Glaze (painting technique)

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Topic: Glaze (painting technique)

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In the News (Tue 29 Dec 09)

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	Rag Painting - Rag Painting Technique - Faux Painting Techniques
		Rag painting, rag painting technique, and faux painting techniques brought to you by Behr.
		Using a rolled/scrunched rag, dab or roll the wet glaze color from the edges of the 3' X 3' section.
		Starting at the top corner of the project, roll the glaze color onto a 3' X 3' section, cutting in edges with a brush where necessary.
	www.behr.com /behrx/expert/activity.jsp?catId=600&aid=606&subnav=interior&leftNav=noSteps (439 words)

	Sponge Painting
		Sponge the whole area of wet glaze down to the floor, but don't touch the thick glaze edge.
		There are a few different techniques used to create sponging effects on walls.
		If glaze builds up in one place, lightly dab at it with a clean part of the sponge to remove it.
	www.decoratingsolutions.net /39.html?new_sess=1 (1766 words)

	How to Faux Paint by Stippling - eHow.com
		Use an acrylic or oil-based glaze for this faux painting technique.
		Stippling is a faux painting technique that gives new surfaces an elegant, aged look.
		One person can apply the glaze and stipple with the large, flat brush while the other person follows closely behind with the stippling brush.
	www.ehow.com /how_1599_faux-paint-stippling.html (432 words)

	Ceramics Today - Articles
		Maiolica is a technique where a decoration of ceramic pigments is painted onto a low-firing white glaze, usually a tin-glaze over an earthenware or terra-cotta clay.
		Maiolica, Majolica or Faience (as it is called in France), can be traced back to Mesopotamia of the 9th century AD From there the technique made its way to the Middle-East, then on to North Africa, from where it migrated to Spain.
		As it offers such scope for painting it has often been called the 'painters medium'.
	www.ceramicstoday.com /articles/042197.htm (432 words)

	Great walls: Textures and faux finishes are vogue
		After painting over the texture, usually applied on accent walls or small rooms, glaze is applied for a marbleized look.
		Painting ceilings a few shades lighter than the walls is stylish but looks choppy if every room is a different color.
		A gallon of glaze costs $31 and covers more area than regular paint.
	www.decaturdaily.com /decaturdaily/livingtoday/050208/walls.shtml (432 words)

	Glaze Painting - Frottage Painting - Faux Finish Painting
		Glaze painting, frottage painting, faux finish painting techniques brought to you by Behr.
		The glaze color should be applied in a slightly larger section than the plastic being used for the Frottage technique.
		Glaze Painting- Frottage Painting- Faux Finish Painting
	www.behr.com /behrx/expert/activity.jsp?aid=602&subnav=interior&leftNav=noSteps (470 words)

	The Mische Technique Traditional Way
		Using the titanium white egg tempera, the entire painting is done in white upon the imprimatura.
		Otherwise, if a new glaze is put over that part of the imprimatura which has received no tempera white, the upper coat of varnish will tear off the lower.
		The imprimatura should always be tacky when the tempera painting begins.
	www.art4spirit.com /MischeTraditional.html (470 words)

	Sgraffito
		SGRAFFITO is a term used to describe a technique of ceramic decoration that involves painting a coat of a colored slip onto a leatherhard pot, and then carving through the slip to reveal the clay color below.
		All that is necessary is that you choose a slip color that is distinctively different enough in color from the clay body that the contrast will be visible when the pot is glazed and fired.
		After bisque firing, glaze the piece simply with a transparent or semi-transparent glaze so the carved design will show through.
	www.glendale.edu /ceramics/sgraffito.html (363 words)

	Beer Stein Article — “17th and 18th Century Stoneware and Faience Steins”
		This technique required a very sure and skilled hand because at this stage the artist was painting on a “wet” glaze that had not yet been fired.
		Muffel painting always entailed painting on a smooth finished faience product which could be sent out to be painted by independent artists outside of the faience factory — the so-called Hausmalers.
		In short intervals, therefore, from the end of the 17th to the mid-18th century, faience factories were founded in a multitude of different principalities and small states in Germany, so that by the mid-18th Century approximately 90 factories produced faience in Germany.
	www.beerstein.net /articles/bsj-1c.htm (1488 words)

	CERAMICS IN FAENZA
		In the second half of the century, around 1870, thanks to Achille Farina, majolica painter trained as a ceramist at the Ferniani pottery together with a group of skilled decorators, a real painting school on majolica was started: imitating the technique of easel painting, it has left water-colours views and unrivalled portraits.
		This style is characterised by a thick white coating of glaze with the range of colours reduced to a blue and two tones of yellow (light and orange).
		Among the attempts of reviving it at the beginning of our century, those of the "Fabbriche Riunite di Ceramica" must be mentioned for giving a new start to nineteenth-century potteries, under a single management; in the same years, in addition, a newly founded firm, the pottery of the Minardi brothers, was started.
	www.racine.ra.it /covalanzoni/cerfae/21qui1_e.html (953 words)

	Handbook for the Appreciation of Japanese Traditional Crafts
		After Sakaida Kakiemon I mastered the technique of painting overglaze enamels on to a white porcelain body in Arita in about 1647, potters began to produce a variety of richly enamelled porcelains in the form of Kakiemon, Iro-Nabeshima and Old Kutani wares.
		Fujimoto Yoshimichi Iroe ginsai nemu sojakuzu hako (Box, sparrows among branches of a silk tree, painting in overglaze enamels and silver) A realistic depiction of a pair of sparrows in a silk tree executed in a rich palette of overglaze colours.
		Sakaida Kakiemon XIII Iroe sokamon obachi (Large bowl, flowers and grasses painted in overglaze enamels) The expansive decoration of flowers and grasses has been executed in red, green, yellow and blue enamels on a milky white porcelain (nigoshide) ground.
	www.nihon-kogeikai.com /TEBIKI-E/1.html (953 words)

	FAUX PAINTING - FROTTAGE
		The frottage technique is accomplished with the use of paint (oil or water based), glaze, and sheets of paper or plastic.
		Frottage faux painting detail with guilded sconce and fine art painting
		Artist, muralists, Emily Smith displays faux finishing, fine art, and decorative painting, trompe l'oeil, murals, and frottage work.
	www.emilysmith.com /frottage.html (155 words)

	Lomonosov Collector Plate St.Petersburg 300
		This painting was made in the over-glaze technique.
		Plate was made at the Lomonsov porcelain manufacture, established 1744 by Empress Elisabeth (Elizaveta Petrovna)
	www.rus-sell.com /item4258.html (155 words)

	Maxfield Parrish Biography
		Parrish mentally assessed the blue component and painted it directly onto a base of white (paper, gesso, etc.) in a thin, transparent glaze.
		Parrish explained his technique at length in Ludwig's Maxfield Parrish.
		I think this is one drawback of the reputation of "Parrish Blue" - paintings that are not prime examples of the term are shoehorned into the mode during reproduction.
	www.bpib.com /illustrat/parrish.htm (1831 words)

	History of Ceramics (CER 4910 / 6910)
		Instead of over-painting with oxides, he added the oxides to the tin glaze and made solid colored glazes.
		Luca della Robia 1400-1482 was a sculptor who began to make terracotta bas relief to be used in architectural adornment using the tin glazing technique in a slightly different way.
	www.claypathstudio.com /spain_italy.html (962 words)

	WaSabiDou Antiques and Folk Crafts Directory
		Mashiko ware vase with long neck coated in black glaze, and overglaze painting of camelia flowers on body, ca.
		This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body.
		Mashiko wares from Tochigi Prefecture have gained a worldwide reputation since potter Shoji Hamada settled there in 1923.
	www.mingei-wasabidou.com /catalog.html (775 words)

	How To Trompe Loeil Wine Mural DIY Faux Classes Faux Supplies Faux Finishing Classes Tinted Glaze Decorative Painting Technique
		When techniques are used correctly, the trompe l'oeil mural should take no more than three hours to paint in its entirety.
		The trompe l'oeil wine murals has been a part of a small but lucrative niche within my mural painting business.
		Over the years I have learned to use my techniques in an order that maximizes speed without sacrificing the quality of the finished work of art.
	www.creativeevolution.net /school/howto_trompe1.php (716 words)

	Mische Technique Fast Variation
		When Plaka is painted into a wet glaze, it automatically binds with the paint, and the fixative isn't necessary.
		Light areas are brought out by building up the Plaka.The cross-hatch technique works particularly well for this.
		This is the process of putting one color over the entire painting.
	www.art4spirit.com /MischeModern.html (716 words)

	American Still Life Painters
		They might also reflect the trompe l'oeil technique of Peale's father, Charles Wilson, who painted men that way sometimes to make more of an illusitionistic, "you are there", "this is real life and not a painting" effect to his pictures.
		The cake is similar to those used by Raphaelle Peale: the cakes used by each artist have a yellow, light colored cake, with a white glaze of frosting on top.
		Peale further softens his view of Niagara, by making the Canadian falls be seen in the distance, reducing their scale, and by having them silhouette a tree in the foreground.
	members.aol.com /MG4273/still.htm (716 words)

	Interior design, planning, residential - Sag Harbor, New York - Home
		Most specialty painting methods involve"broken color," which refers to a technique of distressing a semi-translucent paint or glaze, applied over a contrasting-colored opaque groundcoat to produce patterns and subtle gradations of color.
		The Broken Colour Works retail store in Sag Harbor village features quality home furnishings and accessories in the style best described as “classic coastal cottage.” Extensive interior design services are also offered, ranging from space planning and color selection to window treatment and accessories planning and selection.
		A visit to our retail store in the heart of Sag Harbor, at the corner of Bay and Division Streets,will delight your senses.
	www.brokencolourworks.com (301 words)

	The Art of Nishapur (mid-9th-early 12th century A.D.) Special Topics Page Timeline of Art History The Metropolitan Museum of Art
		It was presumably in eastern Iran or the immediately adjacent part of Central Asia that slip painting under a transparent lead-fluxed glaze was first put to use (in the ninth century), and it was in these regions that this technique reached perhaps its highest peak of refinement.
		Nishapur began to assume major influence from the mid-ninth century A.D., becoming in the tenth through twelfth centuries one of the great political, commercial, and cultural centers in medieval Iran and the Islamic world.
		The material unearthed at Nishapur, of high artistic as well as documentary importance, was produced locally and traded, paralleling the city's political and commercial prominence.
	www.metmuseum.org /toah/hd/nish/hd_nish.htm (509 words)

	School for decorative painting and finishing
		A faux finish or faux painting is a painted imitation of something that occurs naturally.
		This generally requires developing a skill rather than just a technique and requires practise.
		Wood Graining: Basic wood graining techniques are a must for any aspiring faux finisher.
	www.dundean.com /classes_faux_design_II.shtml (418 words)

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Topic: Glaze (painting technique)

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In the News (Tue 29 Dec 09)