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| | In Baltimore, Seeing the '(In)visible' (washingtonpost.com) (Site not responding. Last check: 2007-10-26) |
 | | The art, which Hesh characterizes as part political statement, part conceptual art and part performance, began life as two tiny, single-column advertisements that ran a week apart in the A section of The Washington Post this fall. |
 | | But Hesh doesn't measure the success or failure of her work, whose costs were underwritten by donors (each of whom received artwork in exchange), on how many people wrote in. |
 | | Hesh's ads, ultimately, are intended for those who don't, albeit with irony so subtle it may be missed -- or misread -- by its target audience. |
| www.washingtonpost.com /wp-dyn/articles/A51638-2004Dec9.html (674 words) |
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