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| | Sanchez 64-4 |
 | | She addresses the fact that the polyphonic or dramatic aspect of his poetry is often lost in the anthologies and editions that appeared after his death because editors chose to organize Pessoa's work by heteronyms instead of chronologically. |
 | | Having presented Caeiro as the "master" of the heteronyms, the following chapter examines the poetry of Pessoa's neoclassic heteronym Ricardo Reis, Caeiro's disciple. |
 | | Pessoa wrote his poetry through the creation of heteronyms, carefully constructed poetic voices which he endowed with styles, ideas, and feelings foreign to his own. |
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