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Topic: Hendrick Goltzius

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	Goltzius Paintings Reproduction and Biography
		Goltzius was a Dutch graphic artist and painter of German descent, the outstanding line engraver of his time.
		Goltzius was the leader of a group of Mannerist artists who worked in Haarlem, where he founded some kind of “academy” with Cornelis van Haarlem and Karel van Mander.
		Goltzius was born in 1558 in Muhlbracht, present-day Bracht-am-Niederrhein.
	www.allartclassic.com /author_biography.php?p_number=202 (533 words)

	Hendrik Goltzius - Wikipedia, the free encyclopedia
		Hendrik Goltzius (1558 - January 1, 1617), Dutch painter and engraver, was born at Millebrecht, in the duchy of Julich.
		Goltzius ought not to be judged chiefly by the works he valued most, his eccentric imitations of Michelangelo.
		In his command of the burin Goltzius is not surpassed even by Dürer; but his technical skill is often unequally aided by higher artistic qualities.
	en.wikipedia.org /wiki/Hendrick_Goltzius (363 words)

	Show of hands: Christopher P. Heuer on Hendrick Goltzius
		The 1594 series, for which Goltzius was feted by the Duke of Bavaria, depicted the Life of the Virgin in six distinct Renaissance hands: Raphael, Parmigianino, Bassano, Barocci, Durer, and Lucas van Leyden, respectively.
		"Hendrick Goltzius: Prints, Drawings, Paintings" is on view at the Rijksmuseum, Amsterdam, Mar. 8-May 25; travels to the Metropolitan Museum of Art, New York, June 23-Sept. 7; and the Toledo Museum of Art, Toledo, Ohio.
		Hendrick Goltzius and Willem van Tetrode: two related exhibitions have admirably demonstrated a refreshingly outward-looking side of renaissance Dutch art.
	www.encyclopedia.com /doc/1G1-96223219.html (1248 words)

	The State Hermitage Museum: Hermitage News
		Hendrick Goltzius is rightly considered one of Holland's most important artists and one of the greatest masters in the history of European prints.
		The outstanding Dutch engraver, draughtsman and painter Hendrick Goltzius was born in 1558 in the small Lower Rhine town of Muhlbrecht into the family of a painter on glass.
		Goltzius' acquaintance with drawings by the court artist of Emperor Rudolf II, Bartholomeus Spranger, was a turning point in his artistic development.
	www.hermitagemuseum.org /html_En/11/2005/hm11_3_31.html (897 words)

	Hendrick Goltzius and Willem van Tetrode: two related exhibitions
		This Goltzius exhibition is the first to have incorporated all aspects of his production in a whole variety of media, including prints, paintings, drawings, chiaroscuro woodcuts, and metalwork (in the form of engraved plaques).
		Goltzius achieved his international reputation as a printmaker and he is, indeed, still mainly appreciated for his prints.
		The Amsterdam installation included some Goltzius prints in the galleries alongside Van Tetrode's sculptures, and this reversion to former arguments that sought to define a definitive flow of influence between the two artists was unfortunate.
	www.encyclopedia.com /doc/1G1-114477251.html (3233 words)

	Farnese Hercules - Wikipedia, the free encyclopedia
		By 1562 the find was already included in the set of engravings for Speculum Romanae Magnificentiae ("Mirror of Rome's Magnificence")[1] and connoisseurs, artists and tourists gaped at the original, which stood in the courtyard of the Palazzo Farnese, protected under the arcade.
		In 1590-91, during his trip to Rome, Hendrik Goltzius sketched the statue in the palazzo courtyard.
		Later (in 1617) Goltzius recorded the less common rear view, by working up a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours.
	en.wikipedia.org /wiki/Farnese_Hercules (525 words)

	Hendrick Goltzius (1558–1617) \| Thematic Essay \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-10-12)
		Hendrick Goltzius (1558–1617), engraver, print publisher, draftsman, and painter, was one of the outstanding figures in Dutch art during the late sixteenth and early seventeenth centuries.
		Goltzius was internationally acclaimed in his day; his enthusiastic patrons included sovereigns from all parts of Europe, most notably the art-loving
		Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand.
	www.metmuseum.org /toah/hd/golt/hd_golt.htm (887 words)

	Wake Forest University - Department of Art - Print Collection
		Hendrick Goltzius is an important figure in the study of the history of prints.
		Goltzius was born in Germany, but received his early training from a Netherlandish artist, Dirck Volckhertsz Coornhert.
		Through him, Goltzius was introduced to a Mannerist style of engraving.2 In this tradition, the figures in his prints are portrayed in twisted poses with exaggerated three-dimensionality.
	www.wfu.edu /art/pc/pc-goltzius.html (700 words)

	Hendrick Goltzius
		The paintings and etchings of artists such as Hendrick Goltzius reflected this newly gained status of visual art.
		Goltzius worked both as a painter and a copper engraver; he founded his own publishing company and experimented with new artistic techniques.
		In Goltzius' oeuvre, painting presents itself in a confident manner and his portraits of fellow artists puts them on an equal standing with the humanists and poets.
	www.hamburger-kunsthalle.de /archiv/seiten/en_goltius.html (349 words)

	ART / 4 / 2DAY
		Hendrick Goltzius's depiction of the monkey is highly moving; the hairs on his neck and forehead standing on end, the sharply formed ear, the pink nose and the bony limbs.
		Goltzius produced paintings and drawings, engravings and etchings, and was one of the leading figures in the Mannerism movement.
		Goltzius himself made a copper engraving of Cadmus’ struggle with the dragon, which was based on a painting by Cornelis Corneliszoon van Haarlem [1562—1638].
	www.safran-arts.com /42day/art/art4dec/art1229.html (5961 words)

	The New Yorker: The Critics: The Art World (Site not responding. Last check: 2007-10-12)
		Goltzius was born in 1558, in the middle of a war zone, as Spanish armies arrived to crush the rebel Flemish and Dutch.
		Hendrick’s first teacher, the engraver, poet, and philosopher Dirck Volckertsz Coornhert, was a relic of an older, learned, relatively tolerant Catholicism about to be smashed between the grindstones of Calvinist iconoclasm and Counter-Reformation image veneration.
		No wonder, then, that when Goltzius came to engrave a “Massacre of the Innocents,” in 1585-86, as the war was going badly, he produced a coiled knot of terrorized figures—distraught mothers, old men pathetically trying to take stabbing blows aimed at infants—with a heroically modelled nude captain calmly surveying the butchery from the foreground.
	www.newyorker.com /critics/art?030714craw_artworld (1646 words)

	Biography
		Recognising Hendrick's artistic interest and ability, his father, Jan Goltz II, removed his son from school at age eight and allowed him to study drawing and glass painting, his own profession.
		By 1585 Goltzius was working in the idealised international style now known as Mannerism.
		Around the outset of the new century Goltzius created what are perhaps his most extraordinary works of art, his 'Pen-wercken' on large parchments and prepared canvases.
	www.wga.hu /bio/g/goltzius/biograph.html (524 words)

	Reflib_003.asp (Site not responding. Last check: 2007-10-12)
		Hendrick Goltzius was born in Muhlbrecht, the Netherlands, in 1558, a descendent of a long line of artists.
		Goltzius' printing business evolved into one of the most successful printing houses, creating and distributing his own intricate and astonishing designs, helping to spread the Mannerist art movement throughout Europe during the late 16th and early 17th centuries.
		Hendrick Goltzius' work is on display at a major one-man retrospective at the Metropolitan Museum of Art in New York City from June 26th through September 7th, 2003.
	www.wentworthgallery.com /Reflib_003.asp?artist=252&mode=biography (347 words)

	Hendrik Goltzius on artnet
		Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558.
		In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
		Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
	www.artnet.com /artist/553010/hendrik-goltzius.html (388 words)

	Apollo: Hendrick Goltzius and Willem van Tetrode: two related exhibitions have admirably demonstrated a refreshingly ... (Site not responding. Last check: 2007-10-12)
		This Goltzius exhibition is the first to have incorporated all aspects of his production in a whole variety of media, including prints, paintings, drawings, chiaroscuro woodcuts, and metalwork (in the form of engraved plaques).
		It is characteristic of Van Mander's concern with the elevation of the status of the artist as an intellectual focused on history painting that his biography of Goltzius barely mentions this aspect of the artist's work.
		Goltzius achieved his international reputation as a printmaker and he is, indeed, still mainly appreciated for his prints.
	www.findarticles.com /p/articles/mi_m0PAL/is_505_159/ai_n6157810 (1453 words)

	The CODART List - Hendrick Goltzius: tekeningen, prenten en schilderijen (Hendrick Goltzius: drawings, prints and ...
		The versatile artist Hendrick Goltzius (1558-1617) was an international celebrity in his day.
		Goltzius is also regarded as one of Holland's finest draughtsmen because of his lifelike portraits in coloured chalk, his masterly depictions of landscape and nature and the superb drawings in an exceptionally large format.
		This exhibition is the first major retrospective of the outstanding and important artist Hendrick Goltzius.
	www.codart.nl /exhibitions/details2/206 (373 words)

	USC Fisher Gallery
		Hendrick Goltzius and the Classical Tradition, an exhibition of more than 80 engravings and wood cut prints will be on display Wednesday, March 11 through April 25, at USC's Fisher Gallery.
		Jupiter and Danaë is considered Goltzius' masterpiece and is one of the greatest Dutch paintings in America.
		Hendrick Goltzius and the Classical Tradition and its accompanying catalogue produced by Fisher Gallery exemplify how Goltzius developed a complex artistic strategy that appropriated and transformed the formal vocabulary, subject matter, and ideology of the classical tradition.
	www.usc.edu /org/fishergallery/exhibitions_past_hendrick.shtml (290 words)

	Hendrick Goltzius (1558 - 1617) Artwork Images, Exhibitions, Reviews
		Goltzius was best known for his printmaking but has to abandon the medium in 1600 due to his failing eyesight and inability to work with painstaking engraving tools.
		Hendrik Goltzius, The Magdalene in the Desert, 1585
		Prince Maurice, the son of William of Orange and Anna of Saxony, was born at Castle Dillenburg in Germany.
	wwar.com /masters/g/goltzius-hendrick.html (901 words)

	atlasgalleries artists Hendrick Goltzius
		One of the most prolific engravers of his day, Goltzius belongs among the Dutch Mannerists.
		He was the leading light at the end of the sixteenth century in the academic movement in Haarlem, which was devoted to the study of the nude and artistic theory.
		Around 1600 he took up painting, drawing his subjects from classical mythology, but he is remembered today largely from his engravings and drawings.
	www.atlasgalleries.com /display/artists/artists_detail.cgi?id_num=10094 (68 words)

	ArtForum: Show of hands: Christopher P. Heuer on Hendrick Goltzius - From the Vault Preview
		The 1594 series, for which Goltzius was feted by the Duke of Bavaria, depicted the Life of the Virgin in six distinct Renaissance hands: Raphael, Parmigianino, Bassano, Barocci, Durer, and Lucas van Leyden, respectively.
		In the case of the Durer sheet, the Circumcision, Goltzius even emulated the facture of the woodcutting practice itself, mimicking the distinctive swell and pucker of the German line.
		"Hendrick Goltzius: Prints, Drawings, Paintings" is on view at the Rijksmuseum, Amsterdam, Mar. 8-May 25; travels to the Metropolitan Museum of Art, New York, June 23-Sept. 7; and the Toledo Museum of Art, Toledo, Ohio.
	www.findarticles.com /p/articles/mi_m0268/is_5_41/ai_96223219 (946 words)

	Goltzius, hendrick (Site not responding. Last check: 2007-10-12)
		Hendrick Goltzius (1558 - 1617) Artwork Images, Exhibitions, Reviews Hendrick Goltzius After moving to Haarlem at the age of nineteen, Hendrick Goltzius married a rich widow who funded the establishment of his workshop.
		Hendrick Goltzius -- EncyclopÃ¦dia Britannica Hendrick Goltzius Dutch printmaker and painter.
		Goltzius Paintings Reproduction and Biography Hendrick Goltzius Paintings Reproduction and Biography.
	goltzius-hendrick.topo20.org (1006 words)

	HA 505/705 Dürer & Goltzius Bibliography (Site not responding. Last check: 2007-10-12)
		Birdsong, Sherri L. "Virtuosity of Technique: The Chiaroscuro Woodcuts of Hendrick Goltzius." In: Glenn Harcourt, ed.
		Hendrick Goltzius and the Classical Tradition (Los Angeles: Fisher Gallery, University of Southern California: 1992), pp.
		"Hendrick Goltzius and Printmaking: Between Renaissance and Baroque." In: Glenn Harcourt, ed.
	www.ku.edu /~sma/virtuosity/virtuositybib.htm (1509 words)

	Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings (Site not responding. Last check: 2007-10-12)
		"Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings" opens Friday at the Toledo Museum of Art and remains on view through Jan. 5, 2004.
		Tickets are free for members and children 5 and under, $6 for adults, and $5 for seniors 65 and older, students and children ages 6-18, and full-time university students with ID. Personal audio tours will be available for an additional charge.
		In late 16th-century Europe, the artist Hendrick Goltzius was so famous he would travel incognito to lighten the social burden of being well-known.
	homepage.mac.com /gillgren/iblog/B1104942885/C1328537067/E896939763 (267 words)

	Art in America: A Proteus revealed: a traveling exhibition of the Mannerist artist Hendrick Goltzius offers an ... (Site not responding. Last check: 2007-10-12)
		Art in America: A Proteus revealed: a traveling exhibition of the Mannerist artist Hendrick Goltzius offers an unprecedented survey of his influential career.
		A Proteus revealed: a traveling exhibition of the Mannerist artist Hendrick Goltzius offers an unprecedented survey of his influential career.
		The landmark exhibition "Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings" is rich in art-historical insights, both about Dutch Mannerism and Goltzius himself.
	www.highbeam.com /library/doc0.asp?DOCID=1G1:112131278&refid=ip_encyclopedia_hf (235 words)

	KUNSTFORM - Rezensionen zur Kunstgeschichte - 5 (2004), Nr. 2
		For Goltzius, the transit of desire is also the circulation of coinage, for wealth is the reward secured by the seductive charm of coloring.
		In fact, Goltzius had already displayed his command of "colorito" in prints and drawings of the 1590s, chief among them the "Pygmalion and the Ivory Statue" of 1593, as I have argued elsewhere [2].
		This view accords with the argument of Jacob Matham's engraved "Epitaph of Hendrick Goltzius", issued to mark the master's death in 1617: Matham embellishes the pediment enframing his stepfather's portrait with reclining personifications of painting and drawing, whose hands are joined by the linking figure of engraving that stands between and towers above them.
	www.kunstform.historicum.net /2004/02/2711.html (1306 words)

	Amazon.com: goltzius: Books (Site not responding. Last check: 2007-10-12)
		Hubertus Goltzius: The father of ancient numismatics : Venlo-Weertsburg 30.10.1526 - Bruges 24.10.1583 : an annotated and illustrated bibliography by C. E Dekesel (Unknown Binding - 1988)
		Hendrik Goltzius & the Printmakers of Haarlem by Frederick.
		Hendrick Goltzius and his circle: A selection of prints shown at the Sterling and Francine Clark Art Institute May7-June 26, 1983 by Anne E Havinga (Unknown Binding - 1983)
	www.amazon.com /s?ie=UTF8&keywords=goltzius&index=books&page=1 (474 words)

	A Proteus revealed: a traveling exhibition of the Mannerist artist Hendrick Goltzius offers an unprecedented survey of ...
		In Goltzius, a true graphic genius, one gets the sense of a determined yet mercurial sensibility intent not only on the mastery of all techniques but also all art history.
		Goltzius began as an engraver, quickly mastering the existing techniques that had already grown formulaic by the 1570s, barely a century after their first flowering.
		Finally, in 1600, Goltzius gave up engraving altogether and devoted the last years of his life exclusively to drawing and, more significantly, to painting, a medium in which he had previously shown little interest.
	findarticles.com /p/articles/mi_m1248/is_1_92/ai_112131278 (935 words)

	Haber's Art Reviews: Hendrick Goltzius and Willem van Tetrode
		Goltzius intends to match Dürer's virtuosity, but he will not let his patrons forget it either.
		Goltzius is caught in an age of empires, between the papal states and city states of the early Renaissance and the nation states of the future.
		Goltzius will confront his contradictions and move on, I promise, but the Frick shows change in the air a generation before him.
	www.haberarts.com /goltzius.htm (2492 words)

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