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Topic: Graham Sutherland

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	Graham Sutherland Prints - Graham Sutherland - Printmaker by Rigby Graham
		Sutherland started as an engraver working in drypoint and in etching, influenced early on by the example of Whistler and Meryon, and later that of Rembrandt and Palmer.
		In 1976 Eleonora and Valter Rossi suggested to Sutherland that he might care to try colour aquatints and he became fascinated as he began to uncover the possibilities within that process with their help and guidance in Menton.
		As in all his printmaking Sutherland’s understanding of what a process can offer and his grasp of the different techniques involved in etching, aquatint and in lithography shown in his autographic prints here in Uppingham have contributed greatly to the quality and flavour of each final image.
	www.grahamsutherlandprints.com /view_article.php?article_id=6&sort_by= (419 words)

	Graham Sutherland Online
		Original works by Graham Sutherland available for purchase at art galleries worldwide
		Search AllPosters for reproductions of works by Graham Sutherland
		All images and text on this Graham Sutherland page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/sutherland_graham.html (0 words)

	GRAHAM SUTHERLAND (Site not responding. Last check: 2007-10-28)
		It was during this period (1945-46) that Francis Bacon formed a friendship with Kathleen and Graham Sutherland.
		Sutherland seems to have been influenced by Bacon in the early 1950s, "though the traffic in ideas was not wholly one-way.
		Sutherland conveyed to the full the distinction and tenacity of the elder statesman.
	www.geocities.com /pantherprousa/sutherland/sutherland_graham.html (2079 words)

	Winston Churchill, Graham Sutherland (1954) \| \| Guardian Unlimited Arts
		Sutherland's style, thorny, charred, tinged with wintry colours, is visibly influenced by Picasso and Matisse - yet unmistakably British, harking back to the great landscape painters of the early 19th century.
		Sutherland brought together his passionate sense of landscape and modern awareness of violence in paintings of bomb damage during the Blitz.
		Sutherland was commissioned by both Houses of Parliament to paint a full-length portrait of Churchill in 1954, for which this is a study.
	arts.guardian.co.uk /portrait/story/0,11109,740353,00.html (613 words)

	Graham Sutherland Biography \| Encyclopedia of World Biography (Site not responding. Last check: 2007-10-28)
		Graham Sutherland (1903-1980), the leading painter of the English neoromantic movement, was noted for his imaginative pictures based on landscape and plant forms and for his portraits.
		Graham Sutherland was born in London on Aug. 24, 1903.
		Sutherland's most ambitious work of the 1950s was his design for a vast tapestry, Christ in Glory in the Tetramorph, for the new Coventry Cathedral, a project that occupied him from 1952 to 1958 and for which he made a large number of studies.
	www.bookrags.com /biography/graham-sutherland (703 words)

	Artbank - The premium art trading website: contemporary art galleries, london art galleries, online art galleries (Site not responding. Last check: 2007-10-28)
		Graham Sutherland, the British painter of imaginative landscapes, still lives, figure pieces and portraits, was born on 24 August 1903 in London.
		Sutherland studied at Goldsmiths' College from 1920–5, where he specialised in engraving and etching and held his first and second exhibitions of drawings and engravings at the XXI Gallery in London in 1925 and 1928.
		Graham Sutherland painted his first portrait commission of the writer William Somerset Maugham in 1949 and this proved such a critical success that he received numerous commissions for portraits of establishment figures such as Lord Beaverbrook.
	www.artbank.com /DisplayArtist.aspx?id=94 (613 words)

	Graham Sutherland Coventry Cathedral \| Tape
		Graham Sutherland's tapestry of Christ in Glory dominates the East End of the cathedral..
		Matthew's Church, Northampton and the tapestry Christ in Glory(1962) for Coventry Cathedral graham sutherland coventry cathedral.
		"The underlying theme of Graham Sutherland's studies for the Coventry Cathedral tapestry was the continuing significance of Christ in a modern world, particularly after the destruction and chaos of the.
	tape.lenst.org /graham-sutherland-coventry-cathedral.html (322 words)

	War Scene by Graham Sutherland 1903-1980
		Sutherland was an official war artist from 1940-1945 and during this period he produced work which covered a variety of themes, from blast furnaces, to the damage done by the RAF, to rail marshalling yards in France.
		Sutherland explored the damaged areas and became fascinated by the ways in which the myriad of building materials and the wares within reacted to the intense forces of fire and explosion.
		Sutherland was equally occupied by the whole streets of devastated buildings which ran off into the distance.
	www.waterman.co.uk /pages/eventsingle/390/23.html (320 words)

	MODERN BRITISH ART - Graham Sutherland biography
		During the war years he was employed as an Official War Artist to record the effects of bombing, and his work matured as he wrestled with the problems of finding a visual surrogate for the devastation and the destruction of man-made things.
		Sutherland’s most celebrated work, however, has become widely popular - it is the immense tapestry of Christ in Glory (completed 1962) in Coventry Cathedral.
		Sutherland continued to paint landscapes-his first love-often inspired by the French Riviera, where he lived for part of every year from 1947.
	www.modernbritishartists.co.uk /sutherland_biog.htm (361 words)

	Portrait of Sommerset Maugham. 1953 by Graham Sutherland, 1903-1980 (Site not responding. Last check: 2007-10-28)
		Sutherland's work as a portraitist was one of the most brilliant but least publicly appreciated aspects of his art.
		This insight was often not appreciated, most famously in the extraordinary portrait of Winston Churchill, commissioned by Parliament and greeted by Churchill with obvious dislike as 'a masterly example of modern art', but destroyed by his widow before it could be formally displayed.
		Sutherland painted a group of portraits of Somerset Maugham, also not much liked by the sitter, but which have come to be recognised as amongst his greatest paintings.
	www.williamweston.co.uk /pages/previous/single/761/233/1.html (277 words)

	Graham Sutherland OM National Hall Olympia London - Pressrelease
		Graham Sutherland OM The centenary of Graham Sutherland's birth is 2003.
		Sutherland is well remembered for his depiction of Somerset Maugham, the portrait of Sir Winston Churchill, infamously destroyed, and his epic tapestry for Coventry Cathedral.
		Sutherland and his work will be introduced to a generation who have not seen the range of his aesthetic ability; it may surprise and delight them.
	www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=1046081514 (547 words)

	GRAHAM SUTHERLAND, OM (1903-1980)
		Graham Sutherland was born in London on 24 August 1903, and grew up in Surrey and Sussex.
		During the late 1950s, Sutherland was preoccupied with painting portraits and supervising the execution of the Coventry tapestry.
		In 1976, his affection for the area was marked by the opening of the Graham Sutherland Gallery at Picton Castle, Haverfordwest.
	www.chrisbeetles.com /pictures/artists/Sutherland_Graham/Sutherland_Graham.htm (829 words)

	BBC - Wales - Eisteddfod Arts 2002 (Site not responding. Last check: 2007-10-28)
		The 1920s saw a brilliant series of Sutherland neo-romantic etchings, echoing back a century to Blake and Palmer, versed in the pastoral bucolic tradition of stone-built village cottages, rural husbandry and the like, but each also thoroughly imbued with an individual Sutherland quality, often investigating the limits of geometrical form.
		Sutherland first explored the Upper Cleddau in the mid 1940s, when he also met the owner of Picton Castle, Johnny (Sir John Phillipps) then living only in a wing of the castle.
		The Graham Sutherland Gallery was not to open until June 1976, but the interim allowed the artist both to gather together works from his oeuvre as an endowment and also to paint a number of large and magisterial canvasses for its walls.
	www.bbc.co.uk /wales/eisteddfodarts/graham_sutherland.shtml (1536 words)

	indielondon.co.uk - events - Graham Sutherland, Dulwich Picture Gallery (Site not responding. Last check: 2007-10-28)
		Sutherland always discovered an emotional intensity in his relationship with his subject, whether painting a twisted tree root from the Welsh countryside or the victorious Winston Churchill, and always allowed it to influence the final appearance of the work.
		Sutherland’s career was interrupted at the end of the Thirties by the advent of war, but he was saved from the munitions factory, for which he had already volunteered, by Kenneth Clark.
		At the end of the war, Sutherland made his first trip to the South of France, and the celebratory colours of the landscapes painted there show a clear excitement about this new countryside, and a sense of relief at the end of the urban destruction of war.
	www.indielondon.co.uk /events/out_dulwich_picgall_graham_sutherland.html (657 words)

	Guardian \| Graham Sutherland
		Graham Sutherland was never an artist to reject a fresh challenge.
		Sutherland's image of an implacable lion links directly back to Blake's bewildered-looking Tyger, for example, though its dun colours and dazed expression also make it curiously reminiscent of Andy Warhol's camouflaged self-portraits.
		Sutherland's studies of birds and sheep are skeletal, savage mutations such as you might find in a Ted Hughes poem rather than a farmyard; while one exceptionally dark image features a demonic colony of bats swooping straight out of a Goya-esque nightmare.
	www.guardian.co.uk /print/0,3858,4846912-110430,00.html (231 words)

	Graham Sutherland - Encyclopedia.com
		Sutherland, Graham (1903–80) English painter, draughtsman, and printmaker.
		During World War 2, Sutherland was employed as an official artist to record the effects of bomb damage.
		Sutherland's belated homecoming: renewed interest in painter Graham Sutherland's work has led to a recent series of U.K. exhibitions marking the centenary of his birth.(Report From England)(Biography)
	www.encyclopedia.com /doc/1O142-SutherlandGraham.html (478 words)

	Flavia Ormond Fine Arts: Graham Sutherland
		Graham Sutherland studied at Goldsmith's College of Art, London, from 1921-1926.
		During the Second World War Sutherland was employed as an Official War Artist to record, mainly in drawings, the bomb damage in London and South Wales.
		In 1947 Sutherland visited the South of France for the first time and from then on spent part of each year there.
	www.flaviaormond.com /sutherland.html (330 words)

	Graham Sutherland Summary
		Graham Vivian Sutherland (August 24, 1903 – February 17, 1980) was an English artist.
		Sutherland focused on the inherent strangeness of natural forms, and abstracting them, sometimes giving his work a surrealist appearance; in 1936 he exhibited in the International Surrealist Exhibition in London.
		Sutherland also painted a number of portraits, with one of Somerset Maugham (1949) the first and among the most famous.
	www.bookrags.com /Graham_Sutherland (1115 words)

	Graham Sutherland - Encyclopedia.com
		Sutherland began his career as a painter at 35 and gained international acclaim with his paintings of war devastation.
		Campus building is named after cathedral tapestry artist Graham Sutherland.
		Visual Arts: A thorny reputation The paintings of the once-fashionable Graham Sutherland have fallen fro m favour.
	www.encyclopedia.com /doc/1E1-SthrldGr.html (487 words)

	BBC - Wales - Graham Sutherland
		Graham Sutherland is the forgotten man of 20th century British art.
		Winston Churchill detested Sutherland's portrait of him as a declining old man. At the official unveiling he said, tongue firmly in cheek, "It is a remarkable piece of modern art - it certainly combines force and candour".
		Sutherland brought a coda, and as such clarity and meaning to British landscape painting.
	www.bbc.co.uk /wales/arts/sites/art/pages/graham_sutherland.shtml (669 words)

	Sutherland's belated homecoming: renewed interest in painter Graham Sutherland's work has led to a recent series of ...
		In the country's depressed postwar period, Sutherland, along with Henry Moore, was credited with helping to pull British art out of the doldrums of prewar provincialism and into the arena of the international avant-garde.
		Sutherland's colorful, quasi-abstract canvases featuring spiky organic forms and jagged, shifting planes, often inspired by the rugged terrain of Wales, were viewed by many as welcome antidotes to the staid academicism of much English art of the period.
		Sutherland is perhaps better known today in Italy and France, where a number of museum surveys have appeared since his death, most recently in 1998 at the Picasso Museum, Antibes.
	www.findarticles.com /p/articles/mi_m1248/is_1_92/ai_112131274 (816 words)

	Graham Sutherland
		Sutherland was one of a generation of artists who, influenced by Samuel Palmer, revived the art of etching with a romantic vision of the English landscape.
		Graham Sutherland worked as an engineering draughtsman at Derby railway works (at his father's insistence), before studying etching at Goldsmiths College of Art.
		However, Sutherland's final preparatory sketch was exhibited publicly at the Olympia Fine Art and Antiques Fair in London this February, having been lost for 25 years.
	spaightwoodgalleries.com /Pages/Sutherland.html (739 words)

	The Legacy Project - Artist Detail
		Sutherland created a duality in his work, in which the objects and forms acted as visual expressions of the destructive and malevolent nature of human behavior.
		Sutherland also became known for his crucifixion paintings (from which his use of thorn imagery is said to have derived), and his realistic portraits.
		Throughout his career and even after, Sutherland was the subject of various retrospectives, and also received numerous honors including the Order of Merit in 1960, an honorary membership in the American Academy of Arts and Letters in 1972.
	www.legacy-project.org /index.php?page=artist_detail&artistID=141 (275 words)

	Graham Vivian Sutherland (1903-1980) : Library of Congress Citations (Site not responding. Last check: 2007-10-28)
		Author: Sutherland, Graham Vivian, 1903- Title: Sutherland : disegni di guerra / a cura di Roberto Tassi.
		Author: Sutherland, Graham Vivian, 1903- Title: Sutherland in Wales : a catalogue of the collection at the Graham Sutherland Gallery, Picton Castle, Haverfordwest, Dyfed = Sutherland yng Nghymru : catalog o'r casgliad yn Oriel Graham Sutherland, Castell Picton, Hwlffordd, Dyfed.
		Author: Sutherland, Graham Vivian, 1903- Title: An exhibition of paintings and drawings by Graham Sutherland : arranged by the Arts Council and the Tate Gallery, from 20 May to 9 August, 1953.
	www.mala.bc.ca /~MCNEIL/cit/citlcsutherland.htm (1098 words)

	Bonhams - Sale Items (Site not responding. Last check: 2007-10-28)
		Graham Sutherland The Sluice Gate Etching, 1924, on wove, with margins, signed and inscribed 'Arandel 3rd state' in pencil, from the total edition of 56, published by Twenty-One Gallery, London; taped at sheet edges, on reverse, pin holes with rust marks in the margins, 140 x 133mm (5 1/2 x 5 1/4in)(PL) unframed
		Graham Sutherland Cray Field VI Etching, 1925, on laid, with margins, signed in pencil, from the edition of 85; some scattered foxing, the image cockled, minor creasing lower margin, unexamined out of the frame, 120 x 120mm (4 3/4 x 4 3/4in)(PL)
		Graham Sutherland Village Etching, 1925, the third and final state, one of 83 impressions, on laid, signed and titled by the artist, printed by the artist, published by the Twenty-One Gallery; unexamined out of the frame, 175 x 225mm (6 7/8 x 8 7/8in)(PL)
	www.bonhams.com /cgi-bin/public.sh/pubweb/publicSite.r?sContinent=USA,usa,usa,usa,EUR,USA,USA,USA,EUR,EUR,USA&DEBUG=yes&screen=Catalogue&iSaleNo=14454 (695 words)

	Graham Sutherland (1903-1980) * Banana Leaves * - 00049
		Graham Sutherland’s work is present in many important private collections and museums, including the Peggy Guggenheim Collection, Tate Britain, the Fine Art Museums in San Francisco and many others.
		In 1941 Sutherland had his first retrospective with Henry Moore and John Piper at Temple Newsam, Leeds, and in 1944 he was commissioned to paint the Crucifixion for St. Matthew's Church, Northampton, completed in 1946.
		Sutherland's style, thorny, charred, tinged with wintry colours, is visibly influenced by Picasso and Matisse - yet unmistakably British, harking back to the great Romantic painters and printmakers of the early 19th century, especially William Blake and Samuel Palmer.
	www.rubylane.com /shops/quiarte/item/00049 (945 words)

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