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Topic: Giuseppe De Santis

	De Santis
		Giuseppe De Santis was born in Fondi, in Ciociaria, on February 11 th 1917.
		Theory and practice have therefore chance to verify in the initial activity of De Santis reciprocally, that meanwhile enters in contact with the clandestine organization of the communist party, in which later he will serve in the military uninterruptedly.
		Partecipant of the Roman Resistance, in the immediate postwar period De Santis is found (as scriptwriter and assistant director) nearby to Aldo Vergano in Il sole sorge ancora (1946), film produced by the ANPI, non ritual celebration of the recent liberating struggle.
	library.thinkquest.org /28490/data/inglese/registi/desantis.htm?tqskip1=1 (507 words)

	ASSODESANTIS Associazione Giuseppe De Santis (Site not responding. Last check: 2007-10-20)
		Il giovane De Santis era "distratto" da tutto ciò che gli ruotava intorno ed aveva fame di una cultura non conformista, non schematica, frutto di scelte individuali o di gruppo.
		DA CACCIA TRAGICA AL PROFESSIONISTA Nel frattempo De Santis, spinto sempre da Puccini e Pasinetti, aveva iniziato a frequentare il corso di regia al Centro Sperimentale di Cinematografia, un struttura formativa di altissimo livello con docenti del calibro di Umberto Barbaro e Luigi Chiarini.
		Assistente operatore -alla sua prima esperienza- é Pasqualino De Santis, fratello minore di Peppe, che inizierà così una gloriosa carriera che lo porterà (tra l'altro) al Premio Oscar, primo direttore della fotografia italiano a conquistare l'ambito premio.
	www.assodesantis.it /desantis.htm (1427 words)

	DBLP: Alfredo De Santis (Site not responding. Last check: 2007-10-20)
		Giuseppe Ateniese, Alfredo De Santis, Anna Lisa Ferrara, Barbara Masucci: Provably-secure time-bound hierarchical key assignment schemes.
		Alfredo De Santis, Giovanni Di Crescenzo, Giuseppe Persiano: Non-Interactive Zero-Knowledge: A Low-Randomness Characterization of NP.
		Alfredo De Santis, Giovanni Di Crescenzo, Giuseppe Persiano: Zero-Knowledge Arguments and Public-Key Cryptography Inf.
	www.acm.org /turing/sigmod/dblp/db/indices/a-tree/s/Santis:Alfredo_De.html (2037 words)

	Italian neorealism - Wikipedia, the free encyclopedia
		Because Cinecittà (a complex of studios in Rome--the center of commercial filmmaking in Italy since 1936) was occupied by refugees, films were shot outdoors, amidst devastation.
		Largely prevented from writing about politics (the editor-in-chief of the magazine was none other than Vittorio Mussolini, son of Il Duce), the critics attacked the telefono bianco films that dominated the industry at the time.
		Elements of neorealism are also found in the films of Alessandro Blasetti and the documentary-style films of Francesco De Robertis.
	en.wikipedia.org /wiki/Italian_neorealism (967 words)

	DBLP: Giuseppe Persiano (Site not responding. Last check: 2007-10-20)
		Alfredo De Santis, Giovanni Di Crescenzo, Giuseppe Persiano: Necessary and Sufficient Assumptions for Non-iterative Zero-Knowledge Proofs of Knowledge for All NP Relations.
		Alfredo De Santis, Giovanni Di Crescenzo, Giuseppe Persiano: Non-Interactive Zero-Knowledge: A Low-Randomness Characterization of NP.
		Alfredo De Santis, Giovanni Di Crescenzo, Giuseppe Persiano: Zero-Knowledge Arguments and Public-Key Cryptography Inf.
	www.informatik.uni-trier.de /~ley/db/indices/a-tree/p/Persiano:Giuseppe.html (940 words)

	Ossessione
		Screenplay: Antonio Pietrangeli, Luchino Visconti, Mario Alicata, Giuseppe De Santis, and Gianni Puccini, from the novel The Postman Always Rings Twice by James M. Cain; photography: Aldo Tonti and Domenico Scala; editor: M. Serandrei; art directors: Gino Franzi, and Ferrare and Ancône; music: Giuseppe Rosati; music director: Maestro Fernando Previtali; costume designer: Maria De Matteis.
		De Santis, Giuseppe, "E con Ossessione osai il primo giro di manovella," in Cinema Nuovo (Bari), June and August-October 1984.
		De Santis, Giuseppe, and L. Bohne, "Visconti's Interpretation of Cain's Setting," in Film Criticism (Meadville, Pennsylvania), Spring 1985.
	www.filmreference.com /Films-Or-Pi/Ossessione.html (1038 words)

	DBLP: Alfredo De Santis (Site not responding. Last check: 2007-10-20)
		Giuseppe Ateniese, Carlo Blundo, Alfredo De Santis, Douglas R. Stinson: Extended capabilities for visual cryptography.
		Alfredo De Santis, Barbara Masucci: A Lower Bound on the Encoding Length in Lossy Transmission.
		Giuseppe Ateniese, Carlo Blundo, Alfredo De Santis, Douglas R. Stinson: Constructions and Bounds for Visual Cryptography.
	www.informatik.uni-trier.de /~ley/db/indices/a-tree/s/Santis:Alfredo_De.html (1827 words)

	MTV.com - Movies - Giuseppe de Santis (Site not responding. Last check: 2007-10-20)
		Among Italy's most idealistic neorealistic filmmakers of the '40s, Giuseppe de Santis made powerful but at times sensationalistic films punctuated by ardent cries for social reform.
		A native of Fondi, Italy, de Santis was first a student of philosophy and literature before entering Rome's Centro Sperimental di Cinematografia.
		While working as a journalist for Cinema magazine, de Santis became a major proponent of the early neorealist filmmakers who were trying to make films that mirrored the simple often tragic realities of proletariat life using location shooting and nonprofessional casts.
	www.mtv.com /movies/person/76884/bio.jhtml (327 words)

	Historical Journal of Film, Radio and Television: Guiseppe De Santis and Postwar Italian Cinema. - book reviews
		Italian film-director Giuseppe De Santis made 11 films, the most famous of which, Bitter Rice (1949), was one of the biggest hits of the post-war era.
		The author of Giuseppe De Santis, Antonio Vitti, is an associate professor in the Department of Romance Languages at Wake Forest University.
		Antonio Vitti cares neither about the technicians who worked with De Santis nor about his actors, technical remarks are elementary: 'The film's stylistic and formal experimentations are an integral part of the story and do not conflict with the simplicity of its content' (p.
	www.findarticles.com /p/articles/mi_m2584/is_n1_v17/ai_19417808 (737 words)

	Silvana Mangano - Wikipedia, the free encyclopedia
		This led her to a movie contract, though it would take sometime for Mangano to ascend to international stardom with her stunning performance in Bitter Rice (Riso Amaro, Giuseppe De Santis, 1949).
		Married to Bitter Rice producer Dino De Laurentiis, Mangano had four children, one of whom, daughter Raffaela, coproduced with his father the Mangano's next-to-last film Dune (David Lynch, 1984).
		Silvana Mangano died of lung cancer in Madrid, Spain, at 59 years of age.
	en.wikipedia.org /wiki/Silvana_Mangano (206 words)

	Directors
		De Sica's began his career in the movies as an actor.
		By 1943 he was directing films which included techniques that have come to define neorealism: shooting on location, using children and non-professional actors, and creating empathy with lower-class conditions.
		De Sica has been praised by such distinguished critics as André Bazin and James Agee.
	inblackandwhite.com /ItalianNeorealismv2.0/neo-dir.html (333 words)

	ELIO PETRI - biography
		After being expelled for political reason from San Giuseppe di Merode, a school run by priest on Piazza di Spagna, he embarked on a career combining political militancy, film-journalism and the coordination of cultural activities for the youth organization of the italian communist party.
		A friend of Gianni Puccini, he was introduced through him to Giuseppe De Santis and became Assistant to the director of Bitter Rice.
		There followed the collaboration with De Santis, both as script-writer and as director's assistant, on La Fille sans homme (1953), Jour d'amour (1955), homme et luops (1956), La strada lungo un anno (1958) and La Garconniere (1960).
	www.eliopetri.org /ep_english/bio.html (781 words)

	ossessione
		The fat and aging and oafish restaurant owner, Giuseppe Bragana (Juan de Landa), is married to a beautiful but unhappy Giovanna (Clara Calamai), who serves as the cook.
		There's an immediate sexual attraction between the hunkish bum and the slinky wife, who married for security and because she was frightened to be alone and poor.
		Screenwriter Giuseppe De Santis' description of the steamy story as "in the air of death and sperm," is the best I heard.
	www.sover.net /~ozus/ossessione.htm (850 words)

	Bitter Rice : Movie Description, Show times & Film Critics - Barrie - CinemaClock.com
		The second directorial effort of critic and screenwriter Giuseppe De Santis, one of neorealism's key figures, the film was ostensibly intended as an exposé of exploitative working conditions in rice paddies of Italy's Po Valley.
		Mangano, provocatively clad in the tightest of sweaters and the skimpiest of short-shorts, plays farm worker Silvana, labouring up to her knees in mud while her head is in the clouds, dreaming of American-style glamour.
		De Santis was both criticized for debasing neorealism and praised for reinventing it with popular elements.
	www.cinemaclock.com /aw/crva.aw/p.clock/r.ont/m.Barrie/j.e/i.6405/f.Bitter_Rice.html (292 words)

	Cinemed.tm.fr - Festival international Cinéma Méditerranéen Montpellier \|
		The « mondines », temporary workers come from the four corners of Italy to plant the rice in the Chinese fashion in the northern plains, are exploited by big landowners who play on the rivality between the « regulars » who have a contract, and the « clandestines », in order to step-up the pace.
		Straight after the war, he coordinates the direction of the collective film about the resistance to fascism Day of Glory (Giorni di gloria, 1945) and directs his first film in 1946.
		The carreer of De Santis is linked to the shocks and contradictions of the cultural policy of the Italian communist party, of which he was an influential member.
	www.cinemed.tm.fr /cgi-bin/film/film.cgi?id=00138&festi=5&uk=oui (212 words)

	Bibliography Listing of G. Persiano (Site not responding. Last check: 2007-10-20)
		De Santis, G. Di Crescenzo, R. Ostrovsky, G. Persiano, and A. Sahai.
		De Santis, G. Di Crescenzo, O. Goldreich, and G. Persiano.
		De Santis, G. Di Crescenzo, G. Persiano, and M. Yung.
	www.dia.unisa.it /~giuper/PAPERS (2817 words)

	- Great Books - (Site not responding. Last check: 2007-10-20)
		Born in a noble and wealthy family (one of the richest of northern Italy), at the age of 30 he went to Paris, and began his career as Jean Renoir's assistant in 1936, due to the intercession of the common friend Coco Chanel, in Une partie de campagne.
		After a short tour to the U.S., where he visited Hollywood, he was back in Italy to act as Renoir's assistant again for La Tosca (1939), a production that was interrupted and later completed by German director Karl Koch because of the war.
		With Gianni Puccini, Antonio Pietrangeli and Giuseppe De Santis he wrote the screenplay of his first film as a director: Ossessione (Obsession) (1943), a neorealist movie.
	www.malaspina.com /site/person_1166.asp (265 words)

	Italian Cinema
		Film artists such as Roberto Rossellini, Vittorio de Sica, Cesare Zavattini, and Luchino Visconti are considered as creators of a social context for a new artistic movement, each having dealt with Italy's postwar situation.
		Focusing on five filmmakers from the Postwar period (Visconti, De Sica, Pasolini, Taviani, and Fellini), Marcus discusses the relationship between literature and film and the differences in adaptation practices among the directors.
		Antonioni, Bertolucci, De Sica, Leone, Pasolini, Rossellini, Taviani Bros., and Visconti.
	www.utoronto.ca /innis/library/italianfilm.html (2010 words)

	Neorealism
		Neorealism is a cultural movement in cinema that, following the realism in literature, brings elements of true life in the stories it describes, in contrast with a tendency to depict a world mainly existing in imagination only.
		The former Miss Rome became a star overnight for her sultry debut as an impoverished yet voluptuous laborer who turns down the chance to emigrate to a better life in South America in favor of a steamy affair with her best friend's lover.
		Ironically, Marxist writer and director Giuseppe De Santis, one of the founders of Italy's post-World War II neorealist movement, virtually brought the genre to an end with Bitter Rice by demonstrating that sex was a far greater draw than social criticism.
	www.jahsonic.com /Neorealism.html (685 words)

	Piemonte: Cradle of Cinema (Site not responding. Last check: 2007-10-20)
		In the 1940s and 50s, the prominent likes of Giuseppe De Santis, Alberto Lattuada, Michelangelo Antonioni, Pietro Germi, and Luigi Comencini all made early films there.
		Giuseppe Rotunno did the masterly fl-and-white photography, which is as evocative as old lithographs” (The New Yorker).
		The Spanish-born cameraman Segundo de Chomón, who broke new ground with the tracking shot in Giovanni Pastrone’s Cabiria, was also an important pioneer of cinematic special effects, and created Italy’s first work of stop-motion (or frame-by-frame) animation with Momi’s Dream.
	www.cinematheque.bc.ca /MayJune04/Piemonte.html (2501 words)

	iraqi wannabe: justin alexanderâs blog (Site not responding. Last check: 2007-10-20)
		The Italian Red Cross delegate in Iraq Giuseppe De Santis claims that he did not witness anything that may have looked like an assault.
		Update from Palestine: Ghareeb's and my friend Ewa is still being held prisoner in an Israeli detention centre and may be deported after her appeal hearing today, here is a statement by her on Electronic Intifada.
		In it there is some more details about Giuseppe De Santis' (Italian Red Cross) account of the attack to the convoy when Baldoni was kidnapped.
	www.justinalexander.net /2004/09/controversy-over-enzos-death.htm (281 words)

	VH1.com : Movies : Person : Giuseppe de Santis : Biography
		Riso Amaro/Bitter Rice (1948), the story of a young woman working in the rice fields who must choose between two socially disparate suitors, was a landmark of the new cinematic style.
		A native of Fondi, Italy, de Santis was first a student of philosophy and literature before entering Rome's Centro Sperimental di Cinematografia.
		While working as a journalist for Cinema magazine, de Santis became a major proponent of the early neorealist filmmakers who were trying to make films that mirrored the simple often tragic realities of proletariat life using location shooting and nonprofessional casts.
	www.vh1.com /movies/person/76884/bio.jhtml (331 words)

	DVD Savant Review: Ossessione
		Lust, frustration, murder and guilt follow one another like road signs in a tale that's far too naturalistic to glamorize its subject, and too compassionate to be sordid.
		Giuseppe likes having the young man around to mend things, but the young mechanic can't take the tension and humiliation of carrying on behind Giuseppe's back.
		On the way back, with Giuseppe drunk, Gino and Giovanna go through with the murder they've both known was going to happen...
	www.dvdtalk.com /dvdsavant/s563ossess.html (1397 words)

	Viaggio in Italia - Persone_D-F_De-Santis
		Giuseppe De Santis and Postwar Italian Cinema (Toronto Italian Studies) - Hardcover
		Giuseppe De Santis and Postwar Italian Cinema (Toronto Italian Studies)
		Giuseppe De Santis and Postwar Italian Cinema (Toronto Italian Studies) ~
	geocities.com /karloff.geo/viaggioinitalia/Persone_D-F_De-Santis.htm (115 words)

	Vittorio De Sica. Bicycle Thief (Ladri di biciclette). 1948
		The film represents a genre of Italian cinema known as neo-realism, an enormously influential style in which films were shot on location, outdoors, and with available light.
		Filmmakers such as De Sica, Roberto Rossellini, Giuseppe De Santis, and Luchino Visconti often used nonprofessional actors in their stories about common people adjusting to the brutal conditions of a society humbled and impoverished by war.
		De Sica, an actor, directed his first film in 1939, but it was not until he made his postwar neo-realist masterworks, Shoeshine, Bicycle Thief, and Umberto D, in particular, that he became internationally celebrated.
	www.moma.org /collection/printable_view.php?object_id=89282 (415 words)

	Tonino Guerra
		: Giuliani G. De Negri, Paolo Taviani et Vittorio Taviani, 1982), Identificazione di una donna (réal.
		: Giuseppe De Santis, Maurizio Ferrara, Elio Petri, Gianni Puccini et Mario Socrate, 1957) et Uomini e lupi (réal.
		: Giuseppe De Santis, Ivo Perilli, Elio Petri, Tullio Pinelli, Ugo Pirro, Gianni Puccini et Cesare Zavattini, 1956).
	web2.uqat.uquebec.ca /scenario/guerra.html (1011 words)

	Vallone, Raffaele -- Encyclopædia Britannica
		Though an associaton football (soccer) player in his youth, he became a journalist and was discovered while researching Riso amaro (1949; Bitter Rice) for director Giuseppe De Santis, who offered him a part.
		Italian historian of religions and educator, a founder and president (1950–59) of the International Association for the Study of History of Religions.
		Italian composer and teacher who was a transitional figure in opera composition between Gaetano Donizetti, Gioacchino Rossini, and Vincenzo Bellini on the one hand and Giuseppe Verdi on the other.
	www.britannica.com /eb/article?tocId=9391045 (416 words)

	eBay.co.uk - giuseppe, Porcelain China, DVDs, CDs items at low prices (Site not responding. Last check: 2007-10-20)
		Giuseppe Verdi Early Flowering Dwarf Tulip x8 Lge Bulbs
		THE ART OF GIUSEPPE DE LUCA;LP; US; EX.SUNG IN ITALIAN.
		Giuseppe Armani: Blue Bird on a wood base.
	search.ebay.co.uk /giuseppe (299 words)

	Ossessione / Luchino Visconti / 1943 / film review
		The owner, Giuseppe Bragana, offers him temporary work, which he accepts — because he is attracted to his employer’s wife, Giovanna.
		Repulsed by her much older husband, Giovanna is ready to take Gino as her lover.
		With Giuseppe out of the way, the young couple are free to start a new life together.
	frenchfilms.topcities.com /nf_Ossessione_rev.html (915 words)

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