzonettas in his collection Triaca musicale (musical cure for animal bites) of 1595.
	www.calsky.com /lexikon/en/txt/g/gi/giovanni_croce.php (996 words)

	Classical Net Review - Croce - Carnevale Veneziano
		Giovanni Croce (1557-1609) was a popular composer in late 16.
		This CD is built from two collections which were presumably written for Croce's own 'party group' in Venice of singers from St Mark's.
		The apt interludes for plucked instruments, transcribed from guitar and gittern solos of the time, and some arranged from unusual trios by Giovanni Pacoloni, are well placed to break up the hectic sequences of ribald amusement.
	www.classical.net /music/recs/reviews/c/cha00665a.html (364 words)

	HOASM: The Venetian Style
		The motets of Gioseffo Guami, who became Giovanni's colleague by succeeding Bell'Haver at the first organ in 1588, include a five-part In die tribulationis that opens with a point of imitation, in which all voices ascend a minor sixth chromatically; degree-inflection continues to play a role in the rest of this highly dramatic work.
		A number of Masses by Croce --Donato's successors as maestro in 1603--which appeared from 1596 to 1599, indicate that he was the chief representative of the Missa brevis in Italy.
		Monteverdi --succeeding Croce, in 1613, after the intervening incumbency of Martinengo--is the last of the maestri at St. Mark's belonging to the High Renaissance.
	www.hoasm.org /IVN/IVNVenetianStyle.html (1141 words)

	Giovanni Croce (Site not responding. Last check: 2007-11-05)
		Under the tutelage at Venice of Gioseffo Zarlino, Croce became one of the most noted composers of the Venetian School.
		On the death of Baltazzaro Donati, 13 July, 1603, Croce became his successor as choirmaster.
		He wrote a great deal of secular music in the forms particularly cultivated in his time, such as the madrigal and the canzonetta, but his chief productions are those destined for the Church.
	www.catholicity.com /encyclopedia/c/croce,giovanni.html (188 words)

	Giovanni Croce - Wikipedia, the free encyclopedia
		Giovanni Croce (also Ioanne a Cruce Clodiensis) (1557 – May 15, 1609) was an Italian composer of the late Renaissance, of the Venetian School.
		Croce was particularly important in the development of the canzonetta and the madrigal comedy, and wrote a large quantity of easily singable, popular, and often hilarious music.
		Croce was one of the first composers to use the term capriccio, as a title for one of the canzonettas in his collection Triaca musicale (musical cure for animal bites) of 1595.
	en.wikipedia.org /wiki/Giovanni_Croce (695 words)

	Benedetto Croce
		Croce deeply influenced aesthetic thought in the first half of the 20th century, including Robin C. Collingwood's Principles of Art (1934) and John Dewey's Art as Experience (1934), although in the latter the philosophical background is totally different.
		Croce believed in intuition as the main source of artistic creation - art is based on intuition which exists before it is apprehended by an individual artist.
		According to Croce, poetry is emotion, an expression of the soul at the moment of intuition.
	www.kirjasto.sci.fi /croce.htm (1539 words)

	I Fagiolini - Carnevale Veneziano
		Croce's Mascarate piacevoli et ridicolose per il carnevale (Delightful, Comic Masquerades for Carnival, 1590) and Triaca musicale (A Musical Cure-All, 1595) were sung in costumes and masks for theatrical or private entertainments during the carnival season.
		The setting for Croce's Masquerade of the Friulians is identified in its fourteenth line as the Campo delle gatte (Square of the Papal Legates), and, at the time these masquerades were composed, the official residence for these ambassadors of the pope was the Venetian Grand Priory of the Knights of St.John.
		Croce's Masquerade of the Women of Burano depicts noble nuns hawking the lace wares made in their convent.
	www.ifagiolini.com /croce.htm (2193 words)

	San Marco [RH]: Classical CD Reviews- July 2003 MusicWeb(UK) (Site not responding. Last check: 2007-11-05)
		Giovanni probably left Munich in 1579 on the death of Duke Albrecht.
		Giovanni Gabrieli’s time spent as a colleague of his uncle was short, as his uncle died a year after his appointment.
		But Giovanni’s genius was to fully realise the potential of this spatial technique and to carry it even further than his uncle.
	www.musicweb.uk.net /classrev/2003/Aug03/San_Marco.htm (1367 words)

	San Giovanni della Croce
		Giovanni della Croce ci guida sul cammino della divinizzazione (figli nel Figlio del Padre per opera dello Spirito Santo).
		Giovanni della Croce invita alla rinuncia, che non è negazione di sé o abdicazione da sé, ma promozione del meglio di sé.
		san Giovanni della Croce, con i suoi insegnamenti, con la sua forte paterna ed esperta guida, risponde a questa fame di verità e di rassicurazione che freme nei giovani d’oggi.
	www.ilcarmelo.it /chi_siamo/santi/s.giovanni.croce.htm (894 words)

	Palazzo Santa Croce
		Conveniently located in the heart of the historical center of Florence, in Piazza Santa Croce, the palazzo is a landmark Renaissance Palazzo, and one of the few left in the historic center of Florence with a dramatic frescoed facade.
		The apartments have views of Piazza Santa Croce and of the city’s monuments, of the private renaissance rose garden, or of inner courts and the surrounding hills.
		The Santa Croce church with the tombs of Michelangelo, Galileo, Machiavelli and more is worth a day.
	www.excellenteurope.com /Florence/SantaCroce/PalazzoSantaCroce.htm (549 words)

	Catholic Encyclopedia, Volume 4: Clandestinity-Diocesan Chancery \| Christian Classics Ethereal Library
		Under the tutelage at Venice of Gioseffo Zarlino, Croce became one of the most noted composers of the Venetian School.
		On the death of Baltazzaro Donati, 13 July, 1603, Croce became his successor as choirmaster.
		He wrote a great deal of secular music in the forms particularly cultivated in his time, such as the madrigal and the canzonetta, but his chief productions are those destined for the Church.
	www.ccel.org /ccel/herbermann/cathen04.html?term=Giovanni%20Croce (171 words)

	17 May 2003 - Silver Season Gala Concert
		Among them were: the Gabrieli's, Andrea and Giovanni; Gioseffo Zarlino, a theorist and the first to give documented prominence to the "major"-sounding Ionian mode; and Croce, one of Zarlino's students, who became choirmaster at Saint Mark's in 1603.
		The exuberance and fanfare of the Croce are followed by the "soft stillness" and "sweetest touches" of "Serenade to Music" by Ralph Vaughan Williams (1872-1958).
		Giovanni Pierluigi da Palestrina (1525-1594) was born in the small town in Italy from which he took his name.
	dcguild.home.mindspring.com /Programs/20030517.html (2609 words)

	Agenzie immobiliari Cremona e offerte annunci immobiliari Cremona. Affitti annunci case Cremona... annunci privati ...
		San Giovanni in Croce trilocale di 85 mq palazzina ristrutturata nuova euro 90.000, a reddito di 330 euro mensili, vendesi oppure permutiamo con cascina, 2 camere, posto auto inter...
		San Giovanni in Croce bilocale di 60 mq circa al 1°piano,rifiniture molto curate, ingresso soggiorno con angolo cottura, camera matrimoniale con balcone,disimpegno,bagno,box singol...
		San Giovanni in Croce in nuova palazzina mansarda al 2°ed ultimo piano con ascensore, appartamento di 98 mq, 2 da letto, soggiorno con ang.
	www.internetimmobiliare.it /italia/lombardia/cremona/cremona.asp (330 words)

	Giovanni Croce - Free Music Downloads, Videos, Lyrics, CDs, MP3s, Bio, Merchandise and Links
		Croce can be considered a formulator of the sacred cantata though it did not come to full fruition in his works.
		Qualitatively his compositions can be compared with Morley -- who was probably influenced by him -- and his contemporary Gabrieli.
		Croce did appeal to the use of double choirs and in the use thereof employed responsorial choruses to occasional solo voices (the nascent cantata).
	www.artistdirect.com /nad/music/artist/bio/0,,418697,00.html (287 words)

	Medici: Godfathers of the Renaissance . Florence Scape . Introduction \| PBS
		The Medici ran the district of San Giovanni.
		The city grinds to a halt as costumed teams from each quarter parade through the streets and gather in Piazza Santa Croce, for a traditional calcio tournament.
		Calcio - a dangerous mix of soccer, rugby and wrestling - is practically a blood sport; the aim of the game is not just to score goals, but to hospitalize your opponent.
	www.pbs.org /empires/medici/florence/index2.html (326 words)

	Padre Pio The Man - San Giovanni
		It was so-named after San Giovanni (Saint John) who the Pirgians (before Janus's followers), once Christianised, had chosen as their Patron, and after the shape of the little temple which they had been devoted to him - "Rotondo" (Round).
		According to the most recent archaeological findings in the "Santa Croce" area, the first inhabited nucleus of San Giovanni Rotondo could be dated about 5000 years ago, on the top of San Croce, where a hamlet may have existed but was buried by several floods later on.
		Jesus, in a vision, told Padre Pio that he should stay in San Giovanni and the provincial father gave him his approval on August 4, 1916.
	www.ewtn.com /padrepio/man/SanGiovanni.htm (423 words)

	FLUXEUROPA: I FAGIOLINI
		I Fagiolini - a leading Early Music ensemble directed by Robert Hollingworth - perform two sets of comic carnival masquerades by the Venetian composer, Giovanni Croce (1557-1609): 'Mascarate piacevoli et ridicolose per il carnevale' (1590) and 'Triaca Musicale' (1595).
		Croce was a singer at the Basilica of St Mark, the private chapel of the Duke of Venice, but was also author of secular music and a director of popular entertainment.
		The masquerades were performed in costumes and masks, probably as banquet entertainment or insertions into theatrical productions, and were full of wit and satire.
	www.fluxeuropa.com /mn0109-i_fagiolini.htm (270 words)

	Baldassarre Croce ( - ) Artwork Images, Exhibitions, Reviews
		Saro Cucinotta, Croce, Decrotteur et Modele a Naples (Croce, Bootfl and Model in Naples),pl. 77 from L"Illustration Nouvelle, Deuxieme Annee: 1869, circa 1869
		Carlo Gregori, Festival in the Piazza Santa Croce, Florence, Italy, 1738
		Artificial light must be used as the essential component of the work and every type of lighting tech...
	www.wwar.com /masters/c/croce-baldassarre.html (415 words)

	Arthur Livingston Papers, Series Descriptions
		As a result of Livingston's research on Lorenzo da Ponte, there are four folders of typescript transcriptions of Anderson Family correspondence, dating from 1823 until 1846, including a typescript poem by Louise Duncan, "On the Death of Lorenzo L. da Ponte, January 28th, 1840" and a biographical notice of Da Ponte.
		There is also one folder of correspondence of a personal nature, including financial transactions and material relating to Livingston's retreat on Swan's Island in Maine, which is arranged alphabetically by writer.
		In addition, there are photographs of prominent Italian personalities, including Giovanni Papini, Ettore Cadorin, Benito Mussolini, Rachele Mussolini, Mussolini's children, Mussolini and Gabriele d'Annunzio, a photographed drawing of Guido de Ruggiero, Luigi Federzoni, Benedetto Croce, Francesco de Pinedo, and Giovanni Gentile, among others.
	www.hrc.utexas.edu /research/fa/livingston.series.html (1535 words)

	Polish Music Journal 1.2. (1998). Przybyszewska: Mielczewski's Religious Rondo Concerti
		Giovanni Croce, Giovanni Gabrieli, Claudio Monteverdi, Alessandro Grandi), as well as by lesser known composers working in Venice or in other centers near Venice (e.g.
		The composer Giovanni Priuli, for example, was employed at the court of Archduke Ferdinand Hapsburg (the brother of two succeeding wives of Zygmunt Vasa the Third) in Graz.
		Denis Arnold: "Giovanni Croce and the Concertato Style" (The Musical Quarterly no. 1, 1953, p.
	www.usc.edu /dept/polish_music/PMJ/issue/1.2.98/przybyszewska.html (4136 words)

	Richard Charteris: Late Renaissance and Early Baroque Music - Profile
		The field of his research is European music of the sixteenth, seventeenth and eighteenth centuries, though his main focus is music of the late Renaissance and early Baroque, especially Venetian.
		His published work is primarily concerned with the music of Johann Christian Bach, Giovanni Bassano, John Coprario, Giovanni Croce, Alfonso Ferrabosco I and II, Domenico Maria Ferrabosco, Andrea and Giovanni Gabrieli, Adam Gumpelzhaimer, Hans Leo Hassler, John Hingeston, Thomas Lupo, Claudio Monteverdi and Henry Purcell.
		These include his twelve-volume critical edition of the complete works of the great Venetian composer Giovanni Gabrieli (c.1555-1612), published by the American Institute of Musicology, and his analytical catalogue of the works of Gabrieli, published in New York.
	www-personal.arts.usyd.edu.au /charteris/profile.htm (412 words)

	Giovanni Croce \| CFRB
		Croce can be considered a formulator of the sacred cantata though it did not come to full fruition in his works.
		Qualitatively his compositions can be compared with Morley -- who was probably influenced by him -- and his contemporary Gabrieli.
		Compositions spread throughout much of Europe including Germany, England, and the Netherlands.
	www.cfrb.com /performer/43866/overview/giovanni-croce (211 words)

	Pascalis Ciconia gra[tia] dux venetiarum--Oversize Folder
		Even Americans were not immune to the divisiveness of Fascism, as Livingston's own professional difficulties--the result of his unapologetic and strenuous opposition to Fascism--at Columbia University affirm.
		; Luigi Pirandello; Giovanni Papini; Alfred Knopf; and Giuseppe Prezzolini.
		Photographs of Giovanni Papini, Ettore Cadorin, Benito Mussolini, Benito Mussolini and Gabriele d'Annunzio, Vittorio, Edda, and Bruno Mussolini, Guido de Ruggiero, Rachele Mussolini, Benedetto Croce, Luigi Federzoni, Francesco de Pinedo, and Giovanni Gentile,
	www.lib.utexas.edu /taro/uthrc/00252.xml (3227 words)

	Radio Paradise - eclectic online rock radio
		Artists: Anton Bruckner, William Byrd, Giovanni Croce, Maurice Durufle, Durufle.
		Maurice, Giovanni Gabrieli, Hans Leo Hassler, Gustav Holst, Claudio Monteverdi, Wolfgang Amadeus Mozart
		Artists: Claudio Bramieri, Giovanni Croce, Andrea Gabrieli, Giovanni Gabrieli, Giovanni Battista Grillo, Cesario Gussago, Orlande de Lassus, Tiburtio Massaino, Salomone Rossi, Linde-Consort
	www.radioparadise.com /content.php?name=Amazon&op=ArtistSearch&keyword=Giovanni%20Croce&mode=music (227 words)

	County Obituaries A-E \| The San Diego Union-Tribune
		Giovanni B. Croce, 41, of San Diego died Monday.
		He was born in San Diego and was a business owner.
		Survivors include his parents, Giovonni and Petra R. Croce; sisters, Josie Romero, Angie Hernandez, Monica Pedroza, Olga Graciano, Estella Ortega, Petra Croce and Cynthia Sapien.
	www.signonsandiego.com /uniontrib/20051222/news_1m22obitae.html (356 words)

	Discount Merulo CDs on FindUsedCDs.com (Site not responding. Last check: 2007-11-05)
		Venetian Easter Mass Giovanni Gabrieli Andrea Gabrieli Claudio Meru...
		Francisco Correa de Arauxo unspecified) Peraza Giovanni Girolamo (Jo...
		Giovanni Gabrieli Ascanio Trombetti Francesco Usper Giovanni Pierlu...
	www.findusedcds.com /Merulo/1/asearch.aspx (70 words)

	Palazzo Antellesi \| Hotel Review \| Florence \| Frommers.com
		Here's your chance to set up housekeeping in a chunk of the Renaissance.
		Many people passing through Piazza Santa Croce notice Giovanni di Ser Giovanni's 1620 graffiti frescoes on the overhanging facade of no. 21, but few realize they can actually stay there.
		Even in the more standard rooms the furnishings are tasteful, with wicker, wood, or wrought-iron bed frames; potted plants; and the occasional 18th-century inlaid wood dresser to go with the plush couches and chairs.
	www.frommers.com /destinations/florence/H49004.html (253 words)

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