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| | ~aeon~ |
 | | Cadigan's character uses a fusion with musical instruments and computers to blur the distinctions between man, machine, and god, and by the end of the story one is not sure if the main character is a "sinner," a "synner" (a pun on the word "synthesizer"), or a god. |
 | | Though Haraway does not seek godhood through a cyborg nature, the key to this statement, (and, indeed, her entire "Manifesto for Cyborgs"), is the fact that being a cyborg, being a god, and being human are different. |
 | | Cyberpunk is, after all, a path towards godhood, not godhood in itself. |
| www.iconoclast.org /~aeon/thesis/thesis17.shtml (569 words) |
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