| |
| | ") newWindow.document.write([Title]) newWindow.document.write(": ") newWindow.document.write([Name]) ... (Site not responding. Last check: 2007-10-12) |
 | | According to the dominant narrative, this development is identified with the direct and "liberating" touch of the West, and in particular with a fabulous victory of Henry Moore's and his soft form of modernism, shown to the Polish public in 1959. |
 | | Henry Moore was appointed as the Chairman of the Auschwitz Memorial Committee, and the international jury was composed of representatives of the Comité, including Odette Elina, a female French artist, the architects Giuseppe Perugini of Milan and Jacob Bakema of Rotterdam, August Zamoyski, a Polish sculptor living in France, and Pierre Courthion, a French critic. |
 | | Henry Moore's position vis-à-vis the competition and the winning design was colored by the politics of the day as well as by purely practical concerns. |
| www.artmargins.com /content/feature/murwaska.html (2566 words) |
|