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Graham Haynes - Wikipedia, the free encyclopedia Graham Haynes (born 16 August 1960 in Queens, New York) is an American cornetist and trumpeter. Among the innovative musicians and producers Graham Haynes worked with in the mid '90's and through to the early millenium, Graham had a long standing working collaboration with NYC dj, multi-instrumentalist and urban producer, Aaron Lazansky, aka dj Spaze Crafte One. their collaborations can be found on a number of Graham Haynes Records: -Transitions (polygram/antilles) -tones for the 21st century (polygram/verve) -Organik Mechanix (ION records) -BPM (Knitting Factory Records) en.wikipedia.org /wiki/Graham_Haynes   (193 words)

Graham Haynes - Biography - AOL Music The son of drummer Roy Haynes, Graham Haynes grew up around jazz musicians; his Hollis, Queens, neighborhood was also home to Roy Eldridge, Milt Jackson, and Jaki Byard. Haynes' work occasionally hints at an experimental nature, but too often he's apt to place his Miles-ian cornet in static, synthesized funk-oriented contexts that do not enhance or augment the essential lyricism of his work. Haynes is obviously attracted to various world music traditions on records like 1994's The Griot's Footsteps. music.aol.com /artist/graham-haynes/26500/biography   (183 words)

www.jazzweekly.com | Interviews GRAHAM HAYNES: I have been working with Bill Laswell for about a year or so and then he came to me with this Operazone project that Alan Douglas wanted to do and I love opera. GRAHAM HAYNES: (Laughing) As a trumpet player, I think I was definitely one of the first ones. GRAHAM HAYNES: I was working on a West Coast tour with my band, but the Knitting Factory, who put the record out, sunk so much money into the Knitting Factory in LA that the tour support that I thought that I was going to have is not there. www.jazzweekly.com /interviews/ghaynes.htm   (1941 words)

The American Spectator Haynes conducted a full, thorough, wide-ranging, fair-minded, and absolutely superb review that carefully balanced the legal, technical, military, intelligence, and (not least) philosophical considerations involved in a brand-new form of conflict -- and did so in a way that was a credit to the nation he serves. Jim Haynes is a Harvard Law grad who served five years in the Army (rank: Captain), clerked for a federal judge, served as General Counsel of the Army, and served as a top lawyer in several private sector positions before taking over as General Counsel for the whole Department of Defense. With Graham, Haynes's longtime opponent, instead saying that he now considers Haynes a hero in the effort to balance security with American values, Democrats would be hard-pressed to find any other reason to kill the nomination. www.spectator.org /dsp_article.asp?art_id=10709   (1268 words)

Power Line: Jim Haynes and Lindsey Graham -- setting the record straight For example, Graham reportedly is lobbying hard against Haynes with key gang of 14 members such as Senator Collins of Maine, trying to persuade them that the Haynes' nomination constitutes an "extraordinary circumstance" which would justify a filibuster. Graham contends that the JAGs were not afforded meaningful process because they only saw a "draft" final report (March 2003) and not the "final" final report (April 2003). Graham's suggestion that the JAGs were left out of the process because they only saw a draft of the final report, not the "final final" report, makes no sense. powerlineblog.com /archives/014722.php   (864 words)

Beauteez'n The Beat - Bio - Graham Haynes   (Site not responding. Last check: 2007-10-11) Haynes has exhumed and updated European classics; turned dance beats into art and made art music danceable; and rescued, redefined and deconstructed that genre we still call "jazz". Haynes enrolled in Queens College to extend his formal music studied, encouraged largely by members of the Rescue Church of Christ band. It was collaborations like this and Haynes travel and work throughout Europe were he was able to weave together funk, jazz, African and Arabic music and a whole lot of Haynes imagination, often layered over complex rhythms in multiple time signatures which is what Haynes is known for in the music industry. worldbeats.free.fr /bios/bio_graham_haynes.html   (225 words)

Roy Haynes - Drum Solo Artist Roy Haynes was born in Boston, March 13, 1926, and was keenly interested in jazz ever since he can remember. Roy's son Graham Haynes adds his distinctive sound on cornet and flugelhorn to the powerful front line. As on his previous two recordings for Dreyfus (When It's Haynes, It Roars and Te Vou!), Praise refers to Haynes' glorious legacy while adhering firmly to his credo, "Now is the time." Within the imaginative arrangements, Haynes stamps his personality on each tune, intuitively designing rhythmic phrases like a great tap dancer. www.drumsoloartist.com /Site/Drummers2/Roy_Haynes.html   (787 words)

Graham Haynes : BPM - Listen, Review and Buy at ARTISTdirect On BPM (i.e.,"beats per minute"), Graham Haynes intermingles Miles-influenced horn lines, techno rhythms, world music grooves, ambient textures, and -- brace yourself -- samples of Wagnerian opera, with surprisingly successful results. Haynes concentrates on his horn's middle register and seems to choose his phrases carefully, drawing out and clearly articulating the notes with nary a hint of vibrato. Haynes uses technology to create imaginative and even subtle sonic environments, and, of course, he is an evocative player on his primary instrument, the good old-fashioned cornet. www.artistdirect.com /nad/store/artist/album/0,,982786,00.html   (434 words)

1115.org » Print » Graham v. Haynes   (Site not responding. Last check: 2007-10-11) Haynes had cleared the Senate Judiciary Committee in 2004 (before the Abu Ghraib scandal hit the fan), but he was not approved by the full Senate before the end of the first Bush term. The result, Graham told reporters after the hearing, was “legal confusion” that contributed to the scandal at Iraq’s Abu Ghraib prison — and the attendant courts-martial and other career damage for those held responsible. With Democrats united against Haynes, Graham’s position is crucial because without his support Haynes could have a hard time getting out of the Judiciary Committee, which has 10 Republicans and nine Democrats. www.1115.org /2006/07/13/graham-v-haynes/print   (302 words)

Graham Haynes/Hardedge: Austere Geometry & Reality Eclipsed Trumpeter Graham Haynes seems to have been eaten alive by the exotic creature known as ‘electronica’. But even as experimental music (which is what it actually is), Haynes’ stab at electronica vanishes into the large, murky lagoon of this kind of stuff with nary a ripple. Haynes’ brand of electronic music is not grating, though far from pleasant. www.allaboutjazz.com /php/article.php?id=22422   (288 words)

Transition - Graham Haynes - Song Listings Where Miles Davis left off in the recording studio just before his death, cornetist Graham Haynes picks up, continuing to explore the controversial marriage between mainstream jazz and hip-hop rhythms. Yet Haynes also has other fusions and revivals on his mind, sometimes reaching back to Miles' nearly forgotten mid-'70s "jungle band" for fuel. Haynes even successfully revives one of Miles' least-imitated experiments, the wah-wah-pedal trumpet (or in this case, cornet), on "Mars Triangle Jupiter" and "Freestylin.'" ~ Richard S. Ginell, All Music Guide [-] Continue www.mp3.com /albums/183004/summary.html   (373 words)

Graham Haynes: Reviews, Discography, Audio Clips, and more ||| Music.com Graham Haynes' view of the future is provocatively put forth on this mostly self-contained CD, where, with the exception of an African harp and a couple of spoken voices, the sounds are made up entirely of his cornet, flugelhorn, Tibetan trumpet, keyboards and racks of electronics. It is a peaceful vision, bordering on new age at times but also with an element of darkness rarely heard in feel-good electronic mood music. But Haynes, a cornetist and son of famous drummer Roy, seems to have anticipated that problem and avoided it by going for flavor rather than authenticity; the result is a wonderful disc that blurs the definit… Read More » www.music.com /person/graham_haynes/1   (632 words)

Graham Haynes   (Site not responding. Last check: 2007-10-11) The cornetist Graham Haynes is the son of the legendary jazz drummer Roy Haynes. He grew up in Hollis, Queens and as Graham Haynes remembers 'there were quite a few musicians who lived in that neighborhood. At a very young age Haynes decided to follow in his father's footsteps and made his debut in his highschool band, sharing the spotlight with Marcus Miller. www.m-base.com /g_haynes.html   (147 words)

BooM BooM RooM Events Haynes has put together something virtually indescribable —beauty in chaos, yet logical and reasoned in time. The mere fact that Haynes has gathered this grouping of musicians (away from their other obligations) is amazing in and of itself. These musicians are (individually) constantly touring with other acts, crisscrossing the globe, not sure where their schedules will allow them time to participate in projects of their own or those like this which they covet. www.boomboomblues.com /cgi-bin/calendar/index.pl?Calendar=cal_boomboom&View=Day&DateID=7/24/2002   (322 words)

Graham Haynes - AOL Music   (Site not responding. Last check: 2007-10-11) Among the innovative musicians and producers Graham Haynes worked with in the... GRAHAM HAYNES: I have been working with Bill Laswell for about a year or so and... Download, listen and watch Graham Haynes music, mp3's, song lyrics, music videos, Internet radio, live performances, concerts, and more on AOL Music. music.aol.com /artist/graham-haynes/26500/main   (126 words)

[No title] Personnel: Graham Haynes (cornet, flugelhorn, Tibetan trumpet, keyboards); Aaron "DJ Spazecraft" Lazansky (spoken word, didgeridoo); Tracie Morris (spoken word); Steve Neil (African harp). Trumpeter Graham Haynes has assembled an eclectic collection of instrumental moods on TONES FOR THE 21ST CENTURY. Drawing on a wide variety of influences, Haynes combines Techno, New Age and ethnic sounds to form a collage of colors and textures which envelop the listener in a sonic cocoon. www.trademe.co.nz /Music-instruments/CD/Jazz/auction-72555534.htm   (304 words)

Jazzdimensions - Graham Haynes - 'bpm' - eine Rezension Jazzdimensions - Graham Haynes - 'bpm' - eine Rezension Damit ist Haynes nicht nur am Puls der Zeit gelandet, sondern bestimmt wahrscheinlich auch eine der Richtungen mit, in die sich Musik entwickeln wird - und kann. Haynes wunderbares Cornettspiel trifft bei dem Stück "Tristan in the Sky" (Richard Wagner!) auf die Gitarre von Brandon Ross - eher klassisch anmutend, mit zartem Elektronikhintergrund. www.culturedimensions.de /reviews/others/2000/haynes_bpm.html   (239 words)

Graham Haynes "Tones for the 21st Century" (1996 Antilles/Verve)   (Site not responding. Last check: 2007-10-11) Graham Haynes "Tones for the 21st Century" (1996 Antilles/Verve) Graham Haynes cornet/flugelhorn/tibetan trumpet/keyboards; Steve Neil African Harp on Nameless River; DJ Spazecraft (Aaron Lazansky) spoken word on Milennia/digeridoo on Out of Phaze; Tracie Morris spoken word on Out of Phaze If you take a listen to the previous two or three recordings of Graham Haynes you'll see that he has been leading up to this complete ambient tones with trumpet on top. kzsu.stanford.edu /~cathya/Playlists/reviews/GrahamHaynesTonesFor21Century.html   (121 words)

music.1percent.com - album review - GRAHAM HAYNES : B.P.M.   (Site not responding. Last check: 2007-10-11) I've now heard the full length :BPM and would have to say "inn a most" is probably the most accessible of the lot. A globally inspired sound incorporating tabla-like scat voicings with sitar and Haynes' brass makes this track feel the most organic. Twisted rhythms and chords along with headtrippin' bass & synth aren't what make it so as much as Haynes' ability to incorporate his jazz roots into a more current genre. music.1-percent.com /reviews/graham_haynes_0500.html?PSID=8eacbc658b03f5981018025a609a92a7&PSID=8eacbc658b03f5981018025a609a92a7   (126 words)

BCL Associates - Graham Haynes Graham specialises in helping individuals and organisations to change. He has worked in the retail and hospitality industries. Graham's particular areas of expertise include cultural change, leadership, coaching, mentoring, team building, trainer/coach development, influencing and presentation skills. www.berkshire.co.uk /pages/associates/grahamhaynes.htm   (54 words)

CAST: Text Transformations In contrast, MacArthur & Haynes (1995) found that an enhanced hypermedia study guide was more effective at developing student comprehension than a basic version containing fewer supports. Graham & MacArthur (1988) and MacArthur et al. Graham, S. & MacArthur, C. Improving learning disabled students' skills at revising essays produced on a word processor: Self-instructional strategy training. www.cast.org /publications/ncac/ncac_textrans.html   (17044 words)

Graham Haynes "Transition" (Verve)   (Site not responding. Last check: 2007-10-11) Haynes cornet; Steve Williamson saxophone; Veron Reid/Jean-PaulBourelly/Brandon Ross guitars; Cheick Tidiane-Seck keyboard; Amina, Vera Mantero vocals; Daisy Paradi sitar; D.J. Logic Jason Kibler; Daniel Moreno/Jorge Amorim percussion; Lonnie Plaxico bass; "Catfish" Fred Alias drums; Marc Lindhal samples programmer Track 2 sounds like they're playing a record backwards, then Haynes comes in with his cornet, very minimalistic. Track 3 is another trance with sitar, vocals, percussion and sounds like samples of tabla. kzsu.stanford.edu /dj/cathya/Playlists/reviews/GrahamHaynesTransition.html   (155 words)

Tones for the 21st Century by Graham Haynes Tones for the 21st Century by Graham Haynes This cd is an interesting combination of music that is complex and other-worldly, and music combined with spoken word passages that repeat and repeat. So much of this is interesting that I would suggest that you invest in the lowest price used cd, but be prepared for an interruption in your enjoyment when the voices intrude. www.jazzdigger.com /g/Graham_Haynes/Tones_for_the_21st_Century_B0000047F3.htm   (119 words)

Graham Haynes - Tones for the 21st century - Polygram TenDance Magazine CD & Vinyl Reviews - Techno, House, Dance & ... Graham Haynes - Tones for the 21st century - Polygram TenDance Magazine CD & Vinyl Reviews - Techno, House, Dance & Broken Beat Rezensionen Graham Haynes, Sohn des grossartigen Jazzschlagzeugers Ray Haynes, kann seine Wurzeln nicht verstecken. Tones for the 21st century von Graham Haynes günstig kaufen www.deejays.net /rezension3501.html   (146 words)

Official Ticketmaster site. Graham Haynes tickets, dates Some of the information on this page is provided by All Music Guide and does not necessarily reflect the views of Ticketmaster. We currently do not have any tickets on sale for Graham Haynes. Sign up to receive Graham Haynes performer alert e-mails and get notified before tickets go on sale! www.ticketmaster.com.au /artist/752966?brand=none   (343 words)

CONCERTI GRAHAM HAYNES -   (Site not responding. Last check: 2007-10-11) Karl Berger Octet In the Spirit of Don Cherry Graham Haynes, cornetta, flicorno e doussn' gouni;... Nils Petter Molvaer (alla tromba), Graham Haynes (alla cornetta), Gigi e la sorella Tigist (alla voce), Hamid... Warren Haynes è a mio parere il deus ex... www.godadomusic.it /concerti_graham_haynes.html   (498 words)

Upcoming.org: Dave Douglas & Graham Haynes-The Small Group Music of Don Cherry at Jazz Standard (Sunday, September 24, ... Since 2005 he has released all of his recordings on his own internet-based Greenleaf Music label. Graham Haynes is an American cornetist and trumpeter. He was a founding member of Steve Coleman's M-Base collective and he has also played with David Murray, George Adams, Ed Blackwell, Cassandra Wilson, and Bill Laswell. upcoming.org /event/100973   (237 words)

Arts & Events - University of Massachusetts Amherst The son of drum great Roy Haynes, cornetist Graham Haynes grew up around jazz musicians; his Hollis, Queens, neighborhood was also home to Roy Eldridge, Milt Jackson, and Jaki Byard. His recordings for Muse, Antilles and Knitting Factory, range from collaborations with musicians from Senegal and India, to his use of techno rhythms, ambient textures and samples of Wagner operas. Electric Church features Haynes, Hardedge (turntables) and James Hurt (keyboards), with projected images designed by Nicole Jaquis. www.umass.edu /umhome/events/articles/9575.php   (172 words)

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