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| | "Local, Global, or National?..." by R. Andrew Sutton, University of Wisconsin-Madison |
 | | Its negotiation between local, global, and national forces is especially complex and contradictory, for in its self-conscious quest to Indonesianize pop Indonesia by combining it with various regional musical elements, it exoticizes the indigenous and champions the Western. |
 | | MTV is not just global or globalizing--in Indonesia it is also national, promoting those Indonesian artists who exclude regional elements (language, musical instruments, scales, forms, etc.) in their music, but who in turn may incorporate more specific, local elements in the visual dimension of their videos. |
 | | Dangdut is not yet global (despite its popularity in Malaysia and its few imitators elsewhere); its presentation on Indonesian television contributes to its strong identity as a national music--incorporating some foreign elements, but at the same time maintaining, through its cultivation of an "Eastern" style, resistance to the oft-feared onslaught of globalization. |
| polyglot.lss.wisc.edu /mpi/workshop98/papers/sutton.htm (8028 words) |
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