| |
| | Goya's unflinching eye | Review | Guardian Unlimited Books |
 | | Goya was incredibly lucky in having, as Pintor del Camara (court painter), the kind of direct access to his major work that most painters could only envy. |
 | | Goya at 50, with his low and provincial origins, was still somewhat a man of the pueblo, the ordinary people, to whom the ilustrados were nobs, separated by class and ideas from their world - afrancesados, "Frenchified". |
 | | Goya's imaginative roots were deeply wound into the world of the pueblo : old Spain, "fl" Spain, the culture of priests and Inquisitors, of witch-fears, masques and the blood-rituals of the bullfight. |
| books.guardian.co.uk /review/story/0,12084,1055165,00.html (3701 words) |
|