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	Hans Dreier and the Paramount 'Glow': The Golden Age of the Studio Art Department \| Academy Events Calendar \| AMPAS (Site not responding. Last check: 2007-11-06)
		Dreier ran the Paramount art department in the era when every studio had an in-house staff of artists and researchers to guarantee the visual authenticity of its productions.
		Arriving in the United States in 1923, Dreier was part of the first wave of German artists who emigrated to Hollywood in the 1920s.
		Dreier also hired and nurtured the next generation of talent for what became known as “Dreier’s College” of future art directors, many of whom are represented in this exhibition, including Roland Anderson, Franz Bachelin, Ernst Fegté, Wiard Ihnen, Boris Leven and others.
	www.oscars.org /events/Dreier (453 words)

	Academy to Shine Light on "Paramount Glow"
		Dreier ran the Paramount art department during an era when every studio had an in-house staff of artists and researchers to guarantee the visual authenticity of its productions.
		Dreier received 22 Academy Award nominations between 1929 and 1950 as well as consideration for "The Patriot" in 1928 (when there were no official nominations).
		Arriving in the United States in the 1923, Dreier was part of the first wave of German film artists who immigrated to Hollywood in the 1920s.
	www.oscars.org /press/pressreleases/2005/05.08.11.html (455 words)

	Articles - Hans Dreier (Site not responding. Last check: 2007-11-06)
		Hans Dreier (August 21, 1885 – October 24, 1966) was a film art director.
		Born in Bremen, Germany, Dreier began his career in German film in 1919 and by the end of the 1920s had relocated to Hollywood.
		He made contributions to nearly 500 films during his lengthy career and was nominated for Academy Awards for his art direction, on 23 occasions.
	www.gaple.com /articles/Hans_Dreier?mySession=fbca09ef1a8c0ba26aa066e1ea2a3079 (234 words)

	Academy Award for Best Art Direction - Wikipedia, the free encyclopedia
		Hans Dreier, Roland Anderson, George Sawley - Reap the Wild Wind
		Hans Dreier, Haldane Douglas, Bertram Granger - For Whom the Bell Tolls
		Hans Dreier, Walter Tyler, Samuel M. Comer, Ray Moyer - Kitty
	en.wikipedia.org /wiki/Academy_Award_for_Best_Art_Direction (3267 words)

	The Patriot: Review and Credits
		Also noteworthy is Hans Dreier's magnificent marble set design, which received an Oscar nomination.
		Hans Kraly's adaptation earned an Oscar for Best Writing Achievement and Lubitsch was nominated for Best Director.
		THE PATRIOT was directed as a silent, but the advent of sound led to some post-synchronized dialog, with which director Ernst Lubitsch was not involved.
	www.lubitsch.com /patriotrev.html (421 words)

	MTV.com - Movies - Hans Dreier (Site not responding. Last check: 2007-11-06)
		German films of this period were distinguished by their modernistic, forced-perspective sets; many of these were the handiwork of the mathematically precise creativity of Hans Dreier, now a full-fledged art director.
		Dreier came to Hollywood in 1923, contributing immeasurably to the mittel-European "look" of the films of Lubitsch, Von Sternberg and Mamoulien; he was also able to adapt to the "American" sensibilities of DeMille and Vidor.
		Hans Dreier spent his entire Hollywood career at Paramount Pictures, designing sets for such notable films as Dr.
	www.mtv.com /movies/person/77786/bio.jhtml (197 words)

	Academy Events Calendar \| Academy of Motion Picture Arts and Sciences (Site not responding. Last check: 2007-11-06)
		The "Decisive Moment" Revisited: Fine Art Photography by the Cinematographers of the A.S.C. Hans Dreier and the Paramount 'Glow': The Golden Age of the Studio Art Department
		Hans Dreier and the Paramount 'Glow': The Golden Age of the Studio Art Department
		“If MGM films had polish, Paramount films had a glow,” wrote historian John Baxter in “Hollywood in the Thirties.” This unique visual quality and sophistication was a direct by-product of the European influx to Hollywood in the '20s and '30s, as represented by legendary Supervising Art Director Hans Dreier.
	www.ampas.org /events (341 words)

	Table of Contents and Excerpt, Horton, Henry Bumstead and the World of Hollywood Art Direction
		Beginning at Paramount in 1937, Bumstead worked under German-born art director Hans Dreier at the height of the Depression, which he describes this way: "I was making thirty-five dollars a week when my classmates from USC who became lawyers were making ten to twelve and a half a week.
		At that point Frankel said, "Then I will introduce you to Hans Dreier at Paramount because they are better than the other studios at paying their bills on time." And the rest is history, detailed in this study.
		I was adding some detail work, and Hans Dreier came up and looked at what I was doing and said, "Henry, is this for the shot in the film of the mouse running along the baseboard?" Of course, there was no such shot!
	www.utexas.edu /utpress/excerpts/exhorhen.html (4524 words)

	Hans Dreier
		Began his film career with UFA in 1919, was art director for 5 films, and came to the US four years later.
		Dreier was skilled at creating foreign locales on the studio lot, a talent frequently drawn on by European directors such as Josef von Sternberg, Rouben Mamoulian and Ernst Lubitsch.
		He was head of Paramount's design department from 1928 to 1951 -- with almost 450 films in his filmography -- including the sets for eleven Cecil B. De Mille films between 1933 and 1949.
	theoscarsite.com /whoswho/dreier_h.htm (311 words)

	MovieMaker Magazine \| Issue #48 \| Loving Every Minute of It (Site not responding. Last check: 2007-11-06)
		Over the course of the afternoon, Henry shared his memories, spanning from the Depression-era Hollywood where he started his apprenticeship with legendary art director Hans Dreier (Sunset Boulevard) to his collaborations with Alfred Hitchcock, George Roy Hill, Clint Eastwood and Martin Scorsese, among countless others.
		I was working with Hans Dreier, who came to Hollywood from UFA with Ernst Lubitsch and Marlene Dietrich.
		One of the first and maybe the most important lessons I learned during that period in my career came from Dreier, who was the head of the art department.
	www.moviemaker.com /issues/48/bumstead.html (1839 words)

	1950 Academy Awards
		Hans Dreier and John Meehan, art direction; Sam Comer and Ray Moyer, set decoration,
		Cedric Gibbons and Hans Peters, art direction; Edwin B. Willis and Hugh Hunt, set decoration,
		Hans Dreier and Walter Tyler, art direction; Sam Comer and Ray Moyer, set decoration,
	www.infoplease.com /ipa/A0148477.html (392 words)

	Lady Eve (Site not responding. Last check: 2007-11-06)
		Art Director: Hans Dreier, Hans Dreier, Ernst Fegte,
		THE LADY EVE was named to the National Board of Review's List of the 10 Best Films of 1941.
		The film was remade by Norman Taurog in 1956 as THE BIRDS AND THE BEES, starring Mitzi Gaynor, David Niven, George Gobel, Reginald Gardiner, and Hans Conreid.
	www.videoflicks.com /titles/1011/1011787.htm?23134 (458 words)

	[No title]
		That would prevent the user from creating something like a debug or trace p= ackage that would extend several existing classes: The included source wo= uld need to be splitted up.
		Hans-Dieter Dreier wrote: > Conceptually, for me type parameters are instance items.
		Tools like Au= toduck also have a (admittedly very limited) parsing capability, which redu= ces the amout of text to be written to generate the doc.
	lists.tunes.org /archives/ultra/1999-May.txt (13435 words)

	IMDb: Academy Awards, USA: 1946 (Site not responding. Last check: 2007-11-06)
		Frenchman's Creek (1944) - Hans Dreier; Ernst Fegté; Sam Comer
		Love Letters (1945) - Hans Dreier; Roland Anderson; Sam Comer; Ray Moyer (I)
		Picture of Dorian Gray, The (1945) - Cedric Gibbons; Hans Peters (I); Edwin B. Willis; John Bonar; Hugh Hunt
	us.imdb.com /Sections/Awards/Academy_Awards_USA/1946 (1093 words)

	►► Sweet Fox (Site not responding. Last check: 2007-11-06)
		At first it looks like no big deal when sweet college kid Bill and his buddy Stan are picked up and thrown into the slammer in a hick Southern...
		Luis Rey Mitchell Leisen - Dynamite Cedric Gibbons - Hollywood Review William Cameron Menzies - The Iron Mask Hans Dreier - The Patriot Harry Oliver - Sweet Angel 1930 Herman Rosse - King of Jazz William Cameron Menzies - Bulldog Drummond Hans Dreier - The Love Parade Jack Okey - Sally...
		The Sea Hawk James Basevi - The Westerner 1940 Color Vincent Korda - The Thief of Bagdad Cedric Gibbons, John S. Detlie - Bitter Sweet Richard Day, Joseph C. Wright - Down Argentine Way Hans Dreier, Roland Anderson - North West Mounted Police 1941 Black-and-White...
	www.pointingdogtimes.com /126/33.html (557 words)

	1950 Oscar Winners
		For the second year in a row, Mankiewicz captured Oscars for both best screenplay and best direction.
		Art Direction, Black-and-White: Hans Dreier and John Meehan for Sunset Boulevard
		Art Direction, Color: Hans Dreier and Walter Tyler for Samson and Delilah
	www.britannica.com /oscars/y_1950.htm (1392 words)

	Peter Ian Kuniholm--CV and Selected Bibliography
		a lecture given in honor of Fritz Hans Schweingruber at the Tree Rings and People Conference held in Davos, Switzerland, 2001.
		C ages: Radiocarbon measurements from tree-ring and air samples provide tight limits to age offsets"
		included in M. Korfmann and B. Kromer, "Demircihüyük, Beşik-Tepe, Troia--Eine Zwischenbilanz zur Chronologie dreier Orte in Westanatolien," in Manfred Korfmann, et al., Studia Troica III (1994) 135-171.
	www.arts.cornell.edu /dendro/pikbib.html (1209 words)

	1928-29 Academy Awards® Winners and History
		, Tom Barry for "In Old Arizona" and "The Valiant", Elliott Clawson for "The Cop", "The Leatherneck", "Sal of Singapore", and Skyscraper; Hans Kraly for "The Last of Mrs.
		CEDRIC GIBBONS for "The Bridge of San Luis Rey" and other pictures, Hans Dreier for "The Patriot", Mitchell Leisen for "Dynamite", William Cameron Menzies for "Alibi" and "The Awakening", and Harry Oliver for "Street Angel"
		In order to standardize the amount of time between awards, two ceremonies were held in the same calendar year (the only time in Academy history):
	www.filmsite.org /aa28.html (1069 words)

	Pathways to Phenomenology and Analytic Philosophy
		On the one hand, they illustrate the impact of indigenous European phenomenology on American modes of thought; on the other, they show how American scholars have shaped the expression of phenomenology as an American phenomenon, reflecting the plurality and diversity that has been a trademark of American culture since its inception.
		Part I consists of individual essays on the thought of Marvin Farber (by Sang-Ki Kim); John Wild (by James Edie and William McBride); Aron Gurwitsch and Dorian Cairns (by Lester Embree); Alfred Schutz (by Helmut Wagner and Kurt Wolff); Fritz Kaufmann (by Lois Oppenheim and Hans Rudnick); and Moritz Geiger (by Algis Mickunas).
		The contributions of these progenitors, all now deceased, played a consequential role in the transportation of European phenomenology to American soil.
	www.formalontology.it /pathways_philosophy_two.htm (4218 words)

	Academy Awards (Site not responding. Last check: 2007-11-06)
		The Red Danube - Cedric Gibbons, Hans Peters, Edwin Willis, Hugh Hunt
		Sunset Boulevard - Hans Dreier, John Meehan, Sam Comer, Ray Moyer
		Samson and Delilah - Hans Dreier, Walter Tyler, Sam Comer, Ray Moyer
	www.goldderby.com /lostmind/year/1950/1950aa.htm (306 words)

	Art Direction/Set Decoration (Site not responding. Last check: 2007-11-06)
		LOVE LETTERS - Roland Anderson, Hans Dreier (AD);
		FRENCHMAN'S CREEK - Hans Dreier, Ernst Fegte (AD);
		NO TIME FOR LOVE - Hans Dreier, Robert Usher (AD);
	www.oscarguy.com /History/ByCategory/ArtDirection.html (2806 words)

	Movie Database - [TV Guide Online] (Site not responding. Last check: 2007-11-06)
		This production boasts wonderful sets and softly focused color lensing by Ray Rennahan.
		The famed art director Hans Dreier created a spectacular and authentic medieval castle for the film, with an enormous dining hall for King Arthur's knights, a huge ballroom, lush gardens, courtyards, and jousting grounds.
		Rhonda Fleming's auburn-haired beauty is lovely in the rich Technicolor process and Tay Garnett's direction is smooth and well paced.
	online.tvguide.com /movies/database/showmovie.asp?MI=13116 (144 words)

	Movie Database - [TV Guide Online] (Site not responding. Last check: 2007-11-06)
		His effete mannerisms--tucking a rose behind his ear, smoking with a limp wrist, kissing behind a fan--create a satisfying contrast with Dietrich's androgyny (which is most apparent when she kisses a woman on the mouth in a nightclub scene).
		Best Interior Decoration - Hans Dreier (Art Direction)
		Jules Furthman (based on the novel Amy Jolly by Benno Vigny)
	online.tvguide.com /movies/database/showmovie.asp?MI=7602 (364 words)

	[No title]
		Let's talk about language structure and co= ncepts and the foundations on which they build: memory management and execu= tion mechanism, and not worry about representation.
		If you post follow-ups to the Ultra mailing list, this would allow others t= o participate.
		It just occurred to me that this is simply an enumeration of classes (if we= assume that classes (definitions) are objects and types (usages) are value= s), so it seems natural to use whatever syntax we choose for enumerations.
	lists.tunes.org /archives/ultra/1999-July.txt (10487 words)

	Amazon.com: Books: Time Out Film Guide, 13th Edition (Site not responding. Last check: 2007-11-06)
		CAPs: Cedric Gibbons, Lyle Wheeler, Hans Dreier, Ennio Morricone, Elmer Bernstein (more)
		Not long before this thirteenth edition of the Time Out Film Guide went to press, the Cannes Film Festival's top prize, the Palme d'Or, went to a documentary for the first time in nearly 50 years: Michael Moore's Fahrenheit 9/11.
		Cedric Gibbons, Lyle Wheeler, Hans Dreier, Ennio Morricone, Elmer Bernstein, San Francisco, Richard Day, Los Angeles, Hal Pereira, Roger Corman, Alfred Newman, John Barry, Max Steiner, Michael Caine, Michael Balcon, John Wayne, John Williams, Christopher Lee, Alexander Golitzen, Georges Delerue, Clint Eastwood, James Mason, Harry Stradling, Gene Hackman, Orson Welles
	www.amazon.com /exec/obidos/tg/detail/-/1904978215?v=glance (2280 words)

	Love Me Tonight
		Mamoulian's racy musical indeed stars two reigning spirits of Lubitschland, saucily sexy Jeanette MacDonald and flamboyantly flirtatious Maurice Chevalier, paired here, midway between their dazzling success in The Love Parade (1929) and The Merry Widow (1934), each a definitive Lubitsch masterwork.
		The participation of cinematographer Victor Milner and art director Hans Dreier further tempts us to label Love Me Tonight as “Lubitschean”.
		However, these studio-contracted contributions are likely to be of less than “Paramount” significance to a film that is distinctively and quintessentially Mamoulian's.
	www.sensesofcinema.com /contents/cteq/04/32/love_me_tonight.html (959 words)

	Hans Dreier (Site not responding. Last check: 2007-11-06)
		Discuss this person with other users on IMDb message board for Hans Dreier
		Find where Hans Dreier is credited alongside another name
		You may report errors and omissions on this page to the IMDb database managers.
	us.imdb.com /name/nm0237417 (289 words)

	Ghost Breakers DVD Review - Time Out Film
		Meetings with ghosts, zombies, and all manner of spooky phenomena occur, allowing Hope ample space to demonstrate his customary capacity for cowardice and alarm.
		But although the general situation is much the same as in The Cat and the Canary, it works better here because the film provides thrills as well as laughs, thanks to Marshall's deft and delicate direction, Charles Lang's shadowy camerawork, and Hans Dreier's authentically Gothic art direction.
		Join Time Out and Mike Leigh in conversation at the LFF - for free!
	www.timeout.com /film/dvd/95894.html (224 words)

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