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PsyArt: An Online Journal for the Psychological Study of the Arts. (Site not responding. Last check: 2007-10-03) |
 | | The endings of lines 1, 2, and 4 in excerpt 2 are exceptionally well-articulated; whereas the end of line 3 is conspicuously underarticulated, against all syntactic and prosodic odds. |
 | | Nonetheless, there is a feeling that the transition from line 3 to 4 is rather hasty. |
 | | An earlier generalisation of mine can be applied here too, with the necessary changes: the preservation of rhythmicality depends, among other things, on whether such disintegrating forces as a midline pause are balanced by such appropriate integrating forces as clear-cut articulation of the line ending, or some perceptual force propelling across the pause. |
| www.clas.ufl.edu /ipsa/journal/2002_tsur05.shtml (12396 words) |
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