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Topic: Giulio Romano

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	GIULIO ROMANO - LoveToKnow Article on GIULIO ROMANO (Site not responding. Last check: 2007-11-04)
		Giulio must at all events have been quite youthful when he first became the pupil of Raphael, and at Raphaels death in 1520 he was at the utmost twenty-eight years of age.
		Giulio at a later date followed out exactly the same plan; so that in both instances inferiorities of method, in the general blocking-out and even in the details of the work, are not to be precisely charged upon the caposcuola.
		The oil pictures of Giulio Romano are not generally of high importance; two leading ones are the Martyrdom of Stephen, in the church of that saint in Genoa, and a Holy Family in the Dresden Gallery.
	www.1911encyclopedia.org /G/GI/GIULIO_ROMANO.htm (2667 words)

	Giulio Romano - Wikipedia, the free encyclopedia
		Giulio's drawings have always been treasured by collectors, and the contemporary engravings after his drawings and paintings by Marcantonio Raimondi and others helped spread 16th century Italian style throughout Europe.
		Giulio Romano has the distinction of being the only renaissance artist to be mentioned by William Shakespeare.
		Giulio was so delighted that he spent four days in showing Vasari all his works, especially the plans of ancient buildings at Rome, Naples, Pozzuolo, Campagna, and all the other principal antiquities designed partly by him and partly by others.
	en.wikipedia.org /wiki/Giulio_Romano (678 words)

	Giulio Campi - Wikipedia, the free encyclopedia
		Giulio Campi (1500-1572), Italian painter and architect, eldest of a family prominent in Cremona as painters.
		Giulio was born at Cremona, son of a painter, Galeazzo Campi (1475-1536), under whom he took his first lessons in art.
		Giulio is called the "Ludovico Carracci of Cremona" although he preceded the founder of the Eclectics.
	en.wikipedia.org /wiki/Giulio_Campi (341 words)

	CATHOLIC ENCYCLOPEDIA: Giulio Romano
		Giulio had not with impunity devoted ten years simply to the execution of another's ideas; he came to believe that in art the thought is of no account, the form everything.
		Giulio is the originator of those lascivious pictures, dating from 1630 to 1638, which are in the Prado and Torre de la Pareja galleries at Madrid.
		The "Nativity" of the Louvre is an attempt to reproduce the chiaroscuro of Corregio.
	www.newadvent.org /cathen/06572a.htm (1685 words)

	artnet.com Magazine Features - Giulio Romano
		While Giulio is more noted for the architectural projects, murals and the decorative schemes he executed in Mantua, the exhibition includes several early drawings from his Roman years and some prints that hint at what was to come.
		It may be related to the sharp-eyed abductor of Ganymede in a study for a stucco medallion with its human-like grip around the waist of the young man. It was not accidental that this medallion was destined for Federico's bedroom.
		Giulio was especially talented at depictions of playful and sexy interplay between animals, putti, satyrs and humans.
	www.artnet.com /magazine_pre2000/features/karlins/karlins9-28-99.asp (701 words)

	Giulio Romano
		Giulio Romano, or Giulio Pippi, the head of the Roman school of painting in succession to Raphael.
		The whole of this onerous undertaking was completed within a period of only three years -- which is the more remarkable as, during some part of the interval since Raphael's decease, the Fleming, Adrian VI, had been pope, and his anti-aesthetic pontificate had left art and artists almost in a state of inanition.
		Giulio Romano introduced the style of Raphael into Mantua, and established there a considerable school of art, which surpassed in development that of his predecessor Andrea Mantegna, and almost rivalled that of Rome.
	www.nndb.com /people/228/000104913 (1176 words)

	Giulio Romano Online
		Giulio Romano at the Metropolitan Museum of Art, New York City
		Giulio Romano at the National Gallery, London, UK Saint Mary Magdalene borne by Angels
		All images and text on this Giulio Romano page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/giulio_romano.html (419 words)

	Joseph Reveals His Dreams : Giulio Romano by Raichel Le Goff
		Its execution obviously precedes the painting of the fresco, its creator was Raphael in symbiosis with his pupil Giulio Romano.The publication of this presentation painting by Giulio Romano, fills an evident gap in the corpus of study on Raphael.
		Of further interest is a painting in Dresden's Gemaldegalerie, attributed to Giulio Romano called Pan and Daphnis which includes a single sheep grazing, again to the right side of the composition, the head of the animal quite in the style of the grazing sheep in Joseph Dreams.
		Attributed to Giulio Romano, the iconography of this drawing is ambiguous but stylistically, it shares much in common with the monochrome relief paintings of Hercules that appear in the Sala dei Cavalli of the Palazzo del Te.
	epublishingcorp.com /articlesRaichel/Art-Research/GuilioRomano.htm (14897 words)

	Giulio Romano on Encyclopedia.com (Site not responding. Last check: 2007-11-04)
		Between the Sistine and Disney: the licentious genius of Mantua's Giulio Romano.
		The chapel of the courtesan and the quarrel of the Magdalens.
		Giulio Marcocchi Getty Images 02-10-2004 WESTWOOD, CA - FEBRUARY 10: Actress Marcia Gay Harden and actor Ray Romano arrive at the Los Angeles premiere of Fox's "Welcome to Mooseport" February 10, 2004 in Westwood, California.
	www.encyclopedia.com /html/G/GiulioR1o.asp (634 words)

	Encyclopedia: Giulio Romano
		Pope Clement VII Clement VII, né Giulio di Giuliano de Medici (1478 – September 25, 1534) was pope from 1523 to 1534.
		Charles (February 24, 1500 – September 21, 1558) was Holy Roman Emperor (as Charles V) from 1519-1558; he was also King of Spain from 1516-1556, officially as Charles I of Spain, although often referred to as Charles V (Carlos Quinto or Carlos V) in Spain and Latin America.
		Giulio is also responsible for the brick-coloured tones and plaster flesh-tints of the men and women in Raphael's later works, the artistic defects of which are in many cases entirely due to Giulio.
	www.nationmaster.com /encyclopedia/Giulio-Romano (1587 words)

	L'Antiquaire & The Connoisseur, Inc., new York Gallery.GIULIO PIPPI, called GIULIO ROMANO, Rome circa 1499-1546 ... (Site not responding. Last check: 2007-11-04)
		Giulio's decoration all'antica is countered by his fantastic Sala dei Gigante, in which the painted decoration skews all architectural planes, which appear crumbled and fall in on the spectator.
		Drafted with pen and brown ink and brown wash heightened with white on blue paper, this drawing is a modello for the scentta con Cerebus in the niche on the west of the Sala delle Aquille in the Palazzo del Tè.
		Giulio's modelli for the decoration of the Palazzo del Tè were often drawn on more expensive colored paper, most often blue or greenish brown in hue.
	www.artantiquedealersleague.org /antiquaire/giulioPippi.htm (767 words)

	artgiulio
		Giulio Romano was one of the most important, versatile, and influential artists of the Italian late Renaissance style known as Mannerism.
		Giulio Romano was famed in his time as a virtuoso designer and draftsman.
		Giulio Romano, Master Designer will be accompanied by a 144-page catalogue with an introductory essay by Janet Cox Rearick, followed by short essays and detailed catalogue entries on each of the 47 items in the show by the authors mentioned above.
	www.hunter.cuny.edu /advancement/publicrelations/news/archives/1999/artgiulio/artgiulio.html (403 words)

	The Winter's Tale: the statue scene (Site not responding. Last check: 2007-11-04)
		The mention of "that rare Italian master, Julio Romano" (5.2.99) as the sculptor/painter of the statue is especially interesting.
		Romano (1492?-1546), at first an assistant to the great Renaissance artist Raphael, developed a style that achieved extreme realism by the use of visual illusion.
		Strongly influenced by Michaelangelo, Romano is especially noted for the dramatic illusionism of many of the frescoes he painted; he creates the effect of looking through the wall or ceiling at an activity taking place beyond it.
	www.engl.uvic.ca /Faculty/MBHomePage/engl366c2005/wt2.html (175 words)

	MSN Encarta - Search Results - Romano
		Romano, very hard cheese with a sharp, salty flavour and a granular, pale yellow interior that deepens in colour with age.
		He was born Giulio Pippi in Rome and became the...
		Prodi, Romano (1939-), Italian business executive, academic, and centre-left politician, Prime Minister of Italy (1996-1998), and President of the...
	uk.encarta.msn.com /Romano.html (93 words)

	NGA - Raphael and His Circle: Giulio Romano
		Giulio probably was born in the mid-1490s in Rome, and he joined Raphael's workshop in about 1516.
		In 1524 Giulio accepted an offer of employment at the Gonzaga court in Mantua, where his primary role was as a designer of projects ranging from palaces to frescoes to spoons.
		The attraction of these drawings lies in the fertility of Giulio's imagination and the panache of his pen work.
	www.nga.gov /exhibitions/rphl_giulio.shtm (193 words)

	Giulio Romano -- Encyclopædia Britannica
		Giulio was apprenticed to Raphael as a child and had become so important in the workshop that by Raphael's death, in 1520, he was named with G. Penni as one of the master's chief heirs; he also became his principal artistic executor.
		Giulio Romano was the pupil, assistant, and successor of Raphael as head of the Roman school of painting.
		Italian priest Giulio Clovio gained a high reputation in the 16th century as a miniaturist, illuminator, and painter.
	www.britannica.com /eb/article-9036936 (673 words)

	The Late Renaissance: Mannerism (Site not responding. Last check: 2007-11-04)
		The feature of Romano's style that is emphasized in the "statue" scene is the remarkable realism of the painting.
		Romano*, at first an assistant to Raphael, developed a style that achieved realism by the use of visual illusion.
		Giulio Romano (1492?-1546) was not only Raphael's chief assistant; he actually completed some of his works after Raphael's death in 1520.
	ise.uvic.ca /Library/SLTnoframes/literature/highrenaissance.html (501 words)

	Giulio Romano Book from Books.co.uk (Site not responding. Last check: 2007-11-04)
		Giulio Romano was one of the most important, versatile, and influential artists of the late Italian Renaissance.
		Giulio initially continued to work in Raphael's Roman High Renaissance style, but as his personal style matured, he became one of the great court painters and architects of the 16th century.
		Shakespeare called him "that rare Italian master." Giulio Roman was a prolific draftsman, and left preparatory drawings for a wide range of projects, including decorative arts, architecture, religious works, frescoes, stuccoes, and the famous series of erotic prints, "I Modi".
	www.books.co.uk /giulio_romano/188599821x.html (168 words)

	Featured Object (Site not responding. Last check: 2007-11-04)
		Born Giulio Pippi in Rome, Giulio Romano ("The Roman") was one of the great designers of the 16th century.
		Giulio's sumptuously ornamented objects reflected the wealth, sophistication and power associated with the Gonzaga court.
		Although many of Giulio's drawings for monuments and furnishings survive in museums throughout the world, the majority of the actual objects are either lost or unidentified.
	ndm.si.edu /coll/om/2.htm (340 words)

	Anna Zacchi: personal
		Giulio realized his ideas in drawings, writing that he "was always happier expressing his ideas in drawing than in painting, obtaining more vivacity, vigor, and expression." Most of
		Giulio's paintings are in Italy, but this prolific draughtsman left preparatory drawings for a wide range of projects, including the famous erotic series of prints, I modi.
		Giulio's drawings themselves became a model for erotica throughout the sixteenth century, first legitimized with a cover of ancient mythology, then later transformed into strange anatomical figures of the female body.
	www.csdl.tamu.edu /~zacchia/personal/psiche.html (327 words)

	Biography
		He was born Giulio Pippi in Rome and became the chief pupil of the Italian painter Raphael, whom he assisted in many of the latter's finest works.
		About 1524, Giulio accepted the invitation of Federigo Gonzaga, ruler of Mantua and patron of the arts, to carry out a series of architectural and pictorial works.
		The drainage of the marshes surrounding the city and its system of protection from the inundations of the Po and Mincio rivers attest to Giulio's skill as an engineer; his genius as an architect found scope in the planning and construction of the Palazzo del Tè, the cathedral, the streets, and a ducal palace.
	www.wga.hu /bio/g/giulio/biograph.html (203 words)

	George Glazer Gallery - Regna, Fores Claudit Janus, Habente Numa - After Giulio Romano
		The artist, Giulio Romano, also known as Giulio Pippi and Giulio Dei Giannuzzi, began his career as a painter and architect as a pupil and protégé of Raphael, assisting him in the Vatican.
		In 1524, Romano entered the service of Federigo Gonzalez in Mantua and was the architect for the Palazzo del Tè, one of the great examples of Mannerist architecture and decoration.
		The inscription on the print indicates that the drawing after Romano for the print was made by Michael Sangiorgio: Inscription: Michael Sangiorgio nunc delineavit in Aedibus P. Borghesii Sumptibus Remondinianis [Drawn in the present day by Michael Sangiorgio Piazzo Borghese Building, Remondini Publisher].
	www.georgeglazer.com /prints/aanda/art-pre20/romanojanus.html (485 words)

	Giulio Romano
		As assistant to Raphael, he developed a style characterized by its exaggerated movement and rich colours.
		Having studied under Raphael, Giulio became his chief assistant on the Sala del Incendio frescoes in the Vatican.
		In 1524 he entered the service of Federico Gonzaga, Duke of Mantua, and in 1526 he built the Palazzo del Tè, a Mannerist building of capricious design with Giulio's frescoes inside, which range from the extremes of illusionism in the Sala di Psyche/Psyche's Room to the grotesque in the Sala dei Giganti/Room of the Giants.
	www.tiscali.co.uk /reference/encyclopaedia/hutchinson/m0023709.html (200 words)

	Italica - Rinascimento - Parole chiave
		At the age of about fifteen, he is already recorded as Raphael’s assistant and he worked in his master’s shop in the decoration and design of such important commissions as the Villa Madama.
		After moving to Mantua at the request of Federico Gonzaga and undertaking the renovation and expansion of the duke’s island villa, the Palazzo Te (1525-32), Giulio Romano was named a citizen of Mantua in 1526.
		Giulio Romano’s activity in the theatrical productions of Rome includes his possible collaboration on the stage set for Raphael’s I Suppositi, for which the two attributed scene drawings are done in his hand (Gabinetto dei Disegni e delle Stampe degli Uffizi U242 and 560A, Firenze).
	www.italica.rai.it /rinascimento/parole_chiave/schede/giulioro.html (375 words)

	Façade and courtyard view by GIULIO ROMANO
		Giulio Romano was Raphael's chief assistant from 1515 to his death in 1520.
		He is no less important as an architect and the two professions are spectacularly united in the Palazzo del Tè, which he built and decorated for the Gonzaga in Mantua.
		The architecture, at once intensely witty and intensely serious, is based on a profound knowledge of antique precedent and High Renaissance practice.
	www.wga.hu /html/g/giulio/gigants1.html (65 words)

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