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| | "Authenticity in Musical Performance" by Bernard D. Sherman (Site not responding. Last check: 2007-10-09) |
 | | In Western art music today, the word “authentic” usually refers to a class of performances that seek historical verisimilitude, typically through using period instruments and attempting to re-create period performance idioms. |
 | | History: Before the nineteenth century, musicians rarely performed music of the past, with the exceptions usually involving sacred music; but by the middle of the nineteenth century, performances of secular music from earlier generations had become commonplace. |
 | | Since period idioms are often believed to require inflecting the music in ways not indicated in the score (for example, by adding embellishments), historical performance may let a performer innovate without being censured for ignoring the authority of the composer (see Dulak, 1993, 1995, and Sherman, 1997, pp. |
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