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| | Trahair on King/Comedy |
 | | Gross-out, in this sense, is comedy which responds to the troubled teenager's need to master once again the animal that lies within. |
 | | He questions, for example, whether comedy subverts narrative, diminishes the impact of horror, deactivates the political, and so forth, when he makes it very clear at the outset that he doesn't think it is possible to account for comedy in terms of universals. |
 | | Gunning, Tom, 'Crazy Machines in the Garden of the Forking Paths: Mischief Gags and the Origins of American Film Comedy', in Kristine Brunovska Karnick and Henry Jenkins, eds, _Classical Hollywood Comedy_ (New York: Routledge, 1995). |
| www.film-philosophy.com /vol8-2004/n15trahair (188 words) |
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