Griselda Pollock - Factbites

Griselda Pollock - Factbites
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Topic: Griselda Pollock

Note: these results are not from the primary (high quality) database.

	Amazon.com: Old Mistresses : Women, Art and Ideology: Books: Griselda Pollock,Rozsika Parker,et al., Rozsika Parker
		by Griselda Pollock, Rozsika Parker, et al., Rozsika Parker (Preface)
		Differencing the Canon: Feminist Desire and the Writing of Art's Histories (Revisions, Critical Studies in the History and Theory of Art) by Griselda Pollock
		Vision and Difference: Feminism, Femininity and the Histories of Art (Routledgeclassics) by Griselda Pollock
	www.amazon.com /exec/obidos/tg/detail/-/0863581854?v=glance (460 words)

	Griselda Pollock
		Griselda Pollock is a feminist art historian and Professor of Social and Critical Histories of Art in the Department of Fine Art at the University of Leeds, England.
		She is director of the Center for Cultural Studies, the Center for Jewish Studies, and Graduate Studies and Research in Feminist Theory, History and Art at the University of Leeds.
	www.cddc.vt.edu /feminism/pollock.html (320 words)

	~kalucic.251syllabus.html
		Recommended: Judith Barter, Mary Cassatt: Modern Woman; Griselda Pollock, Vision and Difference; Nancy Mathews, Mary Cassatt; Nancy Hale, Mary Cassatt.
		Frank Lloyd Wright, "The Sovereignty of the Individual," in Writings and Buildings (on reserve.) Recommended: William Jordy, American Buildings, chap.
		Recommended: Paul Baker, Richard Morris Hunt; James O'Gorman, H.H. Richardson; O'Gorman, Frank Furness.
	vassun.vassar.edu /~kalucic/~kalucic.251syllabus.html (320 words)

	Vincent van Gogh, Dutch Painter in France
		Philpott, Van Gogh (1984); Griselda Pollock and Fred Orton, Vincent van Gogh: Artist of his Time (1978); John Rewald, Post-Impressionism from Van Gogh to Gauguin, 2d ed.
		Krauss, Vincent van Gogh (1987); Melissa McQuillan, Van Gogh (1989); H.
		Although van Gogh admired many members of the avant-garde, he also admired Eugène Delacroix, Jean François Millet, and the painters of the Barbizon and Hague schools.
	www.discoverfrance.net /France/Art/Van_Gogh/Van_Gogh.shtml (320 words)

	Rosamund Felsen Gallery - Mary Kelly Biography
		Mary Kelly: Interim (catalogue): essays by; Norman Bryson, "Interim and Identification," Hal Foster, "That Obscure Subject of Desire," Griselda Pollock, "Interventions in History: On the Historical, the Subjective and the Textual", Marcia Tucker, "Picture This: An introduction to Interim," New Museum of Contemporary Art, New York., 1990
		Mary Kelly, survey 1973-89, curated by Gertrud Sandquist, Galleri F 15, Alby, Norway (catalogue).
		"Mary Kelly On the Subjects of History," UCLA Department of Art History, Regents' Lecturer.
	www.rosamundfelsen.com /bio.php?artist_id=9 (8738 words)

	Source Articles: Bearing Witness - A Discussion of the Royal Ulster Constabulary's Scene of the Crime Photographic Archive by Siún Hanrahan
		Griselda Pollock has observed in relation to representation in general that what is at stake in the 'look' we bring to bear is 'not so much a matter of what is shown as it is of who is authorised to look at whom with what effects'.
		Looking through the RUC's photographic archive it seemed that in Northern Ireland a large part of the responsibility for carrying or holding our unwanted experiences is located in the archive and in those who compile it.
		It is on grounds such as these that the RUC and indeed the people whose suffering is represented might be uneasy about who is looking through this archive.
	www.source.ie /issues/issues0120/issue18/is18artbeawit.html (2347 words)

	icehousebooks (authors: P)
		Parker, Robert P. & Collins, Gerarda M. Parker, Rozsika & Pollock, Griselda
		Petersen, Carolyn Collins; Brandt, John C. Petersen, Jan
		Paterson, William E. & Thomas, Alastair H. Top (authors: P)
	www.icehousebooks.co.uk /ax_P.htm (2347 words)

	Amazon.de: English Books: The Two Art Histories: The Museum and the University (Clark Studies in the Visual Arts)
		The contributors to this work include Dawn Ades, Andreas Beyer, Richard R. Brettell, Stephen Deuchar, Sybille Ebert-Schifferer, Ivan Gaskell, Eckhard Gillen, Richard Kendall, John House, Patricia Mainardi, Griselda Pollock, Mark Rosenthal, Barbara Maria Stafford, Gary Tinterow, William H. Truettner and Michael F. Zimmermann.
		von Dawn Ades, Andreas Beyer, Charles W. Haxthausen (Herausgeber)
		Dawn Ades, Andreas Beyer, Charles W. Haxthausen (Herausgeber)
	www.amazon.de /exec/obidos/ASIN/0300097751/eingutesbuch-21 (2347 words)

	David Cohen's Writings on Art
		Andrew Graham-Dixon, Ardyn Halter, Griselda Pollock, with David Cohen in the chair
		account of the Ruskiniad organised by David Cohen in New York
	www.artcritical.com /DavidCohen/tempBibliography.htm (2347 words)

	Rosamund Felsen Gallery - Mary Kelly Biography
		Mary Kelly: Interim (catalogue): essays by; Norman Bryson, "Interim and Identification," Hal Foster, "That Obscure Subject of Desire," Griselda Pollock, "Interventions in History: On the Historical, the Subjective and the Textual", Marcia Tucker, "Picture This: An introduction to Interim," New Museum of Contemporary Art, New York., 1990
		Mary Kelly, survey 1973-89, curated by Gertrud Sandquist, Galleri F 15, Alby, Norway (catalogue).
		Social Process/Collaborative Action: Mary Kelly 1970-75, curated by Judith Mastai, Charles H. Scott Gallery, Vancouver (catalogue).
	www.rosamundfelsen.com /bio.php?artist_id=9 (2347 words)

	Briony Fer - Reviewscout.com
		Bracha Ettinger Briony Fer Elizabeth Finch Adam Fuss Rosalind Krauss Birgit Pelzer Griselda Pollock Kathryn Tuma Susan Klein Richard Tuttle
		Francis Frascina Nigel Blake Briony Fer Tamar Garb Charles Harrison
		John Soars Liz Soars Briony Beavan Tim Falla
	www.reviewscout.com /Briony-Fer/3 (151 words)

	Books By Briony Fer - Page 1
		Authors: Bracha Ettinger, Briony Fer, Elizabeth Finch, Adam Fuss, Rosalind Krauss, Birgit Pelzer, Griselda Pollock, Kathryn Tuma, Susan Klein, Richard Tuttle
		Authors: Elisabeth Sussman, James Meyer, Briony Fer, Renate Petzinger, Ann Temkin, Gioia Timpanelli
		Authors: Francis Frascina, Tamar Garb, Nigel Blake, Briony Fer
	store.rbftpnetworks.com /author_Briony+Fer (310 words)

	Institute of Contemporary Arts (ICA)- - Penny Florence on Martha Rosler
		Recent publications include Sexed Universals in Contemporary Art, Looking Back to the Future (with Griselda Pollock) and Un coup de des on CD-ROM.
		This talk will focus on the gender issues that are implicated in Roslerâs work such as domesticity.
		Penny Florence is Head of Research Programmes, History and Theory of Art at the Slade.
	www.ica.org.uk /index.cfm?articleid=14184 (66 words)

	Reporter 13/10/04: Elections, appointments, reappointments, and grants of title
		Professor Griselda F. Pollock, B.A., Oxford, M.A., Ph.D., London, Professor of Social and Critical Histories of Art, Leeds University, elected Slade Professor of Fine Art from 1 October 2008 for one year.
		Professor Robert Rosner, B.A., Brandeis, Ph.D., Harvard, William E. Wrather Distinguished Service Professor, Departments of Astronomy and Astrophysics and Physics, and Enrico Fermi Institute, and the College, and Director, ASCI Flash Center, University of Chicago, elected Rothschild Visiting Professor from 1 October 2004 until 31 October 2004.
		Professor Ian Christie, B.A., Queen's University, Belfast, M.A., Oxford, Anniversary Professor of Film and Media History, Birkbeck College, University of London, elected Slade Professor of Fine Art from 1 October 2005 for one year.
	www.admin.cam.ac.uk /reporter/2004-05/weekly/5974/8.html (899 words)

	Charlotte Salomon symposium
		Sunday's event will be highlighted by the presence of Griselda Pollock of the University of Leeds, one of the world's pre-eminent feminist art historians.
		Salomon is an increasingly recognized, Berlin-born artist who chronicled her own life and the traumatic life of her family in an extraordinary series of more than 1,000 gouaches (which include written text), between 1940 and 1942, prior to her deportation to Auschwitz, where she died.
		A symposium on the works of Charlotte Salomon, titled "The Aesthetics of Catastrophe," will be held this Sunday, Nov. 22, from 11 a.m.
	www.news.cornell.edu /Chronicle/98/11.19.98/Salomon.html (899 words)

	Baudelaire's `Black Venus' Poems
		You may like to consider the relevance of the argument made by Griselda Pollock in her book on the painter Paul Gauguin to Baudelaire's poems to his `Vénus noire':
		Indeed, when Jeanne is described in the sonnets it is generally in terms of an animal, often a cat.
		The Jeanne Duval or black Venus poems are linked formally through certain recurrent images pertaining to heat, scent and physical abundance.
	www.sunderland.ac.uk /~os0tmc/chemin/baudblack.htm (430 words)

	Amazon.com: Approaches To Understanding Visual Culture: Books: Malcolm Barnard
		New Look, New York, Vargas Llosa, Clement Greenberg, Griselda Pollock, Second World War, Arnold Hauser, Clive Bell, Edmund Leach, Piero's Annunciation, Roland Barthes, West Indian, Cambridge University Press, Cheryl Buckley, Descartes's Discourse, Erich Mendelsohn, Laurie Schneider Adams, Leonardo da Vinci
		Formalist, Marxist, gender-based, semiological, hermeneutic, and expressionist approaches to visual culture are clearly explained, through a wide variety of examples from fashion, architecture, film, fine art, and comics.
		"What is it that happens when we understand something?" Malcolm Barnard relates the understanding of visual culture to the traditions of natural and social science and applies the theme of scientific understanding to the principal approaches to understanding art and design.
	www.amazon.com /exec/obidos/tg/detail/-/0333772881?v=glance (775 words)

	joe fyfe on romanticism and its discontents by anita brookner
		In this aspect, Brookner articulates the same space that Griselda Pollock (who was a student of Brookner's at the Courtauld) writes about in her book on Mary Cassatt, where she challenges the preeminence of public (male) spaces in the 19th century depiction of urban modernity, and posits a continuum with the private (female) domestic space.
		Brookner portrays the relationship dryly: "he (Baudelaire) goes on to analyse Ingre's tastes and methods with far greater accuracy than he normally devotes to Delacroix, whom he is content to define in metaphors that feed into his poetry ("Delacroix, lac de sang hante de mauvais anges").
		What is happening is Brookner has returned to what now appear to be her models--some of the chief Romantic figures--and her subject, Romanticism, after examining it imaginatively in her fiction for twenty years.
	www.artcritical.com /JFBrookner.htm (1649 words)

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