| |
| | DIDASKALIA: Ancient Theater Today (Site not responding. Last check: 2007-10-19) |
 | | That is, the language employed by the guslar varies within limits: because it is the designated medium for a particular, highly marked activity, its spectrum is much narrower than, for example, the unmarked conversational standard. |
 | | On the other hand, precisely because it is a language, and not a handy compositional kit of readymade building blocks, the guslar's performance style is subject to expectable avenues of differentiation one encounters with any language. |
 | | But progress can be, and has been, made in recovering performance-based meanings, in learning the idiomatic languages in which the guslar and the aoidos compose and according to whose strictures the audience must participate in the linked process of reception. |
| www.didaskalia.net /issues/vol3no3/foley.html (2591 words) |
|