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| | Antonio Ferreira |
 | | Yet he is to be classed with the reformers of literary taste, for, like Sâ de Miranda, he abandoned the old native forms to further the movement of the Renaissance. |
 | | He manifested a decided interest in the Italian lyric measures, already given some elaboration by Sâ de Miranda, and displayed some skill in the use of the hendecasyllable. |
 | | The sonnet, the elegy, the idyll, the verse epistle, the ode, and kindred forms he cuitlvated with a certain felicity, revealing not only his study of the Italian Renaissance poets, but also a good acquaintance with the Greek and Latin masters. |
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