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| | "My Pretty ROSE TREE," "AH !SUN-FLOWER," "THE LILLY" |
 | | The tragedy of the poem, argues Durrant, is that the speaker refuses the powers of creative imagination (the flower) and returns to the rose tree, which, as a mere natural object, brings only pain to the speaker. |
 | | Sunflower," commenting that he sees the flower as "the supreme vegetative symbol" of "deathly cyclical enclosure." According to Adams, the sunflower is "outward-seeking natural man," who is "always seeking beyond the stars, forgetting in [his] material prison that vision is inward" (245). |
 | | Grant also discusses the poem's illustration, his most important point here being that the "Lilly white" is only sometimes drawn as a white flower by Blake, who just as often makes the lily various shades of blue and green. |
| virtual.park.uga.edu /wblake/SONGS/43/43kozlow.bib.html (2366 words) |
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