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| | In the Eye of the Beholder - October 4, 2006 - The New York Sun |
 | | Han van Meegeren (1889—1947), a talented painter who despised the work of modernists such as Picasso, understood that he could only succeed as an artist by obliterating himself and becoming his 17th-century avatar, Vermeer. |
 | | To Han, as Frank Wynne calls him throughout this lively biography, "I Was Vermeer: The Rise and Fall of the Twentieth Century's Greatest Forger" (Bloomsbury, 276 pages, $24.95), Vermeer's radiant realism was the very embodiment of the highest art. |
 | | Shrewdly Han worked through intermediaries, friends he coached to tell the tale of how this painting belonged to a Dutch family that preferred to remain anonymous because they had been forced to smuggle it out of Italy, fearing the Fascists would confiscate it. |
| www.nysun.com /article/40870 (513 words) |
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