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	History painter - WebArticles.com
		History painting was the dominant form of academic painting (the painting that came from the various national academies) in the 19th century, in particular, but also in the post-revolutionary France as well.
		As such, history painting was a target for later movements.
		At the turn of the 20th century, it was possible to see paintings emerging from the official national academies depicting Nausicaa at the same time that other painters were leaving the studio to paint in available light and focus only on humble subjects and pure sensation.
	www.webarticles.com /print.php?id=460 (152 words)

	Nell Painter - Southern History Table of Contents
		That is due in part to who Nell Painter is. She has held many of the prestigious posts in her profession and served on most of the important editorial boards of her field.
		Painter says that she had just finished her book on Hosea Hudson and was stretched out on a couch one day with her cats, trying to recoup while reading Arnold Rampersad's biography of Langston Hughes.
		Painter's point is not just that Sojourner Truth was different from what we have been led to believe, but that those differences say a lot about American society.
	www.nellpainter.com /publications/truth_art_chied.html (2027 words)

	Nell Irvin Painter
		Professor Painter’s prominence has been recognized by her selection to be the President of the Southern Historical Association for 2007 and the President of the Organization of American Historians for 2007-2008.
		Painter deeply enriches her narrative with a series of striking works of art--more than 150 in total, most in fullcolor--works that profoundly engage with fl history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of the African-American experience.
		Painter defies the usual boundaries of southern history, women's history, and African American history and transcends methodological barriers as well, using insights gleaned from psychology and feminist social science in addition to social, cultural and intellectual history.
	aalbc.com /authors/nell_irvin_painter.htm (2515 words)

	Powell's Books - Creating Black Americans: African-American History and Its Meanings, 1619 to the Present by Nell Irvin ...
		Painter looks at the free fl population, numbering close to half a million by 1860 (compared to almost four million slaves), and provides a gripping account of the horrible conditions of slavery itself.
		Painter deeply enriches her narrative with a series of striking works of art--more than 150 in total, most in fullcolor--works that profoundly engage with fl history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of the African-American experience.
		Painter is clearly adept at writing straightforward history, however, and on this front the book is lucid, engaging and topical.
	www.powells.com /biblio?PID=29017&cgi=product&isbn=0195137558 (675 words)

	Hamilton College - News, Sports, Events - Retired Princeton Professor Nell Irvin Painter Lectures on African American ...
		Painter stressed the broad nature of history, pointing out that African American history is part of American history, and that American history in turn is part of world history.
		In the past, she noted, histories of African Americans were generally comprised of stories of bad things that white people did to fl people; these histories focused on the ways in which slavery cost fl people, both psychologically and materially.
		Painter was introduced by President Stewart and Assistant Professor of History Chad Williams, who noted that Dr. Painter’s name "is synonymous with Africana Studies." Until her recent retirement, Dr. Painter was the Edwards Professor of American History at Princeton University.
	www.hamilton.edu /news/more_news/display.cfm?ID=10446 (880 words)

	Nell Irvin Painter
		Professor Painter’s prominence has been recognized by her selection to be the President of the Southern Historical Association for 2007 and the President of the Organization of American Historians for 2007-2008.
		I was writing a narrative history, in which the art serves the purposes of narrative history, not the other way around.
		Painter defies the usual boundaries of southern history, women's history, and African American history and transcends methodological barriers as well, using insights gleaned from psychology and feminist social science in addition to social, cultural and intellectual history.
	www.aalbc.com /authors/nell_irvin_painter.htm (2501 words)

	Painter - Biocrawler (Site not responding. Last check: )
		A painter is a person who paints woodwork, walls, etc. for a trade.
		In the fine arts, a painter is a person who creates paintings—two-dimensional artworks—by applying a coloured emulsion called paint to a flat surface.
		You can find it there under the keyword Painter (http://en.wikipedia.org/wiki/Painter)The list of previous authors is available here: version history (http://en.wikipedia.org/w/index.php?title=Painterandaction=history).
	www.biocrawler.com /encyclopedia/Painter (233 words)

	History Painting
		Reynolds narrowly defines history painting, urging artists to turn to Scripture and to antiquity for their subjects; often these sources might, as an added advantage, impart through allegorical interpretation moral and didactic lessons to the greatest number of people.
		Aside from whatever merits history painting had as art, its very "grandness" was ironically the cause of its decline in popularity: quite simply, few patrons had the walls to accommodate these imposing works.
		But the painters did not abandon the subjects of history painting; instead, they made smaller pictures and approached their literary subjects in different ways, with a new focus on more intimate scenes, the minor characters, and the psychology of the characters and situations depicted.
	www.english.emory.edu /classes/Shakespeare_Illustrated/HistoryPainting.html (793 words)

	The religion of Jan Vermeer, painter
		Vermeer is one of the revered "Dutch Masters." Vermeer and Rembrandt are regarded as the two greatest painters of the Dutch Golden Age.
		Whether Vermeer's initial impulse to be a history painter was stimulated by his artistic training, his conversion to Catholicism, or the hope that he would realize prestigious princely or civic commissions, he abruptly and dramatically changed his subject matter and style of painting a few years after becoming a master in the guild.
		Perhaps, as well, he came to realize that although he was a talented painter of biblical and mythological scenes, his true genius lay in the ability to convey a comparable sense if dignity and purpose in images drawn from daily life.
	www.adherents.com /people/pv/Jan_Vermeer.html (1739 words)

	NCAW Autumn 05 \| Marijke Jonker on Delecluze on History Painting and David (Site not responding. Last check: )
		Although Delécluze's views on history painting as an ill-defined genre, developed to enable artists to show their ability, are based on his knowledge of sources from the early years of the Academy, his views on what Academic history painting actually looked like stem from his knowledge of eighteenth-century painting, art theory, and art criticism.
		The main trouble with history painting was, and always would be, that it had no real purpose except that of allowing painters to develop their abilities to the full.
		Great ideas shared by painters and their public were for him the only true source of great art; the teleological interpretation of the history of art, to which modern readers are used, was completely alien to his thinking.
	www.19thc-artworldwide.org /autumn_05/articles/jonk.html (6463 words)

	L'affaire Greuze and the sublime of history painting Art Bulletin, The - Find Articles
		In this sense, Greuze's Septimius attempts the kind of history painting already endorsed by Poussin's warmest eighteenth-century admirers: a mode of history painting that compels the viewer's mimetic identification through particularized but nonexistent character types akin to the ones generated by the typical, sentimental eighteenth-century novel.
		That hierarchy, codified by Felibien and the seventeenth-century academy under Le Brun, was extrapolated from a Renaissance notion of the centrality of the human body as the organizing and expressive vehicle for the pictorialization of an istoria.
		The history painter, like the poet, transcends the particularities of simple imitation (considered the vulgar domain of the artisan) through his invention of a world that exists nowhere except in his own imagination.
	www.findarticles.com /p/articles/mi_m0422/is_1_86/ai_n6073151/pg_6 (499 words)

	H-Net Review: Kate Wittenstein on Southern History across the Color Line
		Painter's ability to explain Hudson's ideology, which was remarkably stable over time, benefits from her refusal to conflate race and class in Hudson's life.
		Painter uses the frank acknowledgement of her own subjectivity to break though those "habit places." At both the beginning and the end of the Hudson essay, she revels in her twelve-year relationship with her subject.
		Painter engages in a conversation of sorts with Cash across lines of race, gender, and time and her position allows her to discern the power relations of race, class, gender, and secrecy in Cash's work.
	www.h-net.msu.edu /reviews/showrev.cgi?path=189901061957246 (1530 words)

	Painter's Lodge Campbell River, a historic BC fishing resort
		Painter’s Lodge has a rich and noble history, rife with mystery and excitement dating to its establishment in 1929.
		It was decided to dedicate an area of the lodge to the original Painter’s Lodge, where guests could enjoy many old photographs and memorabilia from those early years and see the origins of a BC fishing resort.
		Painter’s Lodge has continued to be a favourite destination among anglers, celebrities and vacationers from around the world.
	www.painterslodge.com /lodge/history (516 words)

	Dunbar on Black Books - September 2002
		Nell Irvin Painter's Sojourner Truth: A Life, A Symbol (1996, Norton, ISBN 0-393-02739-2) came to our attention in 2001 as we were compiling a bibliography of significant books by and about fl people published in the last decade of the 20th century.
		By taking a 21st- century look at the history of the American South, "from beyond the color line" as she puts it, Nell Painter has brought a new perspective to this history.
		She was professor of history at the University of North Carolina at Chapel Hill from 1980-1988.
	www.queenhyte.com /dobb/dobb_sept02.html (1144 words)

	History, race, art infuse noted scholar’s written work (Site not responding. Last check: )
		Painter purchases puzzles to keep her husband, Glenn Shafer, occupied with anything but work.
		In "The History of White People," Painter turns African-American history inside out with her analysis of what white people (Nordics, Mediterranean, Alpines, etc.) are like, according to the historical texts of disparate peoples, especially whites.
		She dreams of creating art built on her knowledge of history, such as a suite of paintings depicting the imaginative-intersected lives of Sojourner Truth and Franz Schubert, Painter’s favorite composer.
	www.pressrepublican.com /Archive/2005/08_2005/082920051.htm (759 words)

	Rembrandt400 Press GB - Rembrandt - Rembrandt in Leiden
		A history painter at that; the highest possible position that could be achieved in painting in those days.
		In view of this ambition, his father gave him permission to be apprenticed to the Leiden master painter Jacob van Swanenburgh (1571-1631) in 1621.
		Van Swanenburgh was a history painter himself and had achieved some renown because he had studied in Italy.
	www.holland.com /rembrandt400/press/gb/rembrandt/remleiden.html (538 words)

	nzepc - Ian Wedde - Killeeen as History Painter
		Let's now look at the history, which we are not calling an 'art history', in which Killeen is 'at home', so to speak - that history whose mode of allegorical history painting is driven and made puzzling primarily by the 'lost signified' of an acute historical consciousness.
		This space between the pragmatic document and the imaginative construct, so ripe for allegory, and already well stocked with the 'absent signifieds' of literary texts, was complicated in the later half of the eighteenth century by the arrival of Romanticism.
		The ghosts of texts, both fictional narratives and scientific briefs, which are the 'absent signified' of New Zealand's visual history, are joined at this early stage by themes of natural history observation, cartography and topography, ethnographic recording, and the kind of picturesque subject-matter associated with the then fashionable 'grand tour', especially of Italy.
	www.nzepc.auckland.ac.nz /authors/wedde/killeen.asp (2659 words)

	SignOnSanDiego.com > News > Features -- 'Vincent' plays with history, painter's life
		The rest of his short life really is history – more accurately, it was history-making.
		But when we look at history, we read time backward, which is why van Gogh's years in England appealed to British playwright Nicholas Wright as the subject of a play.
		If drawing attention to a hidden chapter of van Gogh's history is a high point of "Vincent in Brixton," a low one is its contrived last scene.
	www.signonsandiego.com /news/features/20050424-9999-1a24pincus.html (986 words)

	Borden W. Painter, History Professor, Named as Acting President at Trinity College
		Painter, who currently serves as a professor of history as well as Director of Italian Programs, including the Rome Program and Elderhostel in Italy, came to Trinity in 1964 as an assistant professor of history.
		Author of numerous publications and papers, he received the Mead History Prize in 1955 and was honored by Trinity College in 1995 with an honorary degree of Doctor of Humane Letters.
		Painter will serve as acting president until such time as a permanent president has been recruited, a process which the Board will now initiate.
	www.nescac.com /Releases/Presidents/Trin_Painter.htm (636 words)

	Amazon.com: Standing at Armageddon: The United States 1877-1919: Books: Nell Irvin Painter (Site not responding. Last check: )
		In outlining this period of American history, Painter asserts that America was performing a tight-rope walk on the brink of destruction.
		Using many resources, Painter explores the aspects of social reform, including comprehensive reports of the working class, and the struggle for reform, this book is easily called social history, perhaps at the expense of political and economic history.
		Painter's feminine bias towards history, revealed in the way she attaches a feminine viewpoint to everything, is usually interesting, but rarely in perspective with larger issues.
	www.amazon.com /Standing-Armageddon-United-States-1877-1919/dp/0393305880 (2597 words)

	Puerto Rican Painter, History of Puerto Rican Painting (Site not responding. Last check: )
		Painters of this generation followed the same course established by Oller, Frade, Pou, and Rosado, to the extent that they focused on urban and rural landscapes, and popular scenes.
		Painters that stand out in the period are Rafael Tufiño, Lorenzo Homar, José A. Torres Martinó, and Eduardo Vera Cortes.
		The Puerto Rican painters mentioned here are a small selection of the vast majority of artists making a difference in the art world.
	www.puertoricanpainter.com /pages/history_of_puertoricanpainter.htm (2189 words)

	Adriaen van Linschoten (c. 1607-1677). History painter.Joris Gerritsz van Lier (1587/9-1656) flower painter;Entered ... (Site not responding. Last check: )
		History painter.Joris Gerritsz van Lier (1587/9-1656) flower painter;Entered Delft Guild c.1635.
		Student of flower painter Joris Gerritsz van Lier (1587/9-1656) who entered the Guild in 1623.
		Houbraken thinks he is pupil of Spanjolet (= ?) and mentions a history painting of Apostle Peter, a maid and High Priests.
	www.xs4all.nl /~kalden/dart/d-a-linsch.htm (177 words)

	Corel Painter - Wikipedia, the free encyclopedia
		Painter is the name of a raster graphics software package used to create natural-looking artistic images using a computer.
		Painter was temporarily rebranded Procreate Painter during its transition into the Corel Suite of applications, and is now wholly owned and marketed by the Corel Corporation.
		Painter's vector-based twin was called Expression, which after the breakup of Fractal Design Corporation was bounced around company to company in much the same way, eventually finding itself in the hands of Microsoft under the code name Acrylic.
	en.wikipedia.org /wiki/Corel_Painter (433 words)

	Encyclopedia (Site not responding. Last check: )
		In 1785 he entered the atelier of the famous neoclassical painter Jacques Louis David, who brought him to the attention of Napoleon in 1793, launching Gros’s career as a history painter.
		When his final canvas was badly received at the Salon of 1835, Gros drowned himself in the Seine.
		His work was much admired by the French romantic painters Eugène Delacroix and Théodore Géricault.
	www.history.com /encyclopedia.do?vendorId=FWNE.fw..gr099400.a#FWNE.fw..gr099400.a (647 words)

	Princeton Professor Is Black History Month G.Y.R.O. Scholar (Site not responding. Last check: )
		Nell Irvin Painter, director of the Princeton University African-American Studies Program, is the University's 1999 Visiting GYRO Scholar for Black History Month.
		Painter, who is also the Edwards Professor of American History at Princeton, discussed her 1996 biography on abolitionist and women's rights advocate Sojourner Truth at a public lecture yesterday in Gasson 100.
		Conceived by the Office for Affirmative Action and co-sponsored by the Office of the Academic Vice President, GYRO organizes appearances by scholars of African-American descent, and presentations of papers on fl history by BC graduate students that are later published in a bound volume.
	www.bc.edu /bc_org/rvp/pubaf/chronicle/v7/f18/painter.html (172 words)

	Art History: Journal of the Association of Art Historians - Journal Information
		Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives.
		Moving between broader accounts of the impact of Enlightenment philosophy in shaping an understanding of the 'decorative arts' and case studies of silks, furniture and architecture, it illuminates the material worlds of consumers from the extravagance of the court to the more modest tastes of middle-class families.
		London is at once an imagined community and an interaction of histories and place which present the experience of a metropolis.
	www.blackwellpublishing.com /journal.asp?ref=0141-6790 (922 words)

	Henri-Pierre Danloux (Getty Museum)
		Around 1770 he studied under a genre painter and a history painter.
		Influenced by fashionable English portrait painters like George Romney, Danloux excelled in family groups and portraits of children, whom he captured in natural, spontaneous poses.
		He returned to Paris in 1801 and spent his remaining years frustrated by his failure to establish himself as a history painter.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=3534&page=1 (194 words)

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