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Topic: Girolamo Dalla Casa

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	Katalog: Carpe Diem 16254 "La Barca d´Amore"
		In 1548 Girolamo dalla Casa, a cornett player at San Marco in Venice, published "Il vero modo di diminuir" ("The true way of division").
		The analyses of the compositions including divisions by dalla Casa show that he often uses the first and second mode according to Ortiz, but that he does not use the third (except for the pieces for the viola bastarda).
		Dalla Casa quite frequently takes the liberty not to respect this recommendation.
	www.carpediem-records.de /en/barca/ueber_diminuition.htm (1429 words)

	Journal of Seventeenth-Century Music \| Vol. 8 No. 1 \| Kurtzman Part II
		Girolamo della Casa, head of the wind band at St. Mark's, was famous as a cornetto virtuoso.
		The famous cornettist Girolamo dalla Casa, from Udine, was first hired at St. Mark's on January 29, 1568 as the leader of a salaried three-person band that included his brothers.
		Girolamo remained as leader of the instrumentalists until his death in 1601 when he was replaced by Giovanni Bassano, who had been a member of the windband as far back as the 1570s.
	sscm-jscm.press.uiuc.edu /jscm/v8/no1/kurtzman_ii.html (12227 words)

	anaphantasia
		Girolamo Dalla Casa flourished in the second half of the 16th century, and in 1568 was responsible for forming the first permanent instrumental ensemble at San Marco in Venice.
		Upon his death in 1601 Dalla Casa was suceeded as head of the instrumental ensemble at San Marco by his colleague Giovanni Bassano, who was mentioned in 1612 as leader of one a company of instrumentalists who were engaged to play during major festivities in Venice.
		Frais et gaillart, his 1591 embellished version of the Clemens non Papa chanson, although contemporary with Dalla Casa, is quite different in the style of ornamentation.
	www.philter.de /anaphantasia/divideandconquerprogramnotes.shtml (1186 words)

	HOASM: Monody and the Vocal Concerto
		The new professional singer, being in direct contact with audiences, was sensitive to their eagerness to be moved by music they could understand and their admiration for brilliant technique and soaring, smooth vocalism.
		Girolamo Dalla Casa and Emilio de' Cavalieri were singing masters, and Giulio Caccini, Francesco Rasi, and Jacopo Peri were very successful singers turned composers in order to create for themselves a repertory for the changing times, since the professional composers had defaulted.
		Only after the new style became popular did men who were primarily composers, such as Sigismondo d'India and Monteverdi, begin to imitate and refine it.
	www.hoasm.org /VA/VAMonodyVocalConcerto.html (1754 words)

	Girolamo Dalla Casa - Wikipedia, the free encyclopedia
		The sonorous acoustical environment of this basilica was the center of activity of the Venetians.
		Being a smaller group of virtuoso instrumentalists playing in contrast to larger instrumental and vocal forces arrayed around them, and being in the center of a hugely influential stylistic movement, they functioned as an early form of concertino.
		"Girolamo Dalla Casa", in The New Grove Dictionary of Music and Musicians, ed.
	en.wikipedia.org /wiki/Girolamo_Dalla_Casa (397 words)

	Venice
		35 Bassano was not the only virtuosic cornett player during Giovanni's tenure at St. Marks, the playing of Girolamo dalla Casa, who replaced Bassano, allowed Giovanni to continue writing for a technically excellent cornettist.
		It is an obvious reflection of the structure of the ensembles led by Girolamo dalla Casa, with its virtuoso salariati in particular the superb cornettists.
		It is hard to focus on the pifarri ensembles with the fascinating and influential figure of Giovanni Gabrieli in the foreground.
	www.tiltedworld.com /brenda/Venice.html (3433 words)

	The History of the Recorder Quartet (Site not responding. Last check: 2007-10-08)
		Could it not be possible that he met Girolamo dalla Casa, master serpent player, and his brothers Giovanni and Nicolò, both excellent brass players, there?
		Girolamo dalla Casa had been maestro de' concerti in San Marco since 1568 and like Bassano, he focused on the art of ornamentation.
		This shared background gives additional base to the assumption that there would have been frequent meetings between Giovanni Bassano, Girolamo dalla Casa and dalla Casa's brothers.
	www.loekistardust.nl /HTML_EN/history.htm (1232 words)

	[No title]
		Die Diminutions-Anweisungen von Ganassi [7] und Dalla Casa [8] geben darüber hinaus einen Einblick in die überaus reiche Verzierungspraxis der späteren Renaissance.
		Ganassi's [7] and Dalla Casa's [8] instructions on how to play diminutions give us a glance on the extraordinary and rich practice of ornamentation in the late renaissance.
		Girolamo dalla Casa, Il vero modo di diminuir, Venezia 1584, facsimile Arnaldo Forni, Bologna 1996
	www.bassus-generalis.org /agazzari/agazzari.html (15697 words)

	Wordplay 16th Century chansons []: Classical Reviews- June 2002 MusicWeb(UK) (Site not responding. Last check: 2007-10-08)
		The other composers represented often put into print their own views on instrumental divisions for example Ortiz, Girolamo dalla Casa and Bassano.
		Their approach was to have copied examples of their own work for performers to play through.
		An example of this is track 12 - Bassano’s ‘Susanne ung jour’ and track 16 Dalla Casa’s ‘Vestiva I colli’.
	www.musicweb.uk.net /classRev/2002/Jun02/wordplay.htm (871 words)

	Katalog: Carpe Diem 16254 "La Barca d´Amore"
		They perform the dances with great elan and William Dongois's technical command of the cornett is astonishing.
		And the music, by composers such as Dalla Casa, Bassano, Bovicelli, Fontana and Mealli, is sometimes extremely spectacular and always captivating.
		Girolamo dalla Casa / Adrian Willaert (16th century):
	www.carpediem-records.com /en/barca/cd_barca.htm (275 words)

	The Armory -- Page 2
		It was prized for the resemblance of its sound to that of the human voice, considered to be the perfect instrument, and for its suitability for performing elaborate musical ornamentation.
		Always considered a difficult instrument, it spawned a select group of highly regarded, and highly paid, virtuoso players such as Giovanni Bassano and Girolamo Dalla Casa, both of whom worked at the Basilica di San Marco in Venice.
		The repertoire for the instrument covers the Renaissance and early Baroque periods.
	www.gemstone.net /etimes/et8/armory2.htm (1270 words)

	Harmonia Caelestis - Programme
		The raison d’être of this CD lies in the overlap of repertory for the cornett and the violin (occasioned by their frequent interchangeability), and in the marriage of both instruments.
		Of the two, the cornett’s particular appeal, according to Girolamo Dalla Casa (1584), lies in its tonal similarity to the human voice, an attribute poetically likened by Marin Mersenne (1636) to ‘a brilliant ray of sunshine piercing the shadows’.
		As such it was an instrument particularly suited (often in tandem with sackbuts) to supporting a choir.
	www.signumrecords.com /catalogue/sigcd049/programme.htm (1189 words)

	Girolamo Dalla Casa at AllExperts (via CobWeb/3.1 planetlab2.tamu.edu) (Site not responding. Last check: 2007-10-08)
		Girolamo Dalla Casa at AllExperts (via CobWeb/3.1 planetlab2.tamu.edu)
		Giovanni Gabrieli clearly had Dalla Casa's group in mind for much of his music, and the Dalla Casas are presumed to have played in many the elaborate polychoral compositions of the time.
		* "Girolamo Dalla Casa", in The New Grove Dictionary of Music and Musicians, ed.
	experts.about.com.cob-web.org:8888 /e/g/gi/Girolamo_Dalla_Casa.htm (381 words)

	Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi - SHOP.COM
		Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi - SHOP.COM
		Dalla Casa: Il Secondo Libro dei Madrigali / Il Terzo Suono
		All other designated trademarks, copyrights and brands are the property of their respective owners.
	www.shop.com /op/aprod-p31696756 (196 words)

	The Lute Society of America — Lute Projects – Susanne un jour
		Over a dozen versions of it for keyboard are known, from prints and manuscript sources originating in Italy, Germany, England and the Iberian peninsula, with some of the prints also suggesting suitability for harp.
		It appears six times in the Italian diminution manuals; Giovanni Bassano and Orazio Bassani provide one version each, while Girolamo dalla Casa and Francesco Rognoni each gloss it twice.
		Thomas, Bernard, Girolamo dalla Casa & Giovanni Bassano – Divisions on “Susanne ung jour” for treble instrument and continuo, London Pro Musica Edition LPM REP7, London (1982).
	www.cs.dartmouth.edu /~lsa/associated/Susanne/index.html (2077 words)

	Schola (via CobWeb/3.1 planetlab2.tamu.edu) (Site not responding. Last check: 2007-10-08)
		Il vero modo di diminuir con tutte le sorte d'istromenti Girolamo dalla Casa Venezia 1584 "Primo Essempio delle tre sorti de lingue roverse, and delle altre due principali":
		Emory and Girolamo I: Dalla Casa articolations based on Emory Remington exercises
		These excercises are (for me) the basic routine of the Renaissance und Baroque Trombone practicing.
	www.ercolenisini.de.cob-web.org:8888 /schola.htm (180 words)

	Giorgio Pacchioni. (Site not responding. Last check: 2007-10-08)
		The latter groups include the Baroque Orchestra of Bologna and the Vocal Ensemble Michelangelo, with whom he has recently produced several concerts of relevant works by Vallotti, such as Dies Iræ (1756) and Gloria in D major (1749).
		Recently he has completed the full reconstruction of the part of the Tenor (missing) of the Secondo libro de Madrigali a Cinque Voci con i Passaggi of Girolamo Dalla Casa (1590) requested by the Associazione ANTIQUA.
		This work has generated a CD which was also highly recommended by the Artistic Committee of the Premio Internazionale del disco Antonio Vivaldi.
	www.voxsaeculorum.org /pacchioni.htm (209 words)

	Esemble SOPRAKKORDEON
		Girolamo Frescobaldi (1583-1643) Toccata settima aus: Libro primo
		Giovanni Pierluigi Palestrina (1525-1594) "Io son ferito ahi lasso" with diminutions of Bovicelli
		Ciprian de Rore (1515-1565) "Io canterei d'amor" with diminutions of Girolamo dalla Casa (died 1601)
	www.irenekurka.de /en/Earlymusic.htm (801 words)

	Summi et Aeterni ORDER
		Belgium is at a cultural crossroad between Germanic Europe and Romance Europe.
		— February 6, 1497 Events * 7 February - followers of Girolamo Savonarola burn thousands of "immoral" objects at the Bonfire of the Vanities in Florence on Shrove Tuesday.
		1550-1561) * Philippe de Monte (1521-1603) * Girolamo Cavazzoni (c1525-after 1577) * Giovanni Pierluigi da Palestrina (c1525-1594) * Baldassare Donato (1525 to 1530-1603) * Hermann Finck (1527-1558) * Annibale Padovano (1527-1575) * John Angus (fl.
	jeff.ostrowski.cc /productions/summi/order.htm (14963 words)

	untitled
		They substituted for the longer notes or groups of notes in a composition, fast moving stereotyped melodic formulas, producing a melodic variation.
		These formulas are catalogued in diminution manuals written by recorder player Silvestro di Ganassi (1535), viol player Diego Ortiz (1553), wind band leader, Girolamo Dalla Casa (1584), vocal and instrumental composer Giovanni Bassano (1585 and 1591), Antonio Brunelli (1614), Francesco Rognoni (1620), and others.
		There are many surviving examples of ricercar written using these tables to turn simpler chansons into virtuoso pieces.
	www.apollobrass.com /sackbut/ornamentation.htm (261 words)

	ccm :: Casa, Girolamo Casa, Girolamo dalla Casa
		ccm :: Casa, Girolamo Casa, Girolamo dalla Casa
		Casa, Girolamo dalla 1543-1601 Italy, Udine - Venice
		comp by Thomas Crecquillon, arr by dalla Casa for zink and ornamentation
	www.composers-classical-music.com /c/CasaGirolamoDalla.htm (37 words)

	King's Music - Early Music Review
		Then comes the Italian edition of Ortiz (1553), without any of the translations and commentary that aids the reader in the recent Bärenreiter version, but in facsimile throughout; while primarily for viol, it anticipates the later, all-purpose manuals by giving a host of cadential formulae and examples of embellishment.
		Girolamo dalla Casa’s Il vero modo di dimunir (1584) is directed to ‘tutte le sorti di stromenti: di fiato, and corda, and di voce humana’.
		This is far more systematic than Ortiz, with hundreds of ways of getting form A to B or G to A and embellished parts for many favourite chansons and madrigals, ten settings for viola bastarda, and ending with all four parts, fully underlaid, of a six-section piece by Rore.
	www.kings-music.co.uk /emr.htm (10279 words)

	SACI - Gian Luca Lastraioli
		Transcription and modern edition of the original 1608 score of Girolamo Giacobbi's L'Aurora Ingannata, for recording company TACTUS, released on CD Transcription and modern edition of the original 1574score of Giorgio Mainerio's dances, released on CD SONITUS 14992 Nuova Inventione di Balli
		L'Aurora Ingannata, opera by Girolamo Giacobbi (first world recording), with ensemble Li Stromenti, Gian Luca Lastraioli: theorbo and conductor, CD TACTUS TC 563201.
		Il vero modo di diminuir, music by Girolamo dalla Casa, with ensemble Ars Cantus, Gian Luca Lastraioli: lute, CD FLORENTIA MUSICA 699005.
	www.saci-florence.org /academics/faculty/CVs/Lastraioli.htm (1645 words)

	Amazon.co.uk: Quel Lascivissimo, Cornetto... Virtuoso solo music for cornett /Dickey · Tragicomedia: Music: Tarquinio ... (Site not responding. Last check: 2007-10-08)
		~ Tarquinio Merula (Composer), Giovanni Battista Bovicelli (Composer), Giovanni Bassano (Composer), Girolamo Frescobaldi (Composer), Francesco Rognoni Taeggio (Composer), et al.
		Composer: Tarquinio Merula, Giovanni Battista Bovicelli, Giovanni Bassano, Girolamo Frescobaldi, Francesco Rognoni Taeggio, et al.
		Petite fleur, chanson passegiato da Girolama Dalla Casa
	amazon.co.uk.cob-web.org:8888 /exec/obidos/ASIN/B000025SVA (315 words)

	Quel Lascivissimo Cornetto... / Bruce Dickey, et al - 750582475825 - Accent - ACT 9173 - H&B Recordings Direct (Site not responding. Last check: 2007-10-08)
		• Girolamo Dalla Casa (1543 - circa 1601)
		• Girolamo Frescobaldi (1583 - 1643): Il primo libro delle canzoni: no 2, La Bernardina in C major
		• Girolamo Dalla Casa (1543 - circa 1601): Il vero modo di diminuir, libri 1 et 2: Petite fleur
	www.hbdirect.com /album_detail.php?pid=34658 (734 words)

	Amazon.com: d.casa: Music (Site not responding. Last check: 2007-10-08)
		Tumba La Casa (Tearing Down the House) by Various Artists - Dance and DJ - Freestyle (Audio CD - 1996)
		Get it by Wednesday, December 13, if you order in the next 16 hours and 51 minutes.
		La Casa Grande (Say Yeah) by Strobe Presents: La Casa Grand (Audio CD - 1997)
	www.amazon.com /s?ie=UTF8&keywords=d.casa&tag=newgrounds-20&index=music&link_code=qs&page=1 (407 words)

	[No title] (Site not responding. Last check: 2007-10-08)
		from Petrucci’s Laude, primo libro, 1508 Divisions on “Ancor che col partire” Girolamo Dalla Casa from Il vero modo di diminuir, Libro secundo, 1584 (d.
		1510-1570) Toccata prima Girolamo Kapsberger from Libro I d’intavolatura di Chitarrone, 1604 (c.
		1582-1629) Toccata prima Girolamo Kapsberger from Libro I d’intavolatura di Chitarrone, 1604 (c.
	www.earlymusicdc.org /minter_tempesta.doc (1136 words)

	Amazon.com: Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi: Music: Antonio ... (Site not responding. Last check: 2007-10-08)
		Amazon.com: Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi: Music: Antonio Abete,Vittorio Ghielmi,Anonymous,Giorlamo Dalla Casa,Giovanni Battista Della Gostena,Jean Tubery,Il Terzo Suono,Adriano Dallape,Francesco Tapella,Elena Cecchi Fedi,Laura Fabris,Gian Paolo Fagotto (via CobWeb/3.1 planetlab2.tamu.edu)
		To ensure delivery by December 22, choose FREE Super Saver Shipping.
		Composer: Anonymous, Giorlamo Dalla Casa, Giovanni Battista Della Gostena
	www.amazon.com.cob-web.org:8888 /exec/obidos/ASIN/B00005B829 (765 words)

	St
		Toni'] could not have been written except in the Venice of the later 1580s and 1590s.
		the structure of the ensembles led by Girolamo dalla Casa, with its virtuoso salariati in particular the superb
		It is hard to focus on the pifarri ensembles with the fascinating and influential figure of Giovanni Gabrieli in the
	www.aug.edu /~cshotwel/St.Marks.htm (3351 words)

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