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Topic: Gustave Reese

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	PostClassic:
		Gustave Reese was my dissertation adviser and, though he was most famous of course for his books on Medieval and Renaissance music, he was always interested in new music as well, and I ran into him more than once at a concert of recent music.
		Here, from Gustave Reese no less, comes validation for what I�'ve been saying for years, and not only about minimalism being a logical next step in the progress of history.
		That Reese could see the logical necessity of a drastic simplification of music in the 1960s, while a thousand academic composers and music professors continue to rail against it, shows up how little music history most composers know.
	www.artsjournal.com /postclassic/2004/03/sub_specie_aeternitatis.html (840 words)

	Hans Olsen Reese Family - oleg03.htm - Generated by Personal Ancestral File (Site not responding. Last check: 2007-10-13)
		Randolph was counted in a census on 24 Apr 1930 in Van Hook Vill, Mountrail, ND.
		Gustave was counted in a census on 16 Jun 1880 in New Richland, Waseca, MN.
		She was counted in a census on 15 Apr 1930 in Spring Coulee, Mountrail, ND.
	www.webbedazzled.com /Samples/Olsen/oleg03.htm (1152 words)

	Reese - Wikipedia, the free encyclopedia
		Reese Center, Texas, an area west of Lubbock.
		Reese, Texas, a community in Cherokee County, in East Texas.
		Reese is also a common name (along with Foley) that Robert Zemeckis and Bob Gale often used in their movies.
	en.wikipedia.org /wiki/Reese (185 words)

	THE HANDSTAND
		The musicologist Gustave Reese points out in his book Music in the Middle Ages that before Christ, both Hebrew and Greek music were both greatly influenced by ancient Egyptian culture.
		Reese comments that “the old vocal melodies of the Jews were not those of most present-day synagogue-song in Europe and America, which is all of modern origin.” It is probable that the ancient Hebrew music developed into the Christian Chant of the medieval period.
		What happened in the Jewish culture, according to Reese, is that the Jews have assimilated much of the culture of “host countries.” Jewish music is a synthesis of East European cultures and oriental influences, and it shares a great deal with Arabic music.
	www.thehandstand.org /archive/july2004/articles/orienthouse.htm (1010 words)

	JNL 5: A Documented Definition and Brief History of Rounds (Site not responding. Last check: 2007-10-13)
		Gustave Reese, who appears to have based his definition of rondellus, in part, on a description given by Walter Odington, quotes him as saying: a rondellus is "two or three melodies.
		When distinguishing between the rondellus and rota (or round), it is then concluded that Reese and Harrison do not fully agree on the precise definition of rota, and only partially agree on the definition of rondellus.
		The catch is a term applied to a vocal piece in which a musical device is used whereby the melodies and words are interrupted and passed back and forth between the different voices in such a way as to disguise the typically bawdy text.
	idrs.colorado.edu /Publications/Journal/JNL5/documented.html (4625 words)

	Penn Special Collections - Music/AMS (Site not responding. Last check: 2007-10-13)
		The collection includes administrative records, correspondence, meeting minutes, and publications that document the Society's activities from its founding in 1934 to the present, and so reflect methodological shifts in musicological scholarship and academic training through the course of the 20th century.
		In this letter, the British musicologist H.J.W. Tillyard writes to Gustave Reese (in his capacity as Secretary of the American Musicological Society), seeking assistance in the form of a University appointment for the composer and musicologist, Egon Wellesz.
		Wellesz had been living in Oxford since the 1938 annexation of his native Austria by the Nazis.
	www.library.upenn.edu /exhibits/rbm/music/ams.html (126 words)

	Amazon.com: Music in the Renaissance: Books: Gustave Reese (Site not responding. Last check: 2007-10-13)
		It is a large book, but it is full of wonderful information about the music of these centuries and covers the various developments throughout Europe.
		Reese divides the period into two large parts: development and then diffusion.
		Reese includes some illustrations, but not an abundance of them for a book of this size.
	www.amazon.com /Music-Renaissance-Gustave-Reese/dp/0393095304 (1057 words)

	Music Associates of America ~ MadAminA! Dr. Charles Kaufman (Site not responding. Last check: 2007-10-13)
		At N.Y.U. he studied with Gustave Reese, a scholar who became not only his mentor but who clearly helped in setting the very high professional standards that Kaufman has held all his life.
		("Gustave Reese came into the room; I stood up.
		These kids feel about their teachers the way I felt about Gus Reese.
	www.musicassociatesofamerica.com /madamina/encounters/kaufman.html (2350 words)

	Hans Olsen Reese Family - oleg02.htm - Generated by Personal Ancestral File (Site not responding. Last check: 2007-10-13)
		The Confirmand records of 1873 show Herbrand with the last name of Rese and Rese appears in records throughout the year 1915.
		In 1918 Agnes Reese was Confirmed and the record shows the last name as Reese.
		According to Norwegian tradition, when a family moved to another locality, they would often assume the last name of the Farm they had previously lived on.
	www.webbedazzled.com /Samples/Olsen/oleg02.htm (394 words)

	Christine Cacioppo (Site not responding. Last check: 2007-10-13)
		Christine Carlson Cacioppo holds a Bachelor of Music in piano performance from Kent State University, where she studied piano with Margaret Baxtresser and harpsichord with Ruth Nurmi.
		She was a graduate fellowship recipient at New York University, where she earned a Master of Arts in musicology, researching medieval and renaissance music under Gustave Reese, and writing her thesis on Masonic symbolism in Mozart's opera The Magic Flute.
		She then followed a curriculum of self-directed study, working on motet literature with Nino Pirrotta at Harvard University, and embarking on a piano teaching career as an affiliate of the Harvard/Radcliffe Office for the Arts.
	www.haverford.edu /musc/faculty/cl_cacioppo.htm (266 words)

	NYC Board - Sheldon F. Eldridge, Jr. (Site not responding. Last check: 2007-10-13)
		As a member of the Westminster Symphonic Choir, he sang in performances of major choral works under such conductors as Leopold Stokowski, William Steinberg and Sir Arthur Bliss.
		During the summer of 1970, Sheldon spent two months in England taking courses in English sacred and secular Renaissance music at Merton College, Oxford, with professors Gustave Reese, Dennis Stevens and Alec Robertson.
		Graduate study followed at Westminster Choir College, with concentration in organ performance under the late Dr. William Hays; Sheldon also studied choral conducting with Dr. Joseph Flummerfelt.
	www.nycago.org /html/Board/EldridgeS.html (187 words)

	Classical Net Review - Praetorius - Dances from Terpsichore
		I studied so-called "Palestrina" counterpoint in college (about the only music course I took that did me any practical good).
		I made my way through Gustave Reese's history.
		But before all that, of course, I had heard, around age nine, Michael Praetorius's arrangement of the tune "Es ist ein Ros' entsprungen" - to me, three minutes of perfect part-writing.
	www.classical.net /music/recs/reviews/l/loi14633a.html (523 words)

	Lamson Library » Blog Archive » The Commonwealth Of Music, Edited By Gustave Reese And Rose Brandel In ...
		Lamson Library » Blog Archive » The Commonwealth Of Music, Edited By Gustave Reese And Rose Brandel In Honor Of Curt Sachs
		The Commonwealth Of Music, Edited By Gustave Reese And Rose Brandel In Honor Of Curt Sachs
		Aspects Of Medieval And Renaissance Music; A Birthday Offering To Gustave Reese.
	www.plymouth.edu /library/opac/record/1103487 (338 words)

	NYC AGO Honorary Members - Jon Gillock
		He did graduate study at the College of Church Musicians, Washington Cathedral, with Leo Sowerby and Paul Callaway.
		He earned his DMA degree from The Juilliard School under Vernon de Tar (organ) and Gustave Reese (musicology).
		It was while he was still a student there that he began his long teaching association with Juilliard.
	www.nycago.org /html/POTY/Gillock.html (398 words)

	MAIN INDEX
		REESE, GUSTAVE - CORRESPONDENCE TO GILMAN, LAWRENCE (1935) Lawrence Gilman Papers
		REESE, HENRY - DOCUMENTS REGARDING HIS PETITION TO BALTIMORE (UNDATED) John Gilmary Shea Papers
		REESE, WILLIAM S. The Joseph G. Hopkins Papers
	www.library.georgetown.edu /dept/speccoll/mi/mi}1595.htm (676 words)

	Alma Espinosa (Site not responding. Last check: 2007-10-13)
		Alma Espinosa was born and raised in Washington, D.C. She received her early training in piano from Gustave Heinze, a former pupil of Josef Hofmann, and in harmony from Louis Cheslock at Peabody Conservatory (Baltimore).
		Research in Madrid, Spain, for her dissertation was supported by a Fulbright grant.
		Representative publications include The Keyboard Works of Felix Maximo Lopez: An Anthology (University Press of America, 1983); "Felix Maximo Lopez, Franz Joseph Haydn, and the Art of Homage," Early Keyboard Journal, XVI-XVII (19098-1988); and "Musica de Clave de Felix Maximo Lopez: Realmente para Clave?"
	www.uml.edu /Dept/Music/faculty/AEspinosa.html (222 words)

	Textbooks by Gustave Reese - Direct Textbook (Site not responding. Last check: 2007-10-13)
		The New Grove high Renaissance masters: Josquin, Palestrina, Lassus, Byrd, Victoria (The Composer biography series) by Gustave Reese
		Fourscore Classics of Music Literature (Da Capo Press music reprint series) by Gustave Reese
		Music in the Middle Ages by Gustave Reese
	www.directtextbook.com /author/gustave-reese (390 words)

	Amazon.com: The New Grove high Renaissance masters: Josquin, Palestrina, Lassus, Byrd, Victoria (The Composer biography ... (Site not responding. Last check: 2007-10-13)
		Amazon.com: The New Grove high Renaissance masters: Josquin, Palestrina, Lassus, Byrd, Victoria (The Composer biography series): Books: Gustave Reese,Robert Stevenson,Stanley Sadie
		This item is not eligible for Amazon Prime, but over a million other items are.
		by Gustave Reese, Robert Stevenson, Stanley Sadie (Editor)
	www.amazon.com /exec/obidos/ASIN/0393300935 (370 words)

	MUS 327 Assignments 1
		Helm Luper: Words and Music, Form and Procedure, ML3797.H49
		Reese Gustave Reese, Music in the Renaissance ML171.R42 1959
		Bukofzer Bukofzer, Music in the Baroque Era, From Monteverdi to Bach, ML193
	www.wku.edu /~mary.wolinski/327ass1.html (2539 words)

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