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	Henry Fuseli - Wikipedia, the free encyclopedia
		Henry Fuseli (in German Johann Heinrich Füssli) (February 7, 1741 - April 16, 1825) was a British painter and writer on art, of German-Swiss family.
		In 1799 Fuseli exhibited a series of paintings from subjects furnished by the works of John Milton, with a view to forming a Milton gallery corresponding to Boydell's Shakespeare gallery.
		Fuseli, after a life of uninterrupted good health, died at Putney Hill, at the advanced age of eighty-four, and was buried in.
	en.wikipedia.org /wiki/Henry_Fuseli (1038 words)

	Henry Fuseli
		Fuseli reached Rome, via Genoa and Florence, at the end of May. His eight-year stay was broken only by visits to Venice in 1772, to recuperate from fever, and to Naples in 1775.
		Her infatuation with Fuseli led her in 1792 to propose that the three of them go to Paris to witness the Revolution, but this suggestion was dropped when Fuseli’s wife put a stop to the association.
		Fuseli’s art-historical erudition was further expressed in a widely revised edition of Matthew Pilkington’s A General Dictionary of Artists (1805) and in his own ‘History of Art in the Schools of Italy’, projected from 1808 (see Knowles).
	www.geocities.com /calliope_demarquis/fuselli.html (3094 words)

	Henry Fuseli (Site not responding. Last check: 2007-11-07)
		Henry Fuseli (in German Johann Heinrich Füssli) (February 7, 1741 - April 16, 1825), English painter and writer on art, of German-Swiss family, was born at Zürich in Switzerland.
		After taking orders in 1761 Fuseli was obliged to leave his country for a while in consequence of having aided Lavater to expose an unjust magistrate, whose family was still powerful enough to make its vengeance felt.
		In 1788 Fuseli married Miss Sophia Rawlins (who it appears was originally one of his models, and who proved an affectionate wife), and he soon after became an associate of the Royal Academy.
	usapedia.com /h/henry-fuseli.html (1158 words)

	Henry Fuseli Biography - The Dark Chamber
		Henry Fuseli was a precursor of the Surrealist and Expressionist movements, a man whose works were admired in his lifetime, but after his death were forgotten, only to be remembered again decades later.
		In his return to England in 1778, he changed his German name to John Henry Fuseli, and in 1782 he exhibited in the Royal Academy the famous painting "The Nightmare" in which a woman lies on a bed raving because of a sexual nightmare, with a small and ugly incubus standing over her breasts.
		Fuseli also wrote many essays on art as "Lectures on Painting" that was published in 1801 and some years before, in 1765, he translated Winckelmann's "Reflections of the Painting and Sculpture of the Greeks".
	www.angelfire.com /moon/darkchamber/visuarts/fus.htm (391 words)

	HENRY FUSELI - LoveToKnow Article on HENRY FUSELI
		Fuseli, after a life of uninterrupted good health, died at Putney Hill on the 16th of April 1825, at the advanced age of eighty-four, and was buried in.
		As a painter, Fuseli had a daring invention, was original, fertile in resource, and ever aspiring after the highest forms of excellence.
		Many interesting anecdotes of Fuseli, and his relations to contemporary artists, are given in his Life by John Knowles, who also edited his works in 3 vols.
	www.1911encyclopedia.org /F/FU/FUSELI_HENRY.htm (1422 words)

	glbtq >> arts >> Fuseli, Henry
		Fuseli's father, Johann Caspar Füssli, was a portrait painter and a collector of sixteenth- and seventeenth-century Swiss art.
		Fuseli took an avid interest in his father's art collection and began making sketches of the drawings when he was eight.
		Fuseli completed numerous paintings for John Boydell's Shakespeare Gallery, a small museum devoted to depictions of scenes from Shakespeare's work, but, disappointed by the remuneration that he received, decided to start his own Milton Gallery, which was a critical success but a financial failure.
	www.glbtq.com /arts/fuseli_h.html (1130 words)

	[No title] (Site not responding. Last check: 2007-11-07)
		An unforgettable image of a woman in the throes of a violently erotic dream, this painting shows how far ahead of his time Fuseli was in exploring the murky areas of the psyche where sex and fear meet.
		Fusely was a much respected and influential figure in his lifetime, but his work was generally neglected for about a century after his death until the Expressionists and Surrealists saw in him a kindred spirit.
		Fuseli's extensive writings on art include Lectures on Painting (1801) and a translation of Winckelmann's Reflections on the Painting and Sculpture of the Greeks (1765).
	www.arthistory.cc /auth/fuseli (286 words)

	Henry Fuseli - Biography (Site not responding. Last check: 2007-11-07)
		Fuseli was born in Zurich on 6 February 1741, the second son of the five children of Johann Caspar Füseli and Elisabeth Waser.
		Fuseli's relationships with and attitude to women were highly important for his art.
		Fuseli died suddenly on 16 April 1825, at the home on Putney Hill of Coutt's daughter, Lady Guilford, and was buried in Saint Paul's Cathedral, London.
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?201800 (468 words)

	John Henry Fuseli - Artist Biography
		Henry Fuseli was Swiss by birth but worked in England for many years, becoming a Royal Academician in 1790.
		Fuseli revolted against this enforced career and, in 1763, began studying art in Berlin before moving to England where he worked as an engraver and translator.
		In 1770 Fuseli went to Rome where he spent the next eight years copying the works of his idol, Michelangelo.
	postergallery.us /biography/John_Henry_Fuseli.html (146 words)

	AllRefer.com - Henry Fuseli (European Art, 1600 To The Present, Biography) - Encyclopedia
		Henry Fuseli, European Art, 1600 To The Present, Biographies
		Henry Fuseli[fyOO´zilE] Pronunciation Key, 1741–1825, Anglo-Swiss painter and draftsman, b.
		Fuseli went (c.1763) to England and studied in London, where Joshua Reynolds befriended him.
	reference.allrefer.com /encyclopedia/F/Fuseli-H.html (291 words)

	The Nightmare by FUSELI, John Henry
		Fuseli portrayed a young woman on the back of this painting.
		If it is true that both images are his beloved Anna Landolt, whose parents refused to allow her to marry him, then the Nightmare can be interpreted as an allegory of disappointment.
		But it is at the price of her life, and Fuseli shows her sunk down and breathing her last.
	www.wga.hu /html/f/fuseli/05nightm.html (84 words)

	Henry Fuseli (1741 - 1825)
		Fuseli was soon part of a group of London intellectuals.
		In 1792 Henry Fuseli and Mary Wollstonecraft tangled in a very strange affair.
		Being in the grips of a nightmare is a common occurrence that we can all relate to, but we may never experience one exactly as a particular artist depicts it.
	www.jahsonic.com /HenryFuseli.html (1194 words)

	Malaspina Great Books - Henry Fuseli (1741-1825)
		Fuseli made an art-pilgrimage to Italy, where he remained till 1778, changing his name from FÃ¼ssli to Fuseli, as more Italian-sounding.
		Fuseli, after a life of uninterrupted good health, died at Putney Hill on the 16th of April 1825,; at the advanced age of eighty-four, and was buried in.
		As a painter,; Fuseli had a daring invention, was original, fertile in resource, and ever aspiring after the highest forms of excellence.
	www.malaspina.org /home.asp?topic=./search/details&lastpage=./search/results&ID=606 (1282 words)

	Johann Heinrich Fussli
		Henry Fuseli was born in Switzerland, the son of a painter and writer, Johann Caspar Fuseli (sometimes spelt Füssli, 1707-82).
		At the age of 20, Henry Fuseli was ordained as a pastor, but a disagreement with his father prompted him to leave Switzerland and the Church.
		Fuseli's enigmatic, dreamlike Nightmare was exhibited at the Royal Academy in 1790, bringing him wide public acclaim and instant fame.
	www.artchive.com /artchive/F/fuseli.html (226 words)

	Henry Fuseli (1741 - 1825) Artwork Images, Exhibitions, Reviews
		Although his father was an amateur painter, Fuseli originally joined the seminary and was ordained as a minister in the Swiss Reformed Church in 1761.
		Fuseli moved to London in 1778, exhibiting his most famous painting, The Nightmare at the Royal Academy in 1782.
		Henry Wolf, Portrait of the Engraver Henry Wolf, 1905
	wwar.com /masters/f/fuseli-henry.html (823 words)

	ArtLex on Romanticism
		In England the Romantic tradition began with Henry Fuseli (Swiss-English, 1741-1825) and William Blake (1757-1827), and culminated with Joseph M. Turner (1775-1851) and John Constable (1776-1837).
		In his native Switzerland, Fuseli studied to be a priest, and then came to London in the 1760s to study writers of 'genius', such as Shakespeare and Milton.
		Born in Switzerland, of Swiss and German parents, Fuseli migrated to Berlin in 1763, where his illustrations of Shakespearean themes caught the attention of the British ambassador, who convinced him to visit England.
	www.artlex.com /ArtLex/r/romanticism.html (1516 words)

	Portrait of a Young Woman by FUSELI, John Henry
		This portrait is painted on the reverse of the Nightmare.
		The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zürich physiologist Johann Caspar Lavater (1741-1801).
		Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare.
	www.wga.hu /html/f/fuseli/04portra.html (77 words)

	Henry Fuseli (Site not responding. Last check: 2007-11-07)
		Johann Heinrich Füssli was born in Zurich in 1741; he moved to England in 1764 and later changed his name to Henry Fuseli.
		Fuseli turned often to Shakespeare for his inspiration; Füssli pittore di Shakespeare: Pittura e teatro 1775-1825, the catalogue of the 1997 exhibition of Fuseli's Shakespeare paintings in Parma, Italy, lists 85 paintings, drawings, sketches and engravings drawn from the plays.
		Fuseli admired the Romantic poets, and many of his illustrations for Shakespeare and Milton--as well as a number of other poets and writers--reveal his love for the grotesque, the sublime, and the fantastic.
	www.english.emory.edu /classes/Shakespeare_Illustrated/Fuseli.html (225 words)

	Oedipus Cursing His Son, Polynices
		Henry Fuseli's dramatic painting, exhibited at the Royal Academy in 1786, depicts the tense climax of Oedipus at Colonus, a drama by Sophocles.
		Fuseli, a Swiss clergyman, became a classical scholar before studying art in Rome.
		After immigrating to London in 1780, Fuseli was elected the Royal Academy’s professor of painting.
	www.nga.gov /collection/gallery/gg61/gg61-61125.0.html (225 words)

	John Henry Fuseli Online
		Fuseli's students included George Richmond and Theodor von Holst.
		John Henry Fuseli in the Los Angeles County Museum of Art Database
		All images and text on this John Henry Fuseli page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/fuseli_john_henry.html (367 words)

	Henry Fuseli
		Fuseli, Henry, 1741–1825, Anglo-Swiss painter and draftsman, b.
		Fuseli, (John) Henry (1741-1825)(born Johann Heinrich Füssli) (The Hutchinson Dictionary of the Arts)
		Fuseli's Milton Gallery: Satan's First Address to Eve as a Source for Maria Edgeworth's Belinda.(Critical Essay) (ANQ)
	www.infoplease.com /ce6/people/A0819920.html (266 words)

	Henry Fuseli Biography / Biography of Henry Fuseli Biography Biography (Site not responding. Last check: 2007-11-07)
		The Swiss painter Henry Fuseli (1741-1825) depicted the marvelous, the megalomaniac, supernatural horror, the irrational, the erotic, and the macabre, expressing violently romantic attitudes in a severe neoclassic style.
		Henry Fuseli was born Johann Heinrich Füssli (in 1764 he Anglicized his name) in Zurich on Feb. 6, 1741, the son of a painter with strong religious convictions who destined him for the Zwinglian ministry.
		Each Biography is written by a biographical expert or professional educator and is a complete resource on the individual.
	www.bookrags.com /biography-henry-fuseli (178 words)

	Henry Fuseli and William Blake
		Henry Fuseli, The Artist Moved by the Grandeur of Antique Fragments, 1778-79
		Henry Fuseli, The Oath of the Rutli, 1778-81
		Henry Fuseli, Thor in the Boat of Hymer, 1790
	www.msu.edu /course/ha/445/fuseli.htm (102 words)

	Henry FUSELI (Site not responding. Last check: 2007-11-07)
		This is one of forty paintings Fuseli painted and then exhibited in London in 1799, which depict episodes in the life of the poet Milton.
		The incident depicted is from his Milton's early life, based on a romantic myth which describes how Milton, asleep under a tree, was observed by an Italian lady.
		It has been suggested that it is not a literal transcription of this story but more likely refers to poetic inspiration by the muse.
	www.ngv.vic.gov.au /european/em_ipa00233.html (93 words)

	John Henry Fuseli biography - Oil painting Art reproductions - Art Sender
		As painters, we've all, at one time or another, become involved in a work that turned out to be a nightmare, either in its execution, or when finished...or both.
		John Henry Fuseli was a highly educated Swiss minister, not a painter when he came to London in 1764 at the age of 23.
		In it Fuseli depicts a languidly recumbent female figure clad in a sleeping gown upon whom sits an ugly, hairy creature known as an incubus, a folklore demon believed to rape women in their sleep.
	www.artsender.com /artists/Fuseli_John_Henry.htm (414 words)

	Henry Fuseli (1741-1825) : Library of Congress Citations (Site not responding. Last check: 2007-11-07)
		Title: Henry Fuseli, 1741-1825 : [essay, catalogue entries and biographical outline] / [by] Gert Schiff ; essay by Werner Hofmann ; translated from the German by Sarah Twohig].
		of Lectures on painting by the Royal Academicians, Barry, Opie, and Fuseli, edited by R. Wornum, published by H. Bohn, London; the 12 lectures previously appeared as an independent volume entitled Lectures on painting delivered at the Royal Academy by Henry Fuseli, published in 1830 by H. Colburn and R. Bentley, London.
		Fuseli, Henry, -- 1741-1825 -- Influence -- Exhibitions.
	www.mala.bc.ca /~mcneil/cit/citlcfuseli1.htm (1149 words)

	Myrone, M.: Henry Fuseli. (Site not responding. Last check: 2007-11-07)
		Painter, poet, critic, and teacher, Henry Fuseli (1741-1825) is one of the most idiosyncratic and original figures in the history of British art.
		His life and work have always fueled speculation, gossip, and fantasy--from the rumors of his opium addiction and predilection for eating raw pork to the wildly differing modern assessments of his art.
		A vivid image of the artist emerges, revealing Fuseli as a seminal figure in the development of modern art.
	pup.princeton.edu /titles/7142.html (167 words)

	Queens Katherine's Dream, Henry FUSELI - NGV (Site not responding. Last check: 2007-11-07)
		She has a vision of six personages in white, bearing floral garlands, who dance about her.
		Fuseli had been commissioned late in 1802 to illustrate Chalmers's Shakespeare and the set of volumes was issued in 1804-5.
		This engraving, and one other, were the last two made by Blake for Fuseli.
	www.ngv.vic.gov.au /collection/international/print/b/blake/ipd00181.html (76 words)

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