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| | The Architectural Review: Gottfried Semper and the problem of historicism... @ HighBeam Research (Site not responding. Last check: 2007-11-06) |
 | | The German architect and theorist, Gottfried Semper (1803-79), designed a few buildings, all in a sumptuous Renaissance Revival style, including the Opera House (1871-8) and Gemaldegalerie (1847-54) in Dresden, and, with Karl von Hasenauer (1833-94), the two museums in the Maria-Theresien-Platz (1872-81), the Burgtheater (1872-86), and the Neue Hofburg (1870-94) in Vienna. |
 | | His writings are notoriously prolix and opaque, so he has been claimed, inter alia, as materialist, functionalist, idealist, stylistic eclectic, Marxist revolutionary, petit bourgeois, proto-modernist, and upholder of historicism. |
 | | Semper was a fascinating figure, even a great architect, and deserves to have his ideas explained, clearly and simply, with any illustrations carefully captioned and related to the text: in Hvattum's volume the illustrations appear incidental, so for those seeking to understand Semper it will not be of much help. |
| www.highbeam.com /library/doc0.asp?DOCID=1G1:120038620&refid=ip_encyclopedia_hf (296 words) |
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