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	Gu Kaizhi
		Gu Kaizhi, known as the founder of traditional Chinese painting, and his scroll paintings, represented the painting style of the period.
		Gu was born into an official family in Wuxi, Jiangsu Province and served as a government officer at a young age.
		Gu was once was asked to paint Pei Kai's portrait, a man with three, long, fine hairs on his face that had been ignored by other painters.
	www.chinatownconnection.com /gu-kaizhi.htm (577 words)

	Gu Kaizhi - one of greatest artist of acient China
		Gu Kaizhi's painting is characterized by "a life like charm", which is important in artistic creation.
		Calmly, Gu Kahai drew a portrait of" Weimo" (a Buddha at the time of Sakyamuni, meaning purity) but said he wouldn't draw the eyes until the next day when the spectators were requested to donate 100, 000 yuan each after watching how he painted the eyes.
		Gu Kaizhi cleansed himself, lit the incense, prayed silently and made two strokes in the right position.
	www.xabusiness.com /china-resources/chinese-gu-kaizhi.htm (546 words)

	Creation Gallery (Site not responding. Last check: 2007-10-05)
		Gu Kaizhi was born into an official family in Wuxi, Jiangsu Province.
		Gu emphasized the expressions of the figures; the stones, mountains and trees in the picture are for ornamental purposes.
		Gu's paintings are similar in style to the Dunhuang murals, and had a big influence on later traditional Chinese paintings.
	www.tibetinfor.com /tibetzt/kece/salon/004/salon_004.htm (638 words)

	Gu Kaizhi - Search Results - ninemsn Encarta
		Gu, in African mythology, a deity of the Fon people of Benin.
		Gu is a flsmith god who takes the form not of a living creature but of an iron...
		Pan Gu, creator of the universe in Chinese religion.
	au.encarta.msn.com /Gu_Kaizhi.html (101 words)

	gu kaizhi The best info about gu. Relevant information about gu. (Site not responding. Last check: 2007-10-05)
		Face gu, phd student paper award at the condition that gu kaizhi courses.
		Issuing the satisfaction of gu kaizhi stating that gu kaizhi movements and released soon.
		Means of gu kaizhi until a validatedfree area of gu kaizhi disease other.
	gu.hola-find.org /gu-kaizhi.html (473 words)

	artnet.com: Resource Library: Gu Kaizhi (Site not responding. Last check: 2007-10-05)
		Gu Kaizhi [Ku K’ai-chih; zi Changkang, hao Hutou]
		By the late Tang period, paintings by Gu Kaizhi were among those that Zhang Yanyuan’s grandfather had to surrender to the throne.
		Zhang Yanyuan’s judgement on Gu Kaizhi’s brushwork is one of the cornerstones of Gu’s reputation:In the works of Ku K’ai-chih [the strokes] are firm and tense and connect with one another uninterruptedly; they circle back upon themselves in sudden rushes.
	www.artnet.com /library/03/0356/T035632.asp (450 words)

	Gu Kaizhi -- Originator of Painting
		Having toured many beautiful places, Gu was proficient in writing poetry and essays; Chinese art history abounds in anecdotes about him.
		Gu also made great advances in summarizing painting theories.
		According to historical records, Gu created more than 70 paintings based on historical stories, Buddha, human figures, birds, animals, mountains and rivers.
	www.chinaculture.org /gb/en_artqa/2003-09/24/content_39634.htm (601 words)

	[No title] (Site not responding. Last check: 2007-10-05)
		The Admonitions of the Instructress to the Court Ladies, a handscroll painting attributed to Gu Kaizhi
		None of Gu Kaizhi's original works has survived, but he has still acquired a legendary status, both as a painter and as a writer on Chinese painting.
		Gu Kaizhi's reputation was probably helped by anecdotes about his eccentricity; he was said to have been perfect in 'painting, literary composition and foolishness'.
	www.thebritishmuseum.ac.uk /compass/ixbin/print?OBJ2100 (502 words)

	Gu Kaizhi - Chinese Calligraphy - Chinese Art
		Gu Kaizhi - Chinese Calligraphy - Chinese Art
		Gu Kaizhi (顧愷之; pinyin: G¨´ Kǎizhī;; Wade-Giles: Ku K'ai-chih) (c.344-406), is a celebrated painter of ancient China.
		According to historical records he was born in Wuxi, Jiangsu province and first painted at Nanjing in 364.
	www.famouschinese.com /virtual/Gu_Kaizhi (433 words)

	Painting
		A famous artist of the Jin Dynasty Gu Kaizhi (c.
		In his opinion a painting should serve as a means to convey not only the appearance of an object, but express how the artist looks at it.
		Gu's views were followed by theories such as "likeness in spirit resides in unlikeness" and "a painting should be something between likeness and unlikeness".
	www.pasadena.edu /chinese/cultural/paint/painting.html (2433 words)

	Chinese Art \| Nymph of the Luo River \| F1914.53
		This handscroll illustrates a long rhapsody, or prose-poem (fu), written in 222 C.E. by the poet and prince Cao Zhi (192–232 C.E.), in which he describes his romantic encounter with the nymph, or goddess, of the Luo River in central China.
		Slightly less than half the work's original length, this scroll is one of the three important Song copies—the other two are in China in the Palace Museum, Beijing, and the Liaoning Provincial Museum—of an original composition traditionally attributed to the fourth-century pioneering figure Gu Kaizhi.
		In this narrative scroll, figures are disproportionately large in relation to the landscape in which stylized elements are little more than stages set for various plots, and represent the beginning in the development of Chinese landscape painting.
	www.asia.si.edu /collections/singleObject.cfm?ObjectId=7336 (144 words)

	Highlights of Chinese Culture and History
		The artist was one other than Gu Kaizhi, who was at that time hardly 20 years old.
		After years of exploration into the art of painting, Gu developed some basic techniques and theories of landscape and figurative painting and formed his own creative style.
		It is a pity that none of his works are now extant and all we have now are facsimiles made by other ancient artists.
	www.chinatown-online.com /cultureeye/highlights/two.htm (789 words)

	AAS Abstracts: China Session 21 (Site not responding. Last check: 2007-10-05)
		Traditional Chinese ideas of universal structure and its representation in the arts, and the decorative organization of the Buddhist stelae and cave temples of the period, together provided its artistic basis.
		Gu Kaizhi's Treatises on Painting and Wang Bi's Discourse on "Substance/Function" (Ti/Yong)
		The treatises on painting of the Jin artist, Gu Kaizhi (344-405 A.D.), offer those interested in the aesthetic developments of the Six Dynasties much critical insight into the complex and inevitable relationship between Xuen Xue and the growing aesthetic awareness that marked a radical departure from the perception of art dominant in the Han.
	www.aasianst.org /absts/1997abst/china/c21.htm (878 words)

	Literature in Art Lesson for Grades 6-12
		So, when the Chinese people go into the countryside to look at natural phenomena, they are not only admiring the scenery, but also hoping that they will absorb some of the strength of the mountain or the vitality of the waterfall.
		Gu kaizhi (345-406), who was one of the first to postulate theories about Chinese painting, said that "form exists in order to express spirit." Qi is partially derived from the physical act of painting, but it also is transmitted through a mental image onto the painting and thence to the viewer.
		One is the gu ti, old style, or gu shi, old poetry.
	www.mindbeams.net /NMA/music3.htm (1098 words)

	George Braziller, Inc. * Independent Publishing Since 1955
		The Admonitions handscroll displays the famous gossamer brush line historically associated with the master Gu Kaizhi.
		Although it bears the hallmarks of a masterpiece, comparative evidence now suggests that it was not actually painted by Gu Kaizhi himself, but by a fifth- or sixth-century artist working in the archaic Gu Kaizhi tradition.
		This fascinating book guides the reader through the details of the scroll's dating, authorship, and provenance, explaining how the painting relates to Gu Kaizhi and reflects his artistic genius.
	www.georgebraziller.com /catalog/fareastern/firstmasterpiece.html (388 words)

	GU0GH2 (Site not responding. Last check: 2007-10-05)
		The original 1603 edition of Gu Bing's manual is no longer extant, but the reprint produced by his sons is considered exemplary and this modern facsimile is based on the near-contemporary reprint.
		The design, illustration and carving of Gu's painting manual was particularly fine and is also highly valued for its preservation of painted designs - skilfully copied by Gu Bing - by masters from Gu Kaizhi to Tang Yin.
		A rare, high-quality facsimile of the book was also produced under the direction of Zheng Zhenduo in 1941.
	www.hanshan.com /g/GU0GH2.HTM (101 words)

	First Masterpiece of Chinese Painting -- The Admonitions Scroll -- Shane McCausland Wen C. Fong
		Central to these standards are the Five Human Relationships: duty between ruler and subject, love between father and son, respect between husband and wife, affection between brothers, and trust between friends.
		His achievement lies in his rendering of figures, which convey as previous Chinese figural paintings never had, a startling range of human feeling and emotion.
		Gu Kaizhi's Admonitions Scroll speaks its message of Confucian virtue across centuries.
	www.frontlist.com /detail/080761517x (197 words)

	Your Portfolio \| Art History & Archaeology Database \| Columbia University (Site not responding. Last check: 2007-10-05)
		Nymph of the Lo River (Detail), (attributed to) Gu Kaizhi; ca.
		Night Revels of Han Xizai (Detail), by Gu Hungzhong; 10th c.
		Admonitions to Court Ladies (Detail), (attributed to) Gu Kaizhi; 4th c.
	www.mcah.columbia.edu /dbcourses/publicportfolio.cgi?view=1044 (335 words)

	AAS Abstracts: China Session 56 (Site not responding. Last check: 2007-10-05)
		This paper explores the interartistic poetics of a unique genre of Chinese poetry known as ti-hua-shi (poetry that comments on and/or represents painting), arguing that it was the Tang poet Du Fu who formulated such poetics through his exemplary style despite the fact that he was not the first to write poetry of this genre.
		This paper argues that the poetics of the Tang dynasty ti hua shi registers the influences of the Six Dynasties painter Gu Kaizhi's theory of yi xing xie shen ("portraying spirit through the portrayal of appearance") and critic Xie He's theory of qi yun ("spiritual consonance").
		While appreciating the painter's capability to portray the inner quintessence of things the ti hua shi poet tends to valorize more the lifelikeness of the painting through hyperbolization, which suggests the mimetic tendency of his poetics.
	www.aasianst.org /absts/1995abst/china/csess56.htm (915 words)

	Gu Kaizhi ( - ) Artwork Images, Exhibitions, Reviews
		Gu Kaizhi (1470 - 1528) Biography, Artwork Images, Exhibitions, Reviews
		WorldBook General Reference Encyclopedia > Humanities > Painting > Chinese Painters > Gu Kaizhi >
		Calligraphy by Emperor Qian Long on painting by Gu Kaizhi
	wwar.com /masters/g/gu_kaizhi.html (94 words)

	First Masterpiece of Chinese Painting (Site not responding. Last check: 2007-10-05)
		The text was written during a time of political strife, when these standards were under serious threat.
		For modern art historians, the Admonitions scroll signals the emergence of classical Chinese painting, with Gu Kaizhi (ca.
		Graced with rare and exceptional subtlety, Gu Kaizhi's Admonitions Scroll speaks its message of Confucian virtue across centuries.
	www.indiaplaza.com /books/pd.aspx?sku=080761517X (221 words)

	Gu Kaizhi - won ton soup at iHudgens.com (Site not responding. Last check: 2007-10-05)
		Gu Kaizhi - won ton soup at iHudgens.com
		No Responses to “Gu Kaizhi - won ton soup”
		There was an error with your comment, please try again.
	ihudgens.com /?p=4 (247 words)

	Week XI TRADITIONAL CHINA: The Imperial City of the Tang Dynasty
		This particular place was recommended by two millenia of history of its use.
		Already in the first century A.D., a poet named Pan Gu summed up the advantages of the area ("Rhapsody on the Western Capital", Wen Xuan):
		In Gu Hua Pin Lu, (Classified Record of Ancient Painters), by Xie He FROM: Acker, W., Some T'ang and pre-T'ang Texts in the Study of Chinese Painting, Leiden, 1954.
	www.pitt.edu /~asian/week-10/week-10.html (2214 words)

	Table of contents for Library of Congress control number 2003052387 (Site not responding. Last check: 2007-10-05)
		Bibliographic record and links to related information available from the Library of Congress catalog.
		10 2 The Admonitions scroll scene by scene 32 3 The calligraphy in the Admonitions 82 4 Gu Kaizhi and the Admonitions in history 92 5 Epilogue 126 References and further reading 140 Picture credits and sources 141 Index 142
		Library of Congress Subject Headings for this publication: Gu, Kaizhi, 344-405, Admonitions of the instructress to the court ladies, Gu, Kaizhi, 344-405, Criticism and interpretation, Zhang, Hua, 232-300, Nèu shi zhen Illustrations, Scrolls, Chinese Three kingdoms-Sui dynasty, 220-618
	www.loc.gov /catdir/toc/fy044/2003052387.html (130 words)

	BetterWorld.com, Used Book Shopping for Literacy: First Masterpiece of Chinese Painting by McCausland, Shane/ Fong, Wen ...
		BetterWorld.com, Used Book Shopping for Literacy: First Masterpiece of Chinese Painting by McCausland, Shane/ Fong, Wen C. (FRW)/ Gu, Kaizhi
		McCausland, Shane/ Fong, Wen C. (FRW)/ Gu, Kaizhi
		Shows some signs of wear, and may have some markings on the inside.
	www.betterworld.com /book-P1628681C77.aspx (84 words)

	Middlebury Slide Library: Non-Western Art
		BRONZE/METALWORK ALTAR SETS ANIMALS AXE BELL DING DRUM FANG DING FANG YI GU GUANG GUI HE HU HUO JIA JUE LADLE LEI LI PAN POU TECHNIQUES YOU YU ZUN ZUN, ANIMALS 7.
		PAINTING CHAO YAN DONG YUAN GU HONGZHANG GUAN TONG HUANG QUAN JING HAO LI PO LI ZANHUA TANG XIYA ZHOU WENJI K.
		SCULPTURE CAI GUOQIANG GU DEXIN GU WENDA LIN YILIN MA LIUMING NI HAIFENG QIN YUFEN QIU ZHIJIE SONG DONG TANG SONG - see XIAO LU WANG JIN XIAO LU XU BING YIN XIUZHEN ZHANG HUAN 6.
	community.middlebury.edu /~slides/slide_web_page/nonwesternp.html (847 words)

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