| |
| | Mathematical Musick (Site not responding. Last check: 2007-10-18) |
 | | In his reasoning, the four parts (of a madrigal, for instance) could be correlated to the four elements: the ground, or bass line, was analogous to the element of Earth; the tenor, to water; the meane, or alto part, was equivalent to the air, and the treble, or soprano part, to the element of fire. |
 | | Whenever the bass note is to be the third of the chord (first inversion), use the table normally, but replace a fifth interval with a sixth (for example, if the bass note is E, and the table calls for a fifth in an upper voice part, use a C rather than a B). |
 | | When the bass note does not lie on the tonic of the chord, it should not be doubled in the upper voices; strengthen the tonic by moving the note that would have doubled the bass onto the root of the chord (which will double another part). |
| www.shipbrook.com /jeff/counterpoint (1958 words) |
|