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| | Chinese Music Society of North America - Chinese Music Monograph Series (Site not responding. Last check: 2007-10-19) |
 | | The primary difference between musical systems of different culture is their preference for intervals, and thus a difference in the breadth of their harmonic sy stem. |
 | | The same harmonic intervals which are the basis of the Chinese harmonic system were found to appear prominently in the design of the overtone structure of the ancient dual-pitched bronze zhong bell s (see Shen, 1987). |
 | | The same harmonic intervals are completely utilized in the design of Chinese silk and bamboo musical instruments, and in particular, is the basis for string tuning on the qin, the sanxian, the zheng, the pipa, the erhu, the tuoyin erhu, the matouqin, the zhuihu, the jinghu, the banhu, the liuqin, and the ruan family. |
| chinesemusic.net /book_instruments_acoustics.asp (918 words) |
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