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| | History, His Story, and Stories in Graham Swift's Waterland |
 | | Graham Swift's Waterland (1983), a novel cast in the form of a fictional autobiography, has much to tell us about the fate, even the possibility, of autobiography in the late twentieth century. |
 | | Swift's narrator himself admits that his "earliest acquaintance with history was thus, in a form issuing from my mother's lips, inseparable from her other bedtime make-believe -- how Alfred burnt the cakes, how Canute commanded the waves, how King Charles hid in an oak tree -- as if history were a pleasing invention" (53). |
 | | Swift raises the problem of the erotics of the text in the context of explaining his wife's curiosity as a fifteen year old back in that halcyon year, 1943. |
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