
	Where results make sense

Topic: Giovanni Paisiello

Related Topics

Giovanni Pacini

Franco Alfano

Saverio Mercadante

Ruggero Leoncavallo

Gaetano Donizetti

Eduardo De Filippo

Gioachino Rossini

Gioacchino Rossini

Giovanni Battista Pergolesi

Matilde Serao

Gaspare Spontini

Ruggiero Leoncavallo

Antonio Salieri

Giacomo Puccini

Francesco Cilea

In the News (Tue 10 Nov 09)

Northern Trust

Marvin Harrison

Peter Chernin

Gary Locke

Match Play

Penelope Cruz

Mickey Rourke

AR Rahman

Danny Boyle

Hugh Jackman

	PAISIELLO, GIOVANNI. The Columbia Encyclopedia: Sixth Edition. 2000 (Site not responding. Last check: 2007-09-06)
		Paisiello served in St. Petersburg at the court of Catherine II from 1776 to 1784.
		Paisiello composed some 100 operas, church music, keyboard concertos, string quartets, and other works.
		Paisiello’s music is characterized by considerable melodic charm.
	www.bartleby.com /aol/65/pa/Paisiell.html (70 words)

	Giovanni Paisiello - Biocrawler (Site not responding. Last check: 2007-09-06)
		Paisiello at the clavichord, by Marie Louise Élisabeth Vigée-Lebrun, 1791.
		Giovanni Paisiello (or Paesieixo) (May 9, 1741 – June 5, 1816), was an Italian composer of the Classical era.
		On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Joachim Murat, but he had taxed his genius beyond its strength, and was unable to meet the demands now made upon it for new ideas.
	www.biocrawler.com /encyclopedia/Giovanni_Paisiello (1125 words)

	Giovanni Paisiello
		In 1776 Paisiello was invited by the empress Catherine the Great to St. Petersburg, where he remained for eight years, producing, among other charming works, his masterpiece, Il Barbiere di Siviglia, which soon attained a European reputation.
		On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Murat, but he had taxed his genius beyond its strength, and was unable to meet the demands now made upon it for new ideas.
		Paisiello's operas (of which he is known to have composed 94) abound with melodies, the graceful beauty of which is still warmly appreciated.
	www.nndb.com /people/523/000096235 (593 words)

	- Classical Music Dictionary - Free MP3
		Giovanni Paisiello, composer of Italiano opere, was born in Taranto on 9 May 1741.
		When, therefore, Giovanni Paisiello had completed his preliminary music study under a priest, Don Carlo Presta, he went with his father to Napoli in 1754, entering the Conservatory of St. Onofrio as a pupil of Durante.
		The ill-health of Paisiello's wife, brought on by the climate of Paris, compelled the composer to resign from his attractive position and to designate the then-unknown Leseuer as his successor.
	www.karadar.com /Dictionary/paisiello.html (675 words)

	Complesso Monumentale del Belvedere di San Leucio
		Paisiello’s opera production, developed through a period of over fifty years, counts almost a hundred of comic and serious works.
		Among the other works by Paisiello, it is worth remembering ‘Il re Teodoro in Venezia’ (King Theodore in Venice, 1784), ‘Il Socrate Immaginario’ (The Imaginary Socrates, 1775), and ‘La Molinara’ (1788).
		Paisiello was also the author of masses, oratories and of instrumental music: orchestra symphonies, concerts, quartets and sonatas.
	www.comune.caserta.it /belvedere/ing/characters/paisiello.html (271 words)

	Lecce, Italy's Renowned Teatro Paisiello Opera House - Associated Content
		Giovanni Paisiello was as admired by his fans as he was hated by his critics.
		Paisiello was born in the nearby city of Taranto and attended a nearby Jesuit college.
		During the nearly 10 years he spent at this prestigious academy, Giovanni Paisiello wrote three opera, La Pupilla and Il Mondo al Rovescio, commissioned by the city of Bologna and, Il Marchese di Tidipano, for the city of Rome.
	www.associatedcontent.com /article/20591/lecce_italys_renowned_teatro_paisiello.html (519 words)

	Catalog Number 33
		The composer Paisiello (1741-1816) was born in Taranto in Southern Italy.
		During their successive reigns, Paisiello was liberally patronized, granted the Legion d'honneur and the directorship of the Naples Conservatory, but Ferdinando IV was reinstalled in 1815 at which time Paisiello was deprived of his major sources of income.
		Paisiello, dramatically poised at the clavichord and caught in the act of composing, his eyes mystically illuminated, was a ready-made subject.
	www.batguano.com /catno33.html (1695 words)

	HOASM: Giovanni Paisiello
		When republican forces captured Naples in 1799, Paisiello was made maestro di cappella nazionale.
		Napoleon Bonaparte, a great admirer of Paisiello's music, made him director of chapel music in Paris from 1802 to 1804.
		When Ferdinand returned to power in 1815, Paisiello was pardoned and retained his court posts.
	www.hoasm.org /VIIIB/Paisiello.html (230 words)

	Gazzaniga - Don Giovanni - details
		A third version substituted sung recitatives (the music probably not by Paisiello) for the spoken dialogue, and was performed at Parma during the Carnival of 1793 and at the Fiorentini in 1795.
		In Nina, Paisiello cultivated a highly original idiom of clarity and innocence, remarked on by so many contemporary commentators, with which to define and explore effectively the concise and highly sentimental tale of the heroine's suffering and redemption.
		The use of spoken passages in Paisiello's original version may well have also been intended to increase the realism: certainly one English critic, writing in 1800, was impressed by this experiment which left it 'in the power of the performers to render by their action the drama … more impressive'.
	www.bamptonopera.org /repertory/paisielloninadetail.htm (3108 words)

	Giovanni Paisiello ( (Site not responding. Last check: 2007-09-06)
		Ormai la fama di Paisiello aveva varcato i confini del regno di Napoli e così Paisiello accettò nel 1776 l'invito dell'imperatrice Caterina II di Russia a recarsi a Pietroburgo per occupare il posto di maestro di cappella lasciato vacante da Traetta.
		Durante il lungo viaggio di ritorno, Paisiello si fermò anche a Vienna, dove Giuseppe II lo sollecitò a comporre un'opera: nacque così Re Teodoro in Venezia, su testo del Casti, che ottenne un trionfo memorabile.
		Quando nel 1799 si instaurò la Repubblica partenopea, Paisiello non seguì il re Ferdinando in fuga per Palermo, e in seguito accettò la nomina di maestro di cappella della Repubblica.
	www.puccini.it /bollettino/paisiello.htm (489 words)

	Giovanni Paisiello (1740 - 1816) - famous Giovanni Paisiello Classics hit collection and Giovanni Paisiello Music ...
		Paisiello's chief fame was as a composer of operas, of which he wrote some eighty.
		His style, which seems to have had some influence on Mozart, who heard his Il re Teodoro in Venezia (King Teodoro in Venice) in Vienna in 1784, is concise and melodious, with the necessary sparkle in his comedies, although his heroic and tragic operas seem sometimes to be matched with music that is too light-hearted.
		Paisiello composed a number of cantatas, designed for entertainment or in formal celebration of some royal occasion.
	www.naxos.com /composerinfo/2463.htm (452 words)

	Giovanni Paisiello - Search Results - MSN Encarta
		Giovanni Paisiello - Search Results - MSN Encarta
		Paisiello, Giovanni (1740-1816), Italian composer, the leading creator of comic opera of his era after Mozart.
		Giovanni, Nikki, born in 1943, American poet, essayist, and lecturer, whose work reflects her pride in her African American heritage.
	encarta.msn.com /Giovanni_Paisiello.html (85 words)

	Michael Haydn - Giovanni Paisiello (Site not responding. Last check: 2007-09-06)
		Giovanni Paisiello was born in Taranto on May 9th 1740.
		On his way back to Italy, Paisiello stopped at Vienna, where he stayed long enough to write no less than twelve symphonies for Joseph II.
		Giovanni Paisiello died in Naples on June 5th 1816, having lost his beloved wife only a year earlier.
	www.haydn.dk /mhc_paisiello.php (300 words)

	Stabat Mater - Paisiello
		Giovanni Paisiello was born in 1740 in Roccaforzata (Taranto), Italy.
		So when he was about 70 years old he wanted to fix on the paper one of the possible versions for performance, but he didn’t really change the fundamental structure of the music (You know that other composers did change the structure of Pergolesi’s Stabat – even Bach).
		The musicians that today try to play the music as it has been performed for the first time, are aware that in fact we can only imagine, but never be sure how the music of the past could sound.
	www.stabatmater.info /paisiello.htm (597 words)

	PAISIELLO
		Completely renovated in 1983 and 1985 the Hotels Paisiello and Porpora are in the vicinity of Villa Borghese in the well know area of Parioli.
		Very well connected to the Termini Station, the airport, the historic centre, the Vatican, the Colosseum and the Olympic stadium and the Flaminio station, the hotels have an internal TV lounge, an elevator, bar and a small garden.
		The pizzeria restaurant which has special convention with us is also ready to serve you with its typical Italian cuisine.
	www.romeguide.it /Paisiello/Paisiello.html (178 words)

	Classical Net Review - Paisiello - Piano Concertos #2 & 4; etc.
		Neapolitan composer Giovanni Paisiello's greatest claim to fame is that his version of The Barber of Seville predated Rossini's, and was considered the better of the two at the time.
		Today, Paisiello is a minor figure, although his operas, instrumental works, and choral music still get an airing from time to time.
		The recording was made in the theater of the Caserta Palace, a venue where Paisiello's music was known to have been performed two centuries ago.
	www.classical.net /~music/recs/reviews/n/nxs57031a.html (395 words)

	Giovanni Paisiello - Free Music Downloads, Videos, Lyrics, CDs, MP3s, Bio, Merchandise and Links
		His forte was comic opera having presented works in northern Italy and then returning to his home in Naples where Paisiello established himself as a prominent composer.
		While serving in her court Paisiello composed "Il barbiere di Siviglia" (The Barber of Seville) which was written in Gluck's reform approach.
		Paisiello composed in excess of eighty operas with caressing melodies in an easy but lively style.
	www.artistdirect.com /nad/music/artist/bio/0,,476460,00.html (296 words)

	Musicroom.com - Sheet Music for Musicians
		Giovanni Paisiello: Ouverture de 'The Barber of Seville' (PH280) (Orchestra)~ Score (Orchestra)
		Giovanni Paisiello: Ouverture de 'Il Duello comico' (PH281) (Orchestra)~ Score (Orchestra)
		Variations on a Duet from Giovanni Paisiello's opera, 'La Molinara'.
	www.musicroom.com /Search/gsearch.aspx?searchtext=Paisiello&kbid=2391 (272 words)

	Amazon.com: Giovanni Paisiello: Gli Astrologi Immaginari: Music: Giancarlo Montanaro,Teodoro Rovetta,Giovanni ... (Site not responding. Last check: 2007-09-06)
		Paisiello - Socrate Immaginario / Marchi · Auyanet · Schillaci · Campanella · Castiglioni · Colaianni · Christophoros Stamboglis · G. di Stefano ~ Giovanni Paisiello
		The dramatic and comedic elements in the music and libretto are perfect Paisiello fodder and he pulls it off with charm and clarity.
		If you aren't familiar with Paisiello's delightful music, this is the perfect work to acquaint yourself with it.
	www.amazon.com /Giovanni-Paisiello-Gli-Astrologi-Immaginari/dp/B00004S2WC (1327 words)

	Amazon.com: Paisiello: Overtures and Symphonies: Music: Giovanni Paisiello,Enrique Mazzola,Swiss-Italian Radio ... (Site not responding. Last check: 2007-09-06)
		Giovanni Paisiello: Gli Astrologi Immaginari ~ Giancarlo Montanaro
		Giovanni Paisiello: Lo sposo burlato ~ Luciano di Pasquale
		Giovanni Paisiello: La Serva Padrona ~ Petteri Salomaa
	www.amazon.com /Paisiello-Overtures-Symphonies-Giovanni/dp/B00005LZQX (614 words)

	NPR : World of Opera
		Giovanni Paisiello, one of the most successful and influential composers of the day, also got in on the act.
		His misfortune was that he did this 30 years before Rossini came along and turned The Barber of Seville into one of the greatest and most popular operas ever composed.
		We hear Paisiello's opera today, in a production from the National Theater in Brussels.
	www.npr.org /programs/worldofopera/archives/2006/0812.html (457 words)

	classical music - andante - antonio florio
		In 1981 he founded the group 'Il Fugilotio' and in 1987 the vocal and instrumental ensemble Cappella della PietÃ de' Turchini, with which he has appeared in the most prestigious festivals and theatres in Italy and Europe and made a number of recordings.
		In 1999 and 2000 he conducted the Royal Orchestra of Galicia in Santiago de Compostela, in Giovanni Battista Pergolesi's La serva padrona and Stabat Mater.
		A no less exacting aspect of his activity has been teaching: he has already led seminars and masterclasses on Baroque vocal style and chamber music for the Centre de Musique Baroque in Versailles, the Fondation Royaumont and the Toulouse Conservatoire.
	www.andante.com /article/article.cfm?id=23265 (271 words)

	Giovanni Paisiello - Classical music composer
		Il Barbiere di Siviglia The Barber of Seville - vocal score By Giovanni Paisiello.
		Alessandro Scarlatti, Antonio Caldara, Antonio Lotti, Antonio Cesti, Giovanni Paisiello, Anonymous, Benedetto Marcello, Giuseppe Giordani, Giulio Caccini, Alessandro Parisotti, Pietro Francesco Cavalli, Antonio Vivaldi, Giacomo Carissimi
		Giovanni Paisiello: A Thematic Catalogue of His Works, vol.
	www.classical-composers.org /comp/paisiell (1062 words)

	UNT Music Library: Virtual Rare Book Room, Paisiello, Les deux comtesses (Site not responding. Last check: 2007-09-06)
		Giovanni Paisiello: His Life as an Opera Composer.
		Robinson, Michael F. “Paisiello, Giovanni.” In Grove Music Online.
		Marriage of Wits: Comic Archetypes and the Staging of Ideas in Five Comic Operas by Giovannie Paisiello.
	www.library.unt.edu /music/virtual/Paisiello_Comtesses/bibsumm.html (187 words)

	Castle Classics Paisiello, Giovanni (Italian 1740-1816)
		G Paisiello: Piano Concertos 2 & 4 - Francesco Nicolosi, piano; Collegium Philharmonicum Chamber Orchestra; Gennaro Cappabianca, conductor
		G Paisiello: Lo Sposo Burlato - Luciano di Pasquale, Patrizia Cigna, Nunzia Santodirocco, Margherita Pace, Vito Martino; Orchestra Sinfonica di Sassari; Paolo Paroni, conductor
		G Paisiello: Nina - Dora Gatta, Salvatore Gioia, Agostino Ferrin, Angiola Vercelli; Compagnia del Teatro Musicale da Camera di Villa Olmo di Como; Ennio Gerelli, conductor
	shop.castleclassics.co.uk /acatalog/copy_of_Paisiello.html (342 words)

	Buy Giovanni Paisiello by Alessandro Scarlatti, Antonio Caldara, Antonio Lotti, Antonio Cesti, Giovanni Paisiello, ... (Site not responding. Last check: 2007-09-06)
		by: Anthony Pleeth, Nicholas Bucknall, Antonio Maria Bononcini, Giovanni Bononcini, Giulio Caccini, Antonio Caldara, Giacomo Carissimi, Vincenzo Ciampi, Giuseppe Giordani, Tommaso Giordani
		by: Giancarlo Montanaro, Teodoro Rovetta, Giovanni Paisiello, Bruno Rigacci, Angela Vercelli, Carmen Lavani
		by: Luciano di Pasquale, Giovanni Paisiello, Paolo Paroni, Margherita Pace, Nunzia Santodirocco, Patrizia Cigna, Vito Martino
	www.mircscripts.com /shop/music/artist/Giovanni+Paisiello.html (291 words)

	Nel cor piu non mi sento (Giovanni Paisiello) - ChoralWiki (Site not responding. Last check: 2007-09-06)
		Nel cor piu non mi sento (Giovanni Paisiello) - ChoralWiki
		Nel cor piu non mi sento (Giovanni Paisiello)
		This page was last modified 01:57, 18 August 2006.
	www.cpdl.org /wiki/index.php?title=Nel_cor_piu_non_mi_sento_(Giovanni_Paisiello)&printable=yes (48 words)

	Around Naples Encyclopedia 22
		The king, of course, was present on opening night to see and hear Achille in Sciro, with music by the Neapolitan Domenico Sarro, who is now largely forgotten; the libretto was by Pietro Metastasio, the great court poet to the Emperor of Austria and to this day considered a giant among librettists.
		Among the best known Neapolitan composers of the 18th century were Pergolesi (1710-1736), Domenico Cimarosa (1749-1801) and Giovanni Paisiello (1740-1816), all masters of the comic opera, light-hearted fluff which featured lots of fat old lechers rolling their eyes while they laughed and chased virgins around the stage.
		The church is in the style of the Florentine Renaissance: a Latin cross with three naves and lateral chapels.
	faculty.ed.umuc.edu /~jmatthew/naples/blog22.htm (14707 words)

Try your search on: Qwika (all wikis)