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Topic: Hypertext poetry

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	Hypertext and Poetry
		Poetry and other adventurous art began the practice of hypertext much earlier in the century than is generally acknowledged.
		Hypertext and "electronic poetry" (poetry produced by computer, digital media, video) are the foci of my work at this moment.
		To further specify the term, hypertext is "a database with nodes (screens) connected with links (mechanical connections) and link icons (to designate where the links exist in the text)." (Heim 154) Hypertext is a type of textual branching which also allows the reader to link text freely with audio and video.
	epc.buffalo.edu /authors/funkhouser/nyc96.html (1872 words)

	Insomnia Poem Poetry (Site not responding. Last check: 2007-10-11)
		Hypertext Poetry and Web Art Hypertext poetry is a young form, and means different things to different people.
		Hypertext Poetry vs. Print Poetry Hypertext poetry and print poetry appear to be two, totally different methods of creativity.
		Poetry is like a great photo, a single moment in time, capturing many feelings and emotions.
	www.insomnia-e-directory.com /insomnia-poem-poetry.html (490 words)

	Hypertext Courses
		She describes the confrontation (students had previously studied Eliot, DeLillo, and Lowell) as A Small Odyssey, and her hypertext essay is extremely interesting.Many students hated the hypertext at first, but later found it extremely rewarding; intensive classroom collaboration seems to have been the key.
		Hypertext poet Robert Kendall (A Life Set for Two) will be teaching an advanced class in hypertext poetry and fiction for the New School's remote learning program this fall.
		Hypertext literature comes in all shapes and sizes, from Judy Malloy's Its Name Was Penelope, a small (196 Kbytes) stand-alone poetry collection, to John McDaid's Uncle Buddy's Phantom Funhouse, which comes in a box containing five floppy disks, two cassette tapes, a sheaf of publisher's page proofs, and a "Getting Started" manual.
	www.hypertextkitchen.com /Courses.html (3323 words)

	hypertext Poetry Workshop project
		The Poetry Workshop is using hypertext to explore the process of writing poems and working on them in poetry workshops; and then to present this process, along with new poems, to others outside the group.
		The hypertext inter-links the workshops, the texts of the poems, background discussions of general points arising in the workshop discussions, the poets' comments on their own workshops, poets' Home Pages and other poems by the poets.
		Of course, the copyright for all poems in the hypertext Poetry Workshop project remains with the author.
	www.btinternet.com /~carpenter/index.htm (400 words)

	ebr11 --<montfort
		The hypertext corpus has been produced; if it is to be resurrected, it will only be as part of a patchwork that includes other types of literary machines.
		Oddly, the idea that hypertexts can appear in print has been a contentious point for some critics, many of whom either see the electronic digital computer as an essential element in defining a category of interactive texts or consider all texts (which one can, after all, skip around in) as hypertexts.
		As appropriate as the hypertext category might be for Landow's topic (the embodiment of late 20th century critical theory in interactive computer text forms) it includes only a subset of electronic literary efforts.
	www.altx.com /ebr/ebr11/11mon/index.html (4141 words)

	Eastgate: Hypertext On The Web
		Hypertext poetry by Robert Kendall, author of A Life Set for Two.
		A hypertext fiction by Judy Malloy, Tom Igoe, Chris Abraham,, Tim Collins, Anna Couey, Valerie Gardiner, Joseph Wilson, and Doug Cohen.
		Perhaps the most influential web hypertext on on the subject of hypertext, a dedicated and serious effort to embrace the hypertext form in the service of scholarship.
	www.eastgate.com /hypertext/WebHypertext.html (753 words)

	Note on Hypertext Poetry (Site not responding. Last check: 2007-10-11)
		This poem was written to illustrate the basic principles of hypertext and HTML for a poetry class I taught.
		Hypertexts in which there is a story and you choose options for what happens and what happens next is based on your choice, which is foillowed by another choice etc. are often trees.
		An example of a hypertext based on a tree is "The Bar Game" in "The Usability Chronicles," by Martha Deed and Millie Niss.
	www.sporkworld.org /subway/Sin%20and%20Subway/poemnote.html (377 words)

	Indra's Net Theoretical
		In this form, pieces of prose (rarely poetry) of variable length, now generally referred to as 'lexia', are stored in 'spaces' which usually correspond to text windows on the screen, as well as to the 'nodes' of the link-node model.
		Some of the new literary hypertexts use a language (within their lexia) which could be characterized as 'poetic', however the medium does not in itself encourage or enforce that more profound involvement with the nuts and bolts of language which is the poet's stock in trade.
		This means both that the generated pieces disrupt and interrogate language itself in a way that hypertext usually does not, and also that the 'link-node' model loses uses its usefulness as a description for this type of work.
	www.shadoof.net /in/intheory.html (1612 words)

	Hypertext Poetry
		Hypertext poetry is a young form, and means different things to different people.
		Some exponents dislike the term 'hypertext' so I have added the term 'Web Art' to appease them.
		Nephelognosy (Poem and Hypertext Auto-Commentary) by Dante Rosati
	www.hphoward.demon.co.uk /poetry/hypelink.htm (172 words)

	Riding the Meridian - Hypertext - Means and Ends
		Hypertext literature and digital arts are a far cry from wandering in the full wash of the Internet's associative ocean, and at times, something the web itself can't actually show you.
		Thus some hypertext authors, like Robert Kendall, who has been teaching hypertext since 1995 in a course he developed for the New School for Social Research (a course also offered over the web), has at times written his own computer code to achieve the look or word delivery system he's after for a particular piece.
		In hypertext, it's not uncommon to see the author seek out a new means of programming language and use its specific features to design not only the presentation, but the actual concept and structure of a new piece.
	www.heelstone.com /meridian/leyarticle.html (3198 words)

	interesting poetry very
		Vogon Poetry Generator - Create your own terrible poem, delivered to you by email - The Hitchhiker's Guide to the Galaxy on BBCi...
		A sample of the third worst poetry in the world, delivered...
		a critical framework to debate the role of poetry in society...
	www.uk20.co.uk /search.php?q=interesting+poetry+very (345 words)

	Hyper-What?: Some Views on Reader Discomfiture with Hypertext Fiction by Lawrence J. Clark
		Bernstein challenged his audience, which included hypertext systems designers and programmers as well as hypertext fiction authors, to create hypertexts that include elements of mystery, fun, satire, and even "inspired silliness." Another key issue that Bernstein noted is that in today's complicated, information-saturated world, what many people want is not more complication, but simplicity.
		While the typical reader of a hypertext work is perhaps more sophisticated than the average television viewer or airport novel reader and thus more willing to "play" or take risks with the narrative structure, the size of that audience is unlikely to ever reach that of, say, the latest John Grisham novel.
		I find that most hypertext fiction works I read today still have the same problem; this is one of the major complaints of my students, most of whom are being introduced to hypertext fiction for the first time.
	english.ttu.edu /kairos/4.1/coverweb/clark (1300 words)

	Hypertext (Site not responding. Last check: 2007-10-11)
		My hypertext chapbook, Wyrmes Mete, will be included in the forthcoming Eastgate anthology of hypertext poetry, Behind the Lines, for which Rob Kendall has written an exemplary introduction.
		I am desolated that I was unable to attend (not least because I had to miss the third Hypertext Writers Workshop, Messenger Morphs the Media), but early reports indicate that a grand time was had by all.
		The 8th ACM Conference on Hypertext (HT97) was held at the University of Southampton in April 1997.
	www.infomonger.com /bbly/Hypertext.html (757 words)

	Bill Bly
		A draft of The Romance of Lost Causes was started for Rob Kendall's Hypertext Poetry and Fiction Class at the New School, which I was taking in the fall of 1995, but time ran out before I could finish it.
		Admittedly, this system is primitive, but until the overall size and shape of the hypertext becomes clearer to me, it seems best to keep things as they are, though more text links could be added in the meantime.
		However, the original concept for the structure of Romance was a bestiary (A is for Administrator, B is for Budget, C is for Curriculum, and so on), an idea that may have come from reading the bestiaries of Edward Gorey.
	directory.wordcircuits.com /htww/bly1.htm (833 words)

	[No title]
		Hypertext, the thread that weaves the World Wide Web, is changing the way writers write and the way readers read.
		Examples of hypertext fiction include Grammatron (www.grammatron.com) by Mark Amerika of Boulder, Colo.; the tomb robbers by Stuart Moulthrop of Baltimore; and the Electronic Poetry Center (http://epc.buffalo.edu).
		The term hypertext was coined by Ted Nelson, a Swarthmore College graduate who was a Harvard graduate student in 1960 when he began writing a computer program to link portions of text in a nonlinear fashion.
	www.english.upenn.edu /~afilreis/hyperlink-inky.html (656 words)

	Alt-X Interview With George Landow
		Hypertext theorist George Landow's seminal work of literary criticism, Hypertext: The Convergence of Contemporary Critical Theory and Technology, was published in 1992, ancient history in "web years," and has since sold tens of thousands of copies.
		I think it is a form of Hypertext, but compared to things like Intermedia, Storyspace, Microcosm, or the German SEPIA (Structured Elicitation and Processing of Ideas for Authoring), or Hyper-G in Austria, it really is a flat version.
		But why can't you have both the experience of those who used Hypertext and apply it to the Web, but also find out how to theorize that and find out what the implications are and work with them.
	www.altx.com /int2/george.landow.html (3256 words)

	Light & Dust Anthology of Poetry -- An ongoing, pluralistic anthology of contemporary poetry, which includes complete ... (Site not responding. Last check: 2007-10-11)
		It should give a rough sketch of some of the possibilities of late 20th - early 21st Century poetry from a number of different points of view and means of presentation.
		Poetry and commentary on one of Africa's foremost post-colonial poets,
		Although written as a popular introduction to one of the many directions in contemporary visual poetry, this essay is worth reading by anyone sincerely interested in literary art as a whole.
	www.thing.net /~grist/l&d/lighthom.htm (1660 words)

	Identity Web (Site not responding. Last check: 2007-10-11)
		In an effort to explore the interlocked web that is one's race, class, gender and sexual identities, I have created a web of poetry and prose pieces.
		These pieces are tied to each other much as are the identity markers that form and inform our lives and politics.
		If you're viewing it with some other browser or screen resolution it may not look the way I intended but it should still be rea dable.
	manhattan.dhs.org /~sarah/ws (518 words)

	Miall -- ENGL 417: Hypertext Reading and Writing
		In this course we will examine critically the arguments for the postmodern status of hypertext, and consider to what extent such accounts of electronic textuality agree with what is known about writing and reading, both theoretically and empirically.
		Students will be expected to develop some skill in creating hypertexts of their own, whether in the form of essays or short fiction.
		A central claim of hypertext theory concerns the process of reading: the printed book is often seen as imposing monologic reading, while hypertext facilitates dialogic or participatory reading.
	www.arts.ualberta.ca /%7Edmiall/hyperead/course.htm (2062 words)

	English 8710: Hypertext Fiction & Theory
		What are the relations between, on the one hand, the formal and generic properties of hypertext fiction and, on the other, the technical features of the medium and its organizational units: the node, the byte, the packet?
		Hypertext narratives, though, complicate this sense of displacement, for they indicate the extent to which literature is by no means an antiquated cultural form relegated to the obsolescent spheres of print—it has instead virtually transformed itself and this course will investigate how it has done so.
		Hypertext fiction projects are also welcome, but they should be accompanied by a short (4-5 pp.) critical analysis of the composition.
	www.english.ucsb.edu /faculty/rraley/courses/hypertext-W99.html (1708 words)

	Sites
		A showcase for hypertext poetry and fiction and digital art.
		Hypertext fiction can be found at the Hyper-X branch of the site.
		Now seeking hypertext fiction, which will be published on the Web site in September 1988.
	directory.wordcircuits.com /dir/sites.htm (385 words)

	SearchEngine.net - What Is Hypertext Fiction?
		An index to hypertext fiction, as well as criticism and theory of the form.
		Theory and Criticism of Hypertext Fiction, by Michael Shumate.
		A showcase and resource for hypertext and cybertext poetry and fiction.
	www.searchengine.net /What_Is_Hypertext_Fiction?.htm (158 words)

	Other Hypertext Fiction Sites
		Falco teaches creative writing, modern fiction and poetry at Virginia Tech and is also a hypertext poet (see the Eastgate Systems catalog).
		So many of the most important hypertext writers are connected with Eastgate in one way or another that it's hard to find any independent commentary about it.
		I have not yet found any hypertext fiction and/or criticism at the sites listed here, but they appear to be good potential sources.
	www.duke.edu /~mshumate/other.html (1450 words)

	name (Site not responding. Last check: 2007-10-11)
		publication that is dedicated to publishing student poetry.
		Any page-based work that is difficult to format and any hypertext poetry can be submitted electronically
		Hypertext poetry and prose will be on display here at the EPC later this fall.
	epc.buffalo.edu /ezines/name/submit.html (216 words)

	Hypertext Poetry and Fiction
		This course surveys the significant body of poetry and fiction that uses the computer as its medium to take literature in new directions not possible in print.
		Students explore the literary uses of hypertext, multimedia, animated text, and algorithmically generated text.
		Electronic literature draws upon hypertext, animated text, audio-video elements, game-like interaction, and other techniques to create experiences beyond the reach of print.
	www.wordcircuits.com /kendall/htclass-1.htm (1238 words)

	Socrates In The Labyrinth
		Socrates in the Labyrinth is a wide-ranging exploration of the relationships between hypertext, thought, and argument.
		But his keen understanding of both hypertext and postmodernism also shows that the relation between hypertext and "the end of the text" is more complex than is sometimes claimed.
		Socrates in the Labyrinth is one of the first works of hypertext non-fiction to examine and exploit the techniques of hypertext rhetoric discovered in the development of serious hypertext fiction.
	www.eastgate.com /catalog/Socrates.html (303 words)

	poems that GO : links
		Basho's Frogger by Neil Hennessey is a Java applet was produced as a response to Derek Beaulieu's manuscript of Basho translations.
		Historical Sound Poetry Scores: Pierre Albert-Birot, Hugo Ball, Giacomo Balla, Fortunato Depero, and F.T. Marinetti are included in this collection of early twentieth century sound poetry scores with accompanying mp3's and links to further resources.
		Two short pieces by Tom Scarpino, Hypertext and Poetry are clever word experiments.
	www.poemsthatgo.com /links.htm (1745 words)

	Eastgate: Hypertext Poetry
		It is a superb book but as a cybertext it is even more effective.
		Sophisticated design and ingenious navigation complement gloriously animated text, resulting in poetry that's just the thing for a frantic time: quiet, reserved, intensely felt and always rewarding.
		A new species in the word forest, an infinity of possibilities, an arena with structure that is still open, that behaves, that invites..
	www.eastgate.com /catalog/Poetry.html (249 words)

	Leonardo On-Line: New Media Poetry, Hypertext, and Experimental Literature Bibliography (Site not responding. Last check: 2007-10-11)
		This bibliography focuses on particular directions of experimental poetry in the twentieth century, with emphasis on innovative poetics developed with new media (including computers, video, holography and the Internet).
		Recent deiscussions of new media poetry (Kac, Blaine/Bootz, etc.) and new media-based verbal phenomena are also included (Aarseth, Landow, Rosenberg, Bolter, etc.).
		"Hypertext, Hypermedia, and Literary Studies: The State of the Art." In Delany and Landow.
	mitpress2.mit.edu /e-journals/Leonardo/isast/spec.projects/newmediapoetry.html (397 words)

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