The students, all girls, are staying for two weeks with students and teachers in the Corona-Norco schools through an exchange program with the Japanese city of Gotsu, Corona's sister city.
A teacher and a representative of Gotsu, in rural southwestern Japan, are visiting as well.
Gotsu and the Corona-Norco schools trade off on annual visits to each other in the program, in its 18th year.
GOTSU WMS is a package of basic systems including an order-receiving system, a picking system, an inventory management system (IMS), and a printing system.
In addition, along with the close partnerships between distribution designers and system designers, GOTSU WMS aims to serve as an advanced operation system as well as to become a transmitter of useful information to its users.
GOTSU WMS records business transactions at real-time basis (user option) and is equipped with an auto fee computing function.
Gotsu, as I discovered recently, is a Tamilian Baingan Bharta - a lazier easier version.
I was about to make Baba Ghanouj again, when I realised how much work it would take to broil, skin and mash three skinny Japanese eggplants instead of one Italian fatso.
the simple ‘gotsu’ has been elevated…who would have guessed that we will witness such a great turning point in the ‘trials and tribulations in the life of an eggplant’….(am doing three pranams ;-))….
Rather than spend money on Gotsu hotels, hostels or backpacker accommodation, take advantage of GlobalFreeloaders hospitality by staying with a fellow member for free!
All these GlobalFreeloaders members are in Gotsu and may be available to host you while you're in the area.
All you need to do is sign up to GlobalFreeloaders.com, and you could be arranging your stay in Gotsu with them in minutes!
Dare Devil is a concert document of saxophonist (who also doubles on bass clarinet here) Peter Brötzmann's tour of Japan in 1991.
He is accompanied here by a trio of Nippon's vanguard musicians (drummer Shoji Hano, bassist Tetsu Yamauchi, and guitarist Haruhiko Gotsu).
They follow prescribed notions of rhythm and dynamic, but allow both Gotsu and Peter Brötzmann to escape the rhythmic trappings for more adventurous tonal terrain.
They follow prescribed notions of rhythm and dynamic, but allow both Gotsu and Peter Brötzmann to escape the rhythmic trappings for more adventurous tonal terrain.
While this is Peter Brötzmann's recording date and is issued under his name, it is Yamauchi and Hano that offer most of the surprises.
Loping, insane, brutally long lines by Peter Brötzmann are echoed with harmonic extrapolations by Gotsu in low-strung guitar chords and frantic pizzicato bassing by Yamauchi.
