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| | Denver Art Museum |
 | | in 1900, Herbert Bayer came to artistic maturity at the Bauhaus in |
 | | Although Bayer is well known for his achievements in design, he called painting “the continuous link connecting the various facets of my work.” Throughout his career he moved between highly structured, Bauhaus-inspired styles and freely expressive styles founded in nature and the cosmos, like the painting here. |
 | | Bayer (along with his wife, Joella) gave the museum the largest public collection of his work anywhere—photographs, posters, paintings, and sculptures, as well as examples of graphic design, typography, environmental design, and more. |
| www.denverartmuseum.org /collections/objectDetails/objectId--104908 (148 words) |
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