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| | 97 |
 | | There is something especially contemporary, too, about this open unfenced good nature, a social occasion in which everyone is lounging casually and happily in jeans, communicating in the same idiom, and all but merging into one another, though of course George has different problems from Harry and Louie is more outgoing than Jean. |
 | | And what particularly interests Pinsky, what he sees as the contemporary note, is being very precise, and yet at the same time apologizing for one’s precision, being dandified or rhetorical not naively or—as Leigh Hunt said about Keats—‘unmisgivingly,’ but in a humourous and deprecating, self-puncturing, ‘I know you know I know’ sort of way. |
 | | And it is this absoluteness which may be feared, even perhaps unconsciously resented, by younger American poets, who find it easier as well as more feasible to develop the territory of Stevens and Carlos Williams, the territory in which dogs and cats and hogs and snowmen feel equally at home. |
| www.english.fsu.edu /jobs/num03/Num3Bayley.htm (1333 words) |
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