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	Honoré Daumier (1808 — 1879)
		Honoré Daumier was a French caricutarist and painter, admired by Camille Corot, Eugène Delacroix, Charles Baudelaire, Honoré de Balzac and many 20th century expressionists.
		Honoré Daumier (1808 — 1879) was a French caricaturist and painter.
		Daumier produced his social caricatures for Le Charivari, in which he holds bourgeois society up to ridicule in the figure of Robert Macaire, hero of a popular melodrama.
	www.jahsonic.com /HonoreDaumier.html (435 words)

	Online NewsHour: Honore Daumier-April 25, 2000
		Daumier mocked those in power, mostly in lithographs for the newspaper "le charivari." Even his boss, activist publisher Charles Philipon, was the subject of caricature.
		ELIZA RATHBONE: Daumier is giving us what he would have seen right there in the streets, the street just packed with people, and the drama of this leader, who the others are riveted by and going to follow.
		Daumier kept trying to capture, quietly, the collector looking quietly at art; the inspired artist, lit up by an unknown source; the weight of being poor, which the struggling Daumier and his large family knew firsthand; the silhouetted, windswept anonymity of being a refugee.
	www.pbs.org /newshour/bb/entertainment/jan-june00/daumier_4-25.html (1452 words)

	Comic creator: Honoré Daumier
		Honoré Daunier was born in Marseille, France in 1808 as the son of a glazier.
		He moved to Paris at the age of eight and got an education in the new medium of lithography.
		At the end of his life, he lost his sight, and he died a poor and blind man, leaving the world an enormous visual legacy of over 4000 lithographs which have influenced generations of graphic artists.
	www.lambiek.net /artists/d/daumier_honore.htm (128 words)

	Honoré Daumier (Getty Museum)
		The Parisian public rightly admired Honoré Daumier as the newspaper caricaturist who so perceptively skewered their daily lives, but they never accepted him as a painter.
		Daumier died blind and a pauper without ever having received a painting commission.
		Daumier's paintings were made mostly between 1855 and 1870, when his work for Le Charivari was slow and before he lost his sight.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=325 (209 words)

	Honore Daumier
		Daumier was sentenced to six months in jail for his creation of two lithographs, one of which depicted King Louis-Philippe as Rabelais' gluttonous gigantic Gargantua.
		During his lifetime, Daumier was known as a lithograph and caricaturist.
		But the first solo exhibition of paintings dedicated to Daumier was only organized in 1878, in the year before he died.
	www.cosmopolis.ch /english/cosmo6/honore.htm (538 words)

	Honore Daumier Online
		Honore Daumier at the Metropolitan Museum of Art, New York City
		Honore Daumier in the Los Angeles County Museum of Art Database
		All images and text on this Honore Daumier page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/daumier_honore.html (920 words)

	Acquavella: Honore Daumier's Biography
		POLITICAL CARTOONIST Honore Daumier was born in Marseilles, France and received only a rudimentary education until his family moved to Paris where trained as an artist.
		From 1830 until 1847, Daumier was primarily a lithographer, cartoonist and sculptor contributing about 4000 lithographs to various political and social newspapers and magazines including La Caricature.
		SOCIAL SATIRIST From 1848-1871 Daumier’s made paintings and drawings of morals and manners that are highly original both in style and subject.
	www.acquavellagalleries.com /main/artist_bio.cfm?artist_id=104 (210 words)

	Daumier - MSN Encarta
		Daumier was born in Marseille and as a boy moved to Paris with his family.
		Daumier was a skillful draftsman and extremely prolific, producing about 4000 lithographs during his career, as well as 300 drawings and 200 paintings.
		Daumier had a great number of imitators, but none of them equaled the depth of his penetrating style.
	encarta.msn.com /encyclopedia_761558135/Daumier.html (257 words)

	Honoré Daumier - Biography (Site not responding. Last check: )
		Honoré Daumier's career was one of the most unusual in the history of nineteenth-century art.
		Daumier was born in Marseille in 1808, the son of an eccentric glazier and frame maker with highflown poetic ambitions.
		Daumier's sculpture apparently influenced the Belgian nineteenth-century sculptor Constantin Meunier (1831-1905) and possibly Henri Matisse (1869-1935) in its sense of apparent scale, despite its small size, and in its capacity to suggest the epic or monumental quality in modern life, whether in modern dress or in ideal nudity.
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?7350 (3494 words)

	Honoré Daumier
		Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend.
		For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama.
		At the time of this exhibition Daumier, totally blind, was living in a cottage at Valmondois, which was placed at his disposal by Corot, and where he breathed his last in 1879.
	www.nndb.com /people/988/000091715 (338 words)

	Honore Daumier, daumier honore bibliography timeline, biography of honore daumier, artist honore daumier, realist ...
		Honore Daumier (1808 –; 1879) was a French caricaturist and painter.
		Honoré Daumier, Gargantua, 1831.Daumier produced his social caricatures for Le Charivari, in which he holds bourgeois society up to ridicule in the figure of Robert Macaire, hero of a popular melodrama.
		But as a painter, Daumier, one of the pioneers of naturalism, did not meet with success until a year before his death in 1878, when M. Durand Ruel collected his works for exhibition at his galleries and demonstrated the range of the talent of the man who has been called the "Michelangelo of caricature".
	www.reviewpainting.com /Honore-Daumier.htm (400 words)

	Honoré Daumier: public & private by Karen Wilkin (Site not responding. Last check: )
		Daumier continued to publish images fiercely critical of contemporary French society, displaying sinister physicians, threatening judges, brutal butchers, unlovely matrons, and more to his fellow Parisians, as though serving as the city’s self-appointed conscience.
		Yet for the most part, Daumier’s drawings (as opposed to his published works) remained unknown to twentieth-century audiences; the exhibition at the Metropolitan Museum of Art was the first to focus on his works on paper—in chalk, charcoal, conté crayon, ink, and watercolor—apart from his caricatures.
		Known as essentially a commercial artist lacking academic training, Daumier nonetheless seems to have longed for the dignity and presumed seriousness of the academic artist; drawing was a principal tool in his ceaseless effort to bring his skill up to what he perceived as that exalted level.
	www.newcriterion.com /archive/11/jun93/daumier.htm (2440 words)

	Honoré Daumier
		Honoré Daumier (pronounced UN-or-AY DOME-yay) was born in 1808.
		Daumier painted too, though like his cartoons, his efforts with a brush were so highly individual as to constitute a style unto themselves.
		Daumier died, impoverished, in 1879 but enjoyed a state funeral staged by a friendly republican government (costing all of twelve francs).
	humanitiesweb.org /human.php?s=g&p=c&a=b&ID=193 (558 words)

	UCLA Hammer Museum: Armand Hammer Daumier and Contemporaries Collection
		Daumier was born in Marseilles on February 26, 1808.
		Because their prints were often political in nature, Daumier and Philipon had to deal with the government’s sensitivity to their images and with the laws governing the press, which changed with each regime (see the timeline for more details).
		Daumier, Aubert, and Hippolyte Delaporte, the printer, were brought to trial in February 1832 and found guilty of lèse-majesté (the crime of violating the dignity of a sovereign ruler).
	www.hammer.ucla.edu /collections/1 (1980 words)

	National Gallery of Canada - National Gallery of Canada
		Honoré Daumier (1808-1879) lived and worked at a time of extraordinary social and political change in France.
		Daumier's career encompassed some of the most tumultuous developments in the country's history, and his initial fame was due to his vast uvre of nearly five thousand satirical prints on political and social themes.
		Daumier was among the handful of artists who have had the most profound impact on modern art and is considered a forerunner of Impressionism.
	national.gallery.ca /english/default_283.htm (1027 words)

	Painter/Artist: Honore Daumier (1808-79)
		Daumier's reputation as a caricaturist obscured his standing as a painter during his lifetime, and it has only been posthumous study of his works that has properly related him to the development of modern French painting.
		Interesting in this regard are the various drawings, paintings and lithographs which Daumier produced on the subject of railroad travel, that outstanding contribution to the habits of the industrial age.
		Daumier's technique in painting is a brusque one of interplay rather than congruency of mass and outlined silhouette, of dark streaking lines competing with strong color areas that are built up in glazes.
	www.oldandsold.com /articles04/article1357.shtml (642 words)

	Temporal but timeless: Daumier at the Met - Honore Daumier - Metropolitan Museum of Art, New York, New York Commonweal ...
		The greatest visual urban poet is Honore Daumier (1808-79) whose career in Paris, the crucible of politics and taste in the nineteenth century, spanned several upheavals in government and in fashion.
		Of course, Daumier is mostly renowned for the nearly 4,000, largely political, lithographic caricatures he made for two weekly newspapers on and off to the end of his life, starting in 1832.
		It's true, too, that Daumier wished ardently to be considered a painter as well as a caricaturist but that he never attained that kind of esteem.
	www.findarticles.com /p/articles/mi_m1252/is_n8_v120/ai_13799933 (820 words)

	Honore Daumier Art - eMuseumStore.com Art Reproductions
		Daumier captures the real life experience of Visiting The Dentist in the 19th century.
		Daumier captures the exchange of minds and legal briefs between these two 19th-century lawyers.
		Daumier captures the real life experience of a DoctorÂ¹s Visit in the 19th century.
	www.emuseumstore.com /category/daumier_french_painter (138 words)

	Daily Lush Magazine: "The Four Ages" by Honoré Daumier (Site not responding. Last check: )
		It makes sense that any profession that has such a passion for liquor would make the water of life the subject of their art — and so it is. Drinkers, and their drinks, must rank as one of the great themes in the fine arts.
		This piece is the inspiration for an 1890 painting by Vincent Van Gogh entitled "The Drinkers." In a pair of letters to his brother Theo, Van Gogh wrote, “I do not hesitate to do copies...
		It is impressive to see how closely Van Gogh's "The Drinkers" recreates Daumier’s "Les Quatre Ages." Van Gogh has expertly captured Daumier's four figures, arched over a simple table, faces buried in their drinks.
	www.dailylush.com /archives/the_four_ages_by_honore_daumier.html (466 words)

	Honoré Daumier
		Some of Honoré Daumier's most famous paintings and illustrations include 'Don Quixote and Sancho Pansa', 'Third-Class Carriage', 'Ecce Homo', 'The Chess Players' and 'The Spectators'.
		Today, Honoré Daumier's works are found in many of the world's leading art museums, including the Louvre, the Metropolitan Museum of Art and the Rijksmuseum.
		He is celebrated for a range of works, including the prodigiously large number of paintings (29) and drawings (49) that he made of Don Quijote, a theme that fascinated him for the last part of his life.
	www.artinthepicture.com /artists/Honore_Daumier (155 words)

	Honoré Daumier
		He was an ardant Republican and was sentenced to six months' imprisonment in 1832 for his attacks on Louis-Philippe.
		Daumier's paintings were probably done for the most part fairly late in his career.
		He remained practically unknown up to the time of an exhibition held at Durand-Ruel's gallery in 1878, the year of his death.
	www.artarchiv.net /doku/daumier.htm (112 words)

	Honore-Victorin Daumier (Site not responding. Last check: )
		Honoré-Victorin Daumier (on-or-ay veek-tor-an dough-me-ay) began his artistic career as an artist painting Biblical and mythological scenes.
		Daumier made his primary living through caricatures and cartoons of the social and political world of his times, a practice that sometimes landed him in jail.
		Laundress on the Quai d'Anjou reflects a scene he saw every day outside his apartment on the Ile St. Louis: women with their children and bags of laundry climbing or descending the stairs that led to the laundry boats on the Seine River.
	www.albrightknox.org /ArtStart/Daumier.html (531 words)

	Honoré Daumier / L'Abus de l'Article 24 du Code Civil / 1837
		Biography: Honoré Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles.
		Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine.
		Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter.
	www.davidrumsey.com /amico/amico176567-38993.html (605 words)

	Honore Daumier (1808 - 1879) Artwork Images, Exhibitions, Reviews
		HonorÈ Daumier, Saltimbanques after a drawing by Daumier, 1878
		HonorÈ Daumier, Hier dans la rue Saint-HonorÈ un respectable vieillard...
		HonorÈ Daumier, La lecture du journal no. 3 of the series Silhouettes, 1840
	wwar.com /masters/d/daumier-honore.html (645 words)

	Honore Daumier (1808 - 1879) Artwork Images, Exhibitions, Reviews
		Born into a lower class French family, Honoré Daumier retained contempt for aristocracy for his entire life.
		HonorÈ Daumier, Hier dans la rue Saint-HonorÈ un respectable vieillard...
		HonorÈ Daumier, Le vin de proprietaire no. 98 from the series Les beaux jours de la vie, 1846
	www.wwar.com /masters/d/daumier-honore.html (645 words)

	Joyce Henri Robinson: Musical Notes by Honoré Daumier
		A painter, sculptor, and printmaker, Honoré Daumier (1808-1879) was one of the most prolific and important artists of nineteenth-century France.
		Although not himself a musician, Daumier had a keen interest in the amateur practice of the art as well as in grand opera and the celebrated performers and composers of his day.
		In these lithographs, as in most of the prints Daumier produced during his long career, he discloses the foibles and follies of a society facing rapid changes in its cultural norms.
	www.psupress.org /books/titles/0-911209-47-6.html (257 words)

	Honore Daumier
		See also: Honoré Daumier and His Lithographic Work
		He began work as a graphic artist, having learnt lithography techniques in 1830, and been employed on Charivari and La Caricature (1830-35) until the latter's suppression by the government.
		Daumier: L'Ceuvre Grave Du Maitre: The Complete Engravings, by Eugene Bouvy.
	www.artchive.com /artchive/D/daumier.html (343 words)

	Trains, Balloons & Buggies: Lithographs by Honore Daumier
		International Print Center New York announces an exhibition of prints by the nineteenth-century French caricaturist and master lithographer Honoré Daumier (1808-1879) from March 11th through April 24th, 2004 in its Chelsea gallery at 526 West 26th Street.
		Documents illustrating the process through which Daumier's original lithographs reached the pages of Le Charivari, a popular satirical journal of the day, will also be included in the exhibition.
		Trains, Balloons and Buggies: Lithographs by Honoré Daumier is the sixth in a series of exhibitions in IPCNY's Chelsea space interspersing juried presentations of contemporary work.
	www.ipcny.org /exhib/exhib_ex/exhib_ex_daumier.htm (353 words)

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