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	M station --> Copyright Robbery, the Hyperion Case June 05
		Hyperion Records is very sorry to announce that it has lost its defence of the copyright case brought against it by Dr Lionel Sawkins.
		Hyperion's principal objection to the claim made by Dr Sawkins was its contention that a performing edition does not amount to a new and substantive musical work in its own right unless the performing edition is original, in the sense that it amounts to a new musical work.
		Hyperion now is forced to reconsider its general recorded output and will be reducing dramatically its commitment to many new recordings over the next year or two to concentrate on fund-raising activities to help with the legal costs and to keep a limited number of new recordings in its diary.
	mstation.org /hyperion.php (1296 words)

	Sirsi Corporation - Products - Hyperion Digital Media Archive
		Hyperion provides all types of libraries a way to broaden access to what was once available only in paper form by visiting a library or through the mail.
		Hyperion then uses natural language text processing, which is based not on single words, but instead on concepts, to provide results in ranked order for evaluation by the user.
		Hyperion is the ideal system for managing and preserving a variety of archival information for all types of libraries in a wide array of formats.
	www.sirsi.com /Sirsiproducts/hyperion.html (728 words)

	4-5 Gray's Inn Square - Sawkins v Hyperion Records Ltd
		Hyperion, a small record company specialising in the recording of neglected works, denied that the three performing editions were either "original" or "musical" within the meaning of the 1988 Act.
		Hyperion's principal objection was that a performing edition did not amount to a new and substantive musical work in itself.
		Hyperion added that an objection to this claim to musical copyright was that there was public interest in the availability of ancient music.
	www.4-5graysinnsquare.co.uk /news/index.cfm?id=1391 (1107 words)

	Hyperion - Wikipedia, the free encyclopedia
		Hyperion class (Babylon 5), class of heavy cruisers in the Babylon 5 universe
		Hyperion (StarCraft), a battlecruiser in the StarCraft universe
		Hyperion sewage treatment plant, large Los Angeles sewage treatment plant
	en.wikipedia.org /wiki/Hyperion (193 words)

	La Folia -- Lionel Sawkins vs. Hyperion Records Limited
		Hyperion had also sought to argue that Dr. Sawkins had granted it a license to reproduce the works and that he had copied part of one of them from a previous edition.
		What Hyperion contests is the idea that an edition of an existing musical work which does not involve an impact on the sound — an impact that would impart a real value to a new edition over and above that belonging to the original musical work — should be seen as an original musical work.
		Hyperion Records made the decision to appeal because it felt that there were several important issues that were not addressed or properly understood in the original case.
	www.lafolia.com /archive/psa/psa200504sawkinsvshyperion.html (1572 words)

	Hyperion Responds To Judgment In Copyright Case \| Sound Generator
		Hyperion refuted this claim and no agreement was made prior to the recording - Hyperion could not cancel a recording at seven days notice without incurring vast expense.
		Hyperion claimed that their position was that they did not need a license because Lalande was in the public domain and therefore out of copyright and this was expressed in a letter to Dr Sawkins.
		Hyperion ignored the approaches of the MCPS and everything went quiet until after they had issued the recording when a summons was issued claiming that they had infringed Sawkins' copyright.
	www.soundgenerator.com /news/index.cfm?articleid=3832&page=2 (584 words)

	PlaybillArts: News: Hyperion Records Loses Appeal in Landmark Copyright Case (Site not responding. Last check: 2007-10-24)
		Hyperion agreed to pay a "hire fee" for the use of Sawkins' version, but refused to pay royalties, arguing that "an edition of existing musical work that is a faithful reproduction of Lalande's music cannot itself be an original music work."
		According to Hyperion, the royalties themselves are not likely to be high, but Sawkins' lawyers are expected to attempt to recover legal fees of up to £1 million.
		"Hyperion now is forced to reconsider its general recorded output and will be reducing dramatically its commitment to many new recordings over the next year or two to concentrate on fund-raising activities to help with the legal costs and to keep a limited number of new recordings in its diary," the label's statement read.
	www.playbillarts.com /news/article/2084.html (556 words)

	Hyperion Records Home Page
		Founded in 1980, Hyperion is an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twentieth.
		Hyperion was one of the Titans, and the father of the sun and the moon — and also of the Muses, so we feel we are fulfilling his modern role by giving the art of music to the world.
		The repertoire available on Hyperion, and its subsidiary label Helios (Helios, the sun, was the son of Hyperion), ranges over the entire spectrum of music — sacred and secular, choral and solo vocal, orchestral, chamber and instrumental — and much of it is unique to Hyperion.
	www.hyperion-records.co.uk /top.html (657 words)

	Hyperion Records - Major blow to British label as appeals court upholds copyright ruling (Site not responding. Last check: 2007-10-24)
		Hyperion records, the British independent label, suffered a major blow in May 2005 when the Court of Appeals upheld the 2004 High Court decision about copyright royalties involving the label's recording of 18th century French composer Lalande.
		Hyperion had appealed against the decision, but the ruling has now been upheld by the Court of Appeal.
		The company is being forced to reconsider its general recorded output and will be reducing dramatically its commitment to many new recordings over the next year or two to concentrate on fund-raising activities to help with the legal costs and to keep a limited number of new recordings in its diary.
	www.mvdaily.com /news/item.cgi?id=300600 (230 words)

	Lawrence Lessig
		Hyperion Records is one of the very best independent classical labels.
		Hyperion was sued by Dr. Lionel Sawkins, who had created a performance edition of four works by Lalande.
		They produce consistenly well-engineered recordings of repertoire that the big labels wouldn’t touch (such as the work at the center of this case).
	www.lessig.org /blog/archives/002916.shtml (475 words)

	Landmark legal ruling rocks classical music world \| Sound Generator
		Hyperion Records loses its defence of the copyright case brought against it by Dr Lionel Sawkins
		Hyperion Records has announced that it has lost its defence of the copyright case brought against it by Dr Lionel Sawkins.
		Hyperion Records may also suffer serious consequences as a label with hefty legal fees likely as a result of losing the case [read original story].
	www.soundgenerator.com /news/index.cfm?articleid=5483 (773 words)

	Gramophone - News - The world's best classical music magazine
		He contacted the musicians, and the resulting Hyperion release A Feather on the Breath of God became a bestseller, putting the label on a firmer financial footing.
		Hyperion’s releases were not obviously commercial (though Perry, like all good businessmen, did say ‘not once have I ever made a record that will knowingly be a financial disaster — they must all have a reasonable chance of selling’).
		Hyperion’s catalogue now stands at nearly 1000 CDs, and approximately 80 new titles are issued each year.
	www.gramophone.co.uk /newsMainTemplate.asp?storyID=1658&newssectionID=1 (308 words)

	SACD News: New Version of The Planets on Hyperion SACD [HFR]
		Hyperion has released a new SACD recorded by Tony Faulkner that features "The Planets" by Gustav Holst by Mark Elder conducting the Halle Orchestra and the Ladies of the Halle Choir.
		This is the first recording of Holst's 'Planets' with the additional planet, sumptuously recorded by Tony Faulkner in Manchester's Bridgewater Hall.
		Hyperion's new SACD of The Planets is now available at record stores and web sites that carry SACDs in Europe and the US.
	www.highfidelityreview.com /news/news.asp?newsnumber=12879008 (756 words)

	New Acquisitions to the Music Library -- Sound Recordings - Title List
		Avenue Q [sound recording] : the musical, original Broadway cast recording / [music and lyrics by Robert Lopez and Jeff Marx ; book by Jeff Whitty].
		The confession of Isobel Gowdie [sound recording] ; Tuireadh ; The exorcism of Rio Sumpul / James MacMillan.
		Voice in the desert [sound recording] ; Crown of India ; Empire March ; Piano concerto ; Polonia ; Spanish lady / Edward Elgar.
	www.library.miami.edu /bookarchives/jan04/sound_recordings_title.html (3026 words)

	Lionel Sawkins and Hyperion Records - Press Release
		Shortly before the recording, Hyperion made it clear that they would refuse to recognise Dr Sawkins' copyright in the editions, arguing that he had no right to royalties arising out of the recording or to any say over how it was to be further exploited.
		He decided that the work undertaken by Dr Sawkins in producing his editions was sufficient for him to be entitled to copyright protection (although he decided that in relation to one short work an insufficient amount featured on the CD for his copyright to have been infringed).
		Hyperion had also sought to argue that Dr Sawkins had granted it a licence to reproduce the works and that he had copied part of one of them from a previous edition.
	www.carter-ruck.com /recentwork/Sawkins_PressRelease.html (845 words)

	Opera News > The Met Opera Guild
		Sawkins, who reportedly claims to have spent 1,200 hours editing the score used for the recording, argued that his "performing edition" of the score â” a figured bass extrapolation â” amounted to a new and "substantive" musical work in and of itself and was therefore worthy of copyright protection.
		Hyperion argued that an edition of Lalande's music that is a faithful reproduction of Lalandeâs music cannot itself be an original musical work," a statement on Hyperion's website explains.
		Simon Perry, the director of Hyperion, warned of the consequences of the judgement, saying that each edition of an out-of-copyright work would be subject to its own musical copyright, insomuch as the law would consider it "original," reports the Independent.
	www.metoperafamily.org /operanews/news/pressrelease.aspx?id=884 (422 words)

	May 05 - Hyperion Records Ltd (“H”) v Lionel Sawkins (“S”) (Site not responding. Last check: 2007-10-24)
		H produced a CD of music including recordings of performances using S's scores.
		H paid S a fee for providing the performing editions but refused to pay him any royalties on the basis that an editor was not entitled to copyright in a performing edition of non-copyright music.
		The consequences are however potentially extremely far reaching if the courts continue to decide that merely editing an existing copyright work is sufficient to attract a copyright interest (will this for example impact upon other industries such as book publishing).
	www.harbottle.com /hnl/pages/article_view2.php?id=1833 (385 words)

	Hyperion In Trouble... - MozartForum
		Since the Court of Appeal decision against Hyperion (see 'News' in the index on the left hand side of your screen) the label has received hundreds of letters and e-mails from people asking what they can do to support Hyperion Records in its time of need.
		Hyperion is confident of its survival but we are going to need every ounce of support in the coming few months.
		All donations no matter how big or small will be put towards the funding of important new recording projects that have recently been cancelled, postponed or are in jeopardy and all donations will bring life back to those projects.
	www.mozartforum.com /VB_forum/showthread.php?t=1069 (1328 words)

	naxos.com, Your World of Classical Music
		George Edward Perry, known since boyhood as Ted, was the creator of Hyperion Records, one of today's most highly regarded independent classical record labels.
		Ted first heard her music on the radio while driving a minicab (which he did to keep Hyperion afloat in its early years).
		In 1977 Ted co-founded Meridian Records which won a Gramophone Award in 1980 for A Shropshire Lad - the first independent label to do so and it was later that year that he launched Hyperion, which now comprises over 1200 titles and has garnered 23 Gramophone Awards.
	www.naxos.com /NewDesign/fprofile.files/bprofile.files/ted_perry.htm (453 words)

	Hyperion Ensemble
		Founded in 1996, Hyperion quickly established its presence through highly acclaimed performances in Austria and Germany as well as guest appearances throughout greater Europe.
		As the Hyperion's repertoire interests and membership grew and deepened in the ensuing years, the Ensemble came to drop ‘Salzburg’ from their name to more accurately reflect the true international nature of its programming interests and personnel.
		Hyperion made its acclaimed United States debut in 2003 with performances including the San Jose and Yale University chamber music societies.
	www.stantonmgt.com /Artists/salzburg_hyperion_ensemble.htm (293 words)

	musicdirect - Shop By Category (Site not responding. Last check: 2007-10-24)
		This recording was cited by The Absolute Sound for its Golden Ear Awards (2001) and Best In New-Format Software (2003).From the liner notes: I...
		Recorded at the same time as her soundtrack to Magnolia (in fact, this album contains four of the same songs), the multi-layered keyboards and guitars...
		Alison Krauss had been recording a decade before she gained stardom, but when she became a star in a big way.
	www.musicdirect.com /products/category.asp?category=30 (829 words)

	Ted Perry - The founder and Managing Director of Hyperion Records died on 9 February 2003, aged 71 (Site not responding. Last check: 2007-10-24)
		Ted Perry, the founder and Managing Director of Hyperion Records died of lung cancer in a London hospital on 9 February 2003, aged 71.
		After working for record companies in Australia and the UK, Perry founded Hyperion Records in 1980.
		The company's first big success was of music by Hildegard von Bingen, recorded in 1981, and the company has gone on to become one of the UK's best known independent labels, producing about eighty CDs a year, and with a catalogue containing about a thousand discs.
	www.mvdaily.com /news/item.cgi?id=104162 (132 words)

	Kirkville - Music Review: Franz Schubert Complete Songs
		The recordings by Brigitte Faessbender are excellent, as are those by Stephen Varcoe, a singer I was not familiar with before.
		These songs are a little-known and rarely recorded facet of Schubert's work, and this set allows listeners to discover just how many such songs there are, and the general tone of joviality they express.
		While other recordings of Schubert's lieder will be made, this set will clearly remain the benchmark for his music; with the exception, of course, of the Dietrich Fischer-Dieskau recordings.
	www.mcelhearn.com /article.php?story=20051213121059137&mode=print (1162 words)

	PlaybillArts: News: Appeals Court Ruling Due Soon in Copyright Suit Against Hyperion Records (Site not responding. Last check: 2007-10-24)
		A ruling in favor of the musicologist, who won at trial a year ago, could have a broad impact on British record companies and could threaten the survival of Hyperion, according to the company.
		In Hyperion's appeal, the company argued that the judge misunderstood the degree of Sawkins' contribution to the work, and ignored a previous case in which a court ruled against the editor of a literary work.
		Sawkins and Hyperion agree that a victory for Sawkins would force a major change in the practices of records companies.
	www.playbillarts.com /news/article/1705.html (617 words)

	Hyperion at Acoustic Sounds
		Records 2 Die 4 E-Newsletter Archive Preowned LPs Michael Fremer Picks His Favorite In-Print LPs
		The years either side of the First World War were a time of renaissance for the Czech nation – and at the heart of...
		Angela Hewitt's Bach recordings for Hyperion are self-recommending but only after playing Bach across the world with...
	store.acousticsounds.com /search_results.cfm?labelid=574 (531 words)

	BLABBERMOUTH.NET - MANTICORA: New Album Due In October
		The follow-up to 2002's "Hyperion" (Scarlet Records), "8 Deadly Sins" was recorded at Jailhouse studios in Horsens, Denmark and features artwork by Mattias NorÃ©n.
		The hyperion album was very impressive, except for the vocals.
		The accuracy of the information contained herein is neither confirmed nor guaranteed by Roadrunner Records, and the views and opinions of authors expressed on these pages do not necessarily state or reflect those of Roadrunner Records or its employees.
	www.roadrunnerrecords.com /blabbermouth.net/news.aspx?mode=Article&newsitemID=26262 (407 words)

	New Releases Program Listings
		His music is like no other (fiendishly difficult, obsessive, brilliantly quirky), and has experienced a real revival in the past quarter-century.
		Hamelin is perhaps Alkan's best present exponent (though the legendary recordings and books by Ronald Smith should be searched out), and this single CD will give a good introduction to the Alkan mystique.
		Moeschinger is virtually unknown outside Switzerland, yet the wit and charm of his music deserves a wider appreciation.
	music.minnesota.publicradio.org /programs/newreleases/listings/113000.shtml (473 words)

	Arnold Cooke : British Composer: Recordings : MusicWeb (Site not responding. Last check: 2007-10-24)
		Recordings currently available in the UK containing pieces by Arnold
		"Music, its performance, and its recording, of the highest class" (Gramophone).
		John Turner - Recorder; Eleanor Meynell - Soprano.
	www.musicweb-international.com /cooke/page7.htm (258 words)

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