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| | Film Listings Archive: Contemporary Belgian Cinema (Site not responding. Last check: 2007-11-04) |
 | | It has a neorealist, documentary-like quality that distinguishes it from the highly stylized, formalist, Hitchcockian exercises with which Chabrol would follow it, but its play with motifs of doubling and exchange was obviously inspired by Hitchcock's Shadow of a Doubt, and it remains "as germinal to Chabrol's oeuvre as Breathless is to Godard's" (Robin Wood). |
 | | A lush Hitchcockian thriller set in Provence, the big-budget A double tour was Chabrol's first film in colour, and his first foray into what would become favourite territory: provincial bourgeois morality and criminality. |
 | | Chabrol's fondness for Hitchcockian motifs is in evidence, while two of the principals of Le Beau Serge, his 1958 debut film, have prominent roles: Bernadette Lafont, as the widowed Hélène, and Jean-Claude Brialy, as a gay uncle who collects glass eyes. |
| www.cinematheque.bc.ca /archives/chabrol.html (1632 words) |
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