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| | Hrishikesh Mukherjee | Obituaries | Guardian Unlimited |
 | | Mukherjee's status was legendary as an editor who could salvage any film that had gone out of control during shooting. |
 | | Mukherjee was shaped as a filmmaker by Bimal Roy, known for works like Udayer Pathe (The New Dawn, 1944), Do Bigha Zamin (Two Acres of Land, 1953), Devdas (1955), Sujata (1959) and Bandini (The Prisoner, 1963), documenting the exploitation of the rural and urban poor. |
 | | Mukherjee's debut film was Musafir (Traveller, 1957) in which life is reflected through an old house, rented by three couples at different phases of their lives, dealing with birth, marriage and death. |
| www.guardian.co.uk /obituaries/story/0,,1863251,00.html (684 words) |
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