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| | King Horn: Introduction |
 | | Horn begins as a frightened noble child who develops a love life, achieves several military victories, becomes a sophisticated strategist with his use of disguises and coded statements to Rymenhild, and ultimately wins back his love and his kingdom, both of which have been taken away from him unjustly. |
 | | Rather than putting the heroine on a pedestal and praising her virtues, Horn is pursued by her; his physical beauty sparks a passion for him that drives Rymenhild wild (lines 256, 300, 956). |
 | | For Lee C. Ramsay the poem "seems to say that internal dissension is the ultimate threat to a state." 9 Yet King Horn is not as much a "mirror for princes" as is Havelok the Dane; rather, it is more a chronicle of martial and romantic achievement, a chronicle concerned with political gains. |
| www.lib.rochester.edu /camelot/teams/hornint.htm (1859 words) |
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