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| | ZBM Performance |
 | | The introductory gusle solo centers around B natural in the five-note “gapped” (16) scale A, B, C sharp, D, E; but I hesitate to establish the key as B minor, since there are no Fs, sharp or natural. |
 | | Bajgorić “scoops” the C sharp; that is, he initiates the note at a lower pitch level and brings it somewhat higher during the course of the fermata. |
 | | The lack of intervening gusle accompaniment between lines 34 and 35 and the new, duple-rhythm phrase that first appears in 39 (all quarter notes) and the increasingly agitated tempo of the entire passage combine musically to tell us that something important is about to happen. |
| www.oraltradition.org /zbm/music (8552 words) |
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