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	Poems by Liu Yuyang for Fubo General, Ma Yuan - MIHO MUSEUM (Site not responding. Last check: 2007-11-01)
		@Huang Tingjian (1045-1105) was born in Fenning, Jiangxi province.
		Huang is known as the founder of the Jiangxi school of poetry, and in calligraphy, he is considered one of the Four Great Brushes of the Song, along with Mi Fu, Cai Xiang, and Su Shi.
		Huang's calligraphy style is known for its severe forms and power, seen particularly in the horizontal strokes and slashes diagonally down to right and left.
	www.miho.or.jp /booth/html/doccon/00002177e.htm (128 words)

	www.FamousChinese.com Search Results Page
		Huang Chenyan was a prominent scholar in the Long Zhong commandry around the time of the later Han Dynasty.
		Huang Yueying (黄月英) was the wife of the brilliant Shu strategist, Zhuge Liang, and daughter of Huang...
		Huang Tingjian (?????????) (1045-1105), a chinese painter and calligrapher, was one of the Four masters of the Song Dynasty...
	www.famouschinese.com /search/?q=/virtual/Huang_(surname)&start=10 (169 words)

	Huang Tingjian Memorial
		The Huang Tingjian Memorial, located at Xiushui County of Jiangxi Province, is a museum in memory of Huang Tingjian, the founder of Jiangxi Poetry School and one of the four renowned calligraphers of the Song Dynasty (960-1279).
		Epitaph of Wang Chunzhong and Epitaph of Xu Chungzhong in the Song Dynasty both inscribed and written by Huang Tingjian are both unearthed from the Song tombs.
		The basic exhibitions of the memorial are the Exhibition of Life Story of Huang Tingjian and the Exhibition of Historical Relics of Xiushui County.
	www.chinaculture.org /gb/en_museum/2003-09/24/content_30189.htm (260 words)

	Session 105 (Site not responding. Last check: 2007-11-01)
		Stuart Sargent’s discussion of two sets of poems by Huang Tingjian in response to gifts of incense investigates their social and religious themes, as well as Huang’s fascination with the multiple meanings of words, through comparison of differing approaches to the same topic by Huang and Su Shi.
		Two sets of poems by Huang Tingjian written in 1086 in response to gifts of incense provide an index of his poetic techniques and a fruitful contrast with the techniques of Su Shi (whose 117 gift-associated poems place him with Mei and Huang as the primary practitioners of the sub-genre).
		In one series, Huang sees the incense in terms of the process by which it is made, or the ways in which it operates in the life of those who use it; there are both social and religious themes.
	www.aasianst.org /absts/2000abst/china/C-105.htm (1124 words)

	[No title]
		In 1985, Huang Tingjian Memorial Hall was built in the southern mountains.
		One of the two Java Bishopwoods, planted by Huang Tingjian is female and the other is male, and they are called mandarin duck trees (they are a pair).
		For it is difficult to transplant Java Bishopwoods and to protect Huang Tingjian’s stone engravings and Kua Pu bridge, etc, building a barrage is necessary.
	www.chinaantique.cn /english/02_1.asp?BAS_ID=353 (810 words)

	artnet.com: Resource Library: Huang Tingjian (Site not responding. Last check: 2007-11-01)
		Huang was a calligraphy critic and an early theorist of literati painting (wenren hua; see CHINA, §V, 4(ii)) and is also acknowledged as the founder of the Jiangxi school of poetry.
		A member of an exceptionally cultured family of well-known poets, he became associated with individuals such as Su Shi, who at court opposed the reforms of the Chief Councillor, Wang Anshi (1021–86).
		As a result of political struggles between conservatives and reformers, Huang was exiled in 1094 to Fuzhou in Sichuan Province and only after this produced his most impressive calligraphy.
	www.artnet.com /library/03/0392/T039229.asp (289 words)

	Four Calligraphers
		Su Shi, Huang Tingjian, Mi Fu, Cai Xiang are said to be the best representatives of calligraphic achievements of the Song Dynasty, and are known as the "Four Best Calligraphers of the Song Dynasty."
		Luzhi or Huang Shangu, Huang Tingzhi was a native of present-day Xiushui County of
		Huang was a student of Su Shi, and was one of Su's "four best students." He was often placed on a par with his teacher, and the two were often referred to as "Su Huang."
	www.chinaculture.org /gb/en_madeinchina/2005-11/11/content_75776.htm (336 words)

	Huang Tingjian
		Huang Tingjian has been associated with the several qin melodies:
		Huang Tingjian died while in exile in Guangxi; I know of no actual connection between him and desert regions.
		This melody, set to ci lyrics by Huang Tingjian, is called Ruihe Xian because it uses the è© ci pattern of that name.
	www.silkqin.com /09hist/other/huangtingjian.htm (244 words)

	A Look at Chinese Painting \| Explore & Learn \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-11-01)
		The poet and calligrapher Huang Tingjian (1045–1105) used a wild, flying cursive style in this handscroll.
		B.C. With his entire wrist and arm suspended above the paper's surface, Huang's characters of different shapes and sizes are linked together to form an uninterrupted flow of brushstrokes.
		This handscroll, written while Huang was in exile, is not just historical reporting but much more of a personal statement.
	www.metmuseum.org /explore/Chinese/html_pages/poem7.htm (153 words)

	GenerAsian at NYU
		Huang Tingjian, who began the tradition of art as a form of self expression in China, had the ability to express the characters in more ways than one.
		Like several other artists, Huang's range of calligraphic styles displayed his beautiful artistic talents, especially his distinctive inner vitality and physical power that is expressed within each character.
		As I proceeded into the next room, I was taken aback by Fu Shan's Frank Words of Farewell for Wei Yi'ao.
	www.nyu.edu /clubs/generasian/fall00/Reviews/Art/calligraphy_met_2.htm (406 words)

	The Daily Texan
		This detail of The Arduous Road to Shu and Song of the Immortal, written on a handscroll by 15th century Chinese calligrapher Zhu Yunming, is part of a calligraphy exhibit at the Metropolitan Museum of Art in New York City.
		During this period, a small group of scholars, critical of declining standards of calligraphy, favored self-expression and spontaneity through highly personal brush styles.
		Featured are two great masterpieces of the poet Huang Tingjian, considered among the most innovative calligraphers of this circle.
	tspweb02.tsp.utexas.edu /webarchive/10-25-00/2000102508_s01_By.html (542 words)

	blueverticalstudio » Blog Archive » Pictorial Delights Beyond Words (Site not responding. Last check: 2007-11-01)
		But it does mean that no art now seems entirely unknowable, in the sense of terminally strange.
		The closest equivalent in Western culture would probably not be abstract painting, but specific kinds of music: the scores for story-ballets, say, or programmatic symphonies.
		In the end, though, it was Huang who best described his writing.
	blueverticalstudio.com /go/?p=1877 (1590 words)

	[No title] (Site not responding. Last check: 2007-11-01)
		He was good at the poetic prose, did well in calligraphy and painting on one's own authority, especially at the running hand and cursive script, so it won a good reputation "his handwriting is like horses galloped and strong wind push the jalors, calm and delighted".
		They have been called the Fore Greatest Calligraphers in Song dynasty, together with Sushi, Huang Tingjian, and Cai Xiang.
		The stone inscriptions of Mi Fu, Huang TingJian, Cai Xiang, Zhao Zi’ang and other calligraphers, more than 100 inscriptions were inlayed in the walls of newly-built in the east and west gardens.
	www.xip.org.cn /en/htdocs/XXLR1.ASP?ID=5317 (279 words)

	Publisher description for Library of Congress control number 92022990
		Publisher description for The poetics of appropriation : the literary theory and practice of Huang Tingjian / David Palumbo-Liu.
		The author's focus is on the poetic theory and practice of the poet Huang Tingjian (1045-1105).
		This first full-length study in English of one of the most difficult and complex poets of the classical Chinese tradition aims to provide the background for understanding better why Huang was so greatly admired, especially by the outstanding literati of his age, and why later scholars claim Huang is the characteristic Northern Song poet.
	www.loc.gov /catdir/description/cam025/92022990.html (210 words)

	artnet.com: Resource Library: Xu Daoning (Site not responding. Last check: 2007-11-01)
		Famous clients included Huang Tingjian’s father, Huang Shu (1018–58).
		Huang Tingjian later eulogized one of Xu’s paintings:I met Drunken Xu in Chang’an...
		Quite tipsy, he would wield a worn brush dripping with ink, With the force of an avalanche, his hand never stopping.
	www.artnet.com /library/09/0925/T092577.asp (308 words)

	Association for Asia Research- Su Dongpo: Being childlike and guileless are my teachers
		His calligraphy style was based on the traditional script styles but evolved into a new and original style.
		He, along with Huang Tingjian, Mi Fu, and Cai Xiang are known as the “Four Greatest Calligraphers of the Song Dynasty.” Out of the four, he is considered the best.
		He and Huang Tingjian, the founder of the Jiangxi poetry school, went down in history together as the best poets of their era.
	www.asianresearch.org /articles/2375.html (766 words)

	UCLA Center for East Asian Studies: Writing & Visuality in Traditional China, Dec. 8-9, 2000
		In recent years, art historical studies have slowly begun to reveal the significance of the exile condition in the fashioning of painting among the literati as well.
		Twenty years later, in the second phase of his first exile in Sichuan Province, Huang Tingjian also presented the image of Meng Jiao in an extremely important scroll written for his nephew.
		My examination will reveal that repeated patterns in both the content and style of Su Shi's and Huang Tingjian's writings reveal an established and significant paradigm that points to fundamental issues of creativity in the art of the late Northern Song literati.
	www.isop.ucla.edu /eas/calendar/dec8-9.htm (2007 words)

	The Poetics of Appropriation: The Literary Theory and Practice of Huang Tingjian - David Palumbo-Liu
		The Literary Theory and Practice of Huang Tingjian
		“Palumbo-Liu gives Huang’s poetry and poetics a sympathetic hearing in this first full-length study of the poet.
		What Palumbo-Liu does in such an intriguing and complex way is to invite us to explore in much more detail and depth the politics of this implication.”—American Studies
	www.sup.org /book.cgi?book_id=2126+ (142 words)

	Chinese History - titles of rulers and names of persons (www.chinaknowledge.de)
		Huang shi é»æ°, "Mister Huang"; better "Master", "Sir").
		For example, the Song Dynasty calligrapher Huang Tingjian é»åºå has the family name Huang é», he is usually called Tingjian åºå but was given the name Luzhi é¯ç´ by birth.
		the politician and historian Sima Guang å¸é¦¬å), or with their epithet (Huang Shangu é»å±±è°· "Huang from the mountain valley", i.e.
	www.chinaknowledge.de /History/titles.html (1749 words)

	Flowers Tingjian Huang - De temps en temps...
		Flowers Tingjian Huang - De temps en temps...
		More than 200 subjects guide you to the right pictures.
		You can easily find similar available items by using the quick search.
	www.postershop.com /tingjian/tgj1.htm (54 words)

	WellSweep Forthcoming Titles (Site not responding. Last check: 2007-11-01)
		Old Brooms from the Cupboard of Huang Tingjian (1045-1105)
		Huang Tingjian was a prose writer and consummate calligrapher as well as one of China's greatest poetic voices - reason enough to add to the small body of his work available in English.
		However, it was the humour in many of his poems that particularly attracted Richard Burton to translate this representative selection of Huang's poetry in his characteristically inventive versions.
	www.shadoof.net /wells/wsforth.html (402 words)

	Find in a Library: Huang Tingjian shi xuan
		Find in a Library: Huang Tingjian shi xuan
		劉逸生, 陳永正, Tingjian Huang; Yisheng Liu; Yongzheng Chen
		WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries.
	worldcatlibraries.org /wcpa/ow/a0aa30b53493b47ba19afeb4da09e526.html (69 words)

	University of California, Santa Cruz /All Locations
		The poetics of appropriation : the literary theory and practice of Huang Tingjian / David Palumbo-Liu.
		If the item you want is unavailable at UCSC, try the UC-Wide Catalog MELVYL
		Ask a Librarian for help with research or using the catalog.
	cruzcat.ucsc.edu:2082 /record=b1289531 (41 words)

	The Poetics of Appropriation: The Literary Theory and Practice of Huang Tingjian - Price Comparison (Site not responding. Last check: 2007-11-01)
		The Poetics of Appropriation: The Literary Theory and Practice of Huang Tingjian - Price Comparison
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	books.compricer.com /0804721262 (62 words)

	Amazon.ca: The Poetics of Appropriation: The Literary Theory and Practice of Huang Tingjian: Books: David Palumbo-Liu (Site not responding. Last check: 2007-11-01)
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	www.amazon.ca /exec/obidos/ASIN/0804721262 (156 words)

	Huang Tingjian ( - ) Artwork Images, Exhibitions, Reviews
		Huang Tingjian (1831 - 1858) Biography, Artwork Images, Exhibitions, Reviews
		Huang Tingjian - Wikipédia, lencyclopédie gratuite et libre
		Search the Art History Database for artists, titles, media, year, and other indepth information:
	www.wwar.com /masters/h/huang_tingjian.html (43 words)

	Week Four: April 19 Whose Writing is Worth Treasuring
		Revisit exhibition, with special attention to the calligraphy by Wang Xizhi, Yan Zhenqing, Huang Tingjian, Mi Fu, and Zhao Mengfu.
		Richard Barnhart, review of Amy McNair, The Upright Brush
		Barnhart suggests, first, that Ouyang Xiu, Su Shi, and Huang Tingjian's preference for Yan Zhenqing over Wang Xizhi failed to carry the day.
	faculty.washington.edu /ebrey/WK4.htm (916 words)

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