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| | Breitrose on Winston |
 | | Humphrey Jennings was arguably the most talented of the first generation of British documentary filmmakers, and Brian Winston's book, written as part of the British Film Institute's 'BFI Classics' series, is an affectionate appreciation of Jennings's _Fires Were Started_. |
 | | Humphrey Jennings was a man of many parts: a student of the critic William Empson, a surrealist painter, an imagist poet, an essayist, a broadcaster, a critic, and a man deeply interested in the condition of England. |
 | | Jennings, and his partner in making sense of the world with images, editor Stuart McAllister, create a depiction of an idealized wartime Britain in which economic circumstance, social class, accent, and, to a remarkable extent, even gender, are made subsidiary to the task of ensuring the survival of the nation. |
| www.film-philosophy.com /vol5-2001/n18breitrose (1601 words) |
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