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	IRCAM - Wikipedia, the free encyclopedia
		The IRCAM, Institut de Recherche et Coordination Acoustique/Musique, was founded in the 1970s by Pierre Boulez.
		Since its conception, IRCAM has been the birth place for some of the most important concepts for electronic music and audio processing.
		Georgina Born wrote her Ph.D. thesis in anthropology about the IRCAM, which was later published under the title Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde.
	en.wikipedia.org /wiki/IRCAM (219 words)

	I Came, I Saw, IRCAM: A VISIT TO FRANCE'S PREMIER MUSIC TECHNOLOGY THINK TANK
		IRCAM is indeed unique, something you could only find in France, where socialism intersects with capitalism, and fascination with the future intersects with pride in the past.
		IRCAM was founded in the 1970s by the French government to promote research in music technology.
		Another way that IRCAM is interfacing with the real world is through the Multimedia Library, or Mediatheque, a really impressive online index of musical works, recordings, articles, documentation, videos and Web sites, much of which (the text-based stuff, anyway) can be downloaded from anywhere, and all of which physically resides in their building.
	mixonline.com /mag/audio_i_saw_ircam/index.html (2011 words)

	The AGNULA project - IRCAM (Site not responding. Last check: 2007-11-05)
		IRCAM (Institut de Recherche et de Coordination Acoustique/Musique) is a research center, a music production resource (concerts, CDs, books) and an education place gathering musicians and scientists working on music and new technologies.
		IRCAM has been involved since its creation (in 1976) in real-time systems for interaction between traditional instruments and computers.
		IRCAM is implied in the AGNULA project for workpackage "Composition/Interactive Software", whose objective is to offer a complete set of tools devoted to music composition and performance interaction.
	www.agnula.org /project/agnula_who/ircam (266 words)

	[No title]
		IRCAM is located in Paris and was founded and initially led by the highly regarded composer/conductor Pierre Boulez.
		In Born's analysis, the stress of these multiple areas of conflict upon workers within IRCAM is dealt with by the psychoanalytic concept of "splitting," an unconscious process considered by Melanie Klein to be one of the most primitive defenses against anxiety.
		In one case involving an IRCAM brand of postmodernism, Born has done just that (pp.300-04); however in Born's book, these broad aesthetic terms suffer from equivocation or lack of contrast because the various "dialects" of these aesthetic positions are either not systematically defined, referred to, or related to one another.
	www.societymusictheory.org /mto/issues/mto.97.3.5/mto.97.3.5.hermann.rev (6314 words)

	IRCAM announces first public release of jMax (Site not responding. Last check: 2007-11-05)
		IRCAM (Institut de Recherche et de Coordination Acoustique/ Musique) is a non-profit organization associated with the Georges Pompidou National Center of Art and Culture, Paris, France.
		The next generation, the IRCAM Digital Signal Processing Workstation (ISPW), was designed in 1991 at IRCAM by a team headed by Eric Lindemann.
		A full-featured version, including more complete documentation, support, tutorials and an extensive set of IRCAM librairies and patches, is available through the registration, on a yearly basis, to IRCAM's Forum (user group, see http://www.ircam.fr/forum/).
	aulos.calarts.edu /pipermail/music-dsp/1998-September/020872.html (758 words)

	IRCAM Status History
		IRcam is on and happy in both lois and old lois.
		During Alan Marscher and Svetlana Jorstad run with IRcam the concern that the timing for the intergrations time were not as good as we thought that they were due to the rebuild in the IC Linux Box.
		IRCAM's control electronics have been removed until a replacement part is found that should cure the bit problem.
	www.lowell.edu /Research/Mesa/History/ircam1.html (1778 words)

	IRCAM (Site not responding. Last check: 2007-11-05)
		IRCAM (Institut de recherche et de coordination acoustique/musique, founded in 1977 by Pierre Boulez as part of the Centre Pompidou in Paris) will hold a workshop for composers and instrumentalists participating in the Darmstadt Summer Course.
		Ircam will also be present in the technical production of concerts by Tristan Murail and Emmanuel Nunes.
		In order to allow a larger number of students to participate, the course will be divided into two periods of 5 days; those interested in participating should send a curriculum vitae indicating their level of experience with computer music.
	www.imd.darmstadt.de /ferien2002/ircam.htm (166 words)

	IRCAM@Columbia 1999 (Site not responding. Last check: 2007-11-05)
		Harvey has had several residencies at IRCAM, and the influence of the techniques he has learned and utilized there could be heard both directly, in the case of works featuring electronics, like Mortuos Plango, Vivos Voco and Tombeau de Messiaen, and indirectly, in the case of works like The Riot and Nataraja.
		However, it is in the way they are subsequently enabled to implement this knowledge in their creative work and in the collaboration with the programmers and engineers that the primary contribution of IRCAM to contemporary musical composition lies.
		The electronics, brilliantly managed throughout the concert by IRCAM's Eric Daubresse and David Poissonier, need subtle balancing since the soundfiles, triggered by the pianists on MIDI keyboards, must often fuse with the dense textures in the percussion or piano parts.
	mitpress2.mit.edu /e-journals/Computer-Music-Journal/reviews/24-2/e-columbia-ircam.html (3220 words)

	Columbia News ::: Modern Music of the Imagination -- Concert Features Real Time Computer Augmentation Of Live Music
		The series is IRCAM Forum's premiere in the United States and the first time that IRCAM Forum technology will be taught outside its home in the George Pompidou Center in Paris.
		IRCAM's mission is to bring music, science and technology into a new kind of collaborative dialogue in order to produce research and technologies that will aid the progress of musical composition.
		The Columbia University Computer Music Center and IRCAM have begun a collaboration allowing artists, researchers and students from the two institutions to join efforts in the realization of artistic and research projects.
	www.columbia.edu /cu/news/99/11/thanasis.html (531 words)

	WWW Ircam: Key Dates (Site not responding. Last check: 2007-11-05)
		IRCAM organizes a cycle of 70 music events entitled "Passage du XXe siècle".
		IRCAM and CNRS set up a collaboration co-directed by Hugues Dufourt and Hugues Vinet.
		The Acanthes center welcomes IRCAM for a series of workshops and lessons in three European cities of culture: Cracovie, Villeneuve-lez-Avignon and Helsinki.
	www.ircam.fr /62.html?&L=1 (1022 words)

	Insider audio, December 1999
		The first indication that this was a "new" IRCAM came when I called to set up an appointment and I was put on hold--the music they were playing was delightful.
		Among other remarkable software IRCAM has made available is Modalys, a physical modeling program that goes far beyond the popular synthesizer makers' implementation of the technology, in that you don't have to start with any real model--you can reinvent physics if you like.
		Another way that IRCAM is interfacing with the real world is through the Multimedia Library, or Médiathèque, a really impressive online index of musical works, recordings, articles, documentation, videos and Web sites, much of which (the text-based stuff, anyway) can be downloaded from anywhere, and all of which physically resides in their building.
	www.paul-lehrman.com /insider/1999/12insider.html (2032 words)

	Agora 2005
		The Avis de tempête or storm warning set off by Georges Aperghis with his opera, is at the foundation of a dense and compact festival.
		The four opening days give a taste of all the domains in which IRCAM is involved.
		Opera, at the Ateliers Berthier, music and film at the Louvre, concerts by European ensembles at Centre Pompidou and at IRCAM’s Espace de Projection, solo recitals with electronics during the Roaming Concerts around the Marais district.
	agora.ircam.fr /147.html?L=1 (301 words)

	Amazon.com: Books: Rationalizing Culture: Ircam, Boulez, and the Institutionalization of the Musical Avant-Garde (Site not responding. Last check: 2007-11-05)
		She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.
		The edifice of IRCAM, Insitut de Recherche et de Coordination Acoustique/Musique, an underground mecca for the new in Paris, well Europe is to foster a marriage between the current potentialities in technology and creativity,music composition.
		Ms Born lived at IRCAM, it is housed in the lower bowels of the Pompidou Centre, the well-thought out royal blue and bright red smokestacks of architect Renzo Piano punctuating the 19th century ambience which is Paris.
	www.amazon.com /exec/obidos/tg/detail/-/0520202163?v=glance (2216 words)

	Ircam De Piano (Site not responding. Last check: 2007-11-05)
		The IRCAM, Institut de Recherche et Coordination Acoustique/Musique,...
		Aufnahmestudio [en] - The beginnings of the IRCAM (Institut de Recherche musicals et Coordination Acoustique et...
		CDeMUSIC - Philippe Manoury, as a resident composer at IRCAM during the 1980s,...
	www.pianothings.com /ircam-de-piano.html (786 words)

	Jean-Marc Jot, Olivier Warusfel: Spat~ : A Spatial Processor for Musicians and Sound Engineers (CIARM 95, Ferrara ... (Site not responding. Last check: 2007-11-05)
		The goal of the Spatialisateur project, conducted by Ircam and Espaces Nouveaux in collaboration with the Centre National d'Etudes des Telecommunications, is to design a virtual acoustics processor allowing composers, performers or sound engineers to control the diffusion of sound in a real or virtual space.
		This project incorporates research carried out within the Ircam room acoustics laboratory on the objective and perceptual characterization of room acoustical quality, and research done at Telecom Paris on digital signal processing algorithms for the spatialization and artificial reverberation of sounds.
		Although the HRTFs must be accurately modelled by digital filters in order to convey the direction of incidence of the direct sound, the efficiency of the binaural room effect simulation can be significantly improved by simplifying the directional processing for early reflections and reverberation, with hardly any audible difference [3].
	mediatheque.ircam.fr /articles/textes/Jot95a (2546 words)

	EMF Institute: IRCAM
		In 1970, Georges Pompidou, President of France, invited Pierre Boulez to create and direct a music research institute in association with the newly forming Centre National d'Art Contemporain.
		The Centre National d'Art Contemporain became known as the Centre Pompidou, and the music research institute became IRCAM (Institut de Recherche et Coordination Acoustique / Musique).
		By 1978, its three-floor underground building contained offices, laboratories, recording studios, an anechoic chamber, and the 'Espace de Projection', a fl-box concert hall with reconfigurable walls that allowed for different acoustics for different concerts.
	emfinstitute.emf.org /exhibits/ircam.html (104 words)

	IRCAM@Columbia 1999 (Site not responding. Last check: 2007-11-05)
		He told the audience that he eventually decided not to work with sounds on tape and to wait until electronics could be more responsive.
		Boulez continued by describing his conception of IRCAM and his efforts to make it a reality.
		He achieved this by making IRCAM a unique entity–that is, not a subsidiary of any other cultural organization.
	www.leeds.ac.uk /cmj/reviews/24-2/e-columbia-ircam.html (3220 words)

	freesoftware@ircam
		The goal of this project is to distribute geographically the different participants of a concert (musicians, sound engineers, publics).
		IRCAM’s Hypermedia Studio was created recently to develop hypermedia authoring environment in the field of music and sound, to facilitate music analysis and publishing for musicologists, music teachers, pupils, music fans.
		François Déchelle is in charge of the Free software and software engineering team at Ircam, where he coordinates the open source developments and carries research on distributed architectures.
	explosif.ircam.fr /rubrique.php3?id_rubrique=83 (1576 words)

	freesoftware@ircam
		MAX is an homage to Max Matthews, one of the fathers of computer music.
		Introduction Since september of 2003, Ircam Free sofstware team is working on a grid computing (...)
		Ircam organizes during Résonances 2003 a one-day conference to have an update on free musical (...)
	freesoftware.ircam.fr /rubrique.php3?id_rubrique=14 (277 words)

	The Ensemble Sospeso - IRCAM Concert Review
		Throughout the past two decades, the IRCAM in Paris has been an expanding forum for collaboration, exchange and innovation, and a trigger for a broad range of applications of technology and music.
		But it is in the way they are subsequently enabled to implement this acquired knowledge in their creative work and in the collaboration with the programmers and engineers—the musical assistants—that the primary contribution of IRCAM to contemporary musical composition lies.
		Conducting these pieces involves the very tricky coordination between the time scale of the triggered electronics and that of the ensemble as well as balance issues that are handled in close collaboration with the musical assistants and sound engineers.
	www.sospeso.com /contents/press/1_dec_99.html (983 words)

	Résonances 2004: International Convention on Music Technologies
		Resonances is now an important meeting place for the scientific community.
		Its main goal is to bring an up-to-date and detailed presentation on new artistic trends and research issues dealt with at Ircam.
		After two successful editions dedicated to listening and performance, Resonances 2004 will focus on writing and interpretation.
	resonances2004.ircam.fr /?L=1 (194 words)

	ArtsElectric Resonances
		Resonances is an event that IRCAM, a major institute in Paris, has organized during the past two or three years in the fall.
		But beyond this personal interest, three other things changed at IRCAM during this period: The Forum IRCAM I created in 1993 was growing well beyond what we expected, IRCAM research activities had developed a lot of international collaborations in Europe, and IRCAM student concerts became a high-interest activity.
		But exploring this emerging multi-disciplinary field is today impossible for IRCAM alone, which is why Resonances is most of all a place for sharing ideas, for meetings, project emergence, and partnerships with other laboratories, and with industry (which is well-represented this year in lectures and with demonstration stands).
	www.arts-electric.org /articles/040919.resonances.html (487 words)

	Ircam utvikler plug-ins for Finale 2002 (Site not responding. Last check: 2007-11-05)
		Ircam har utviklet et sett av plug-ins for Codas notasjonsprogram Finale 2002.
		It is the first time, that computer aided composition tools are ported by IRCAM to the most widely used notation editor in the world.
		The IRCAM Finale plug-ins illustrates IRCAM's desire to make its innovative technology and musical expertise accessible to a wide public through active partnerships with the music software industry.
	www.bek.no /BEKdot/1005391316/index_html (517 words)

	[OT] Announce: Ircam releases jMax under GNU's General Public License (Site not responding. Last check: 2007-11-05)
		Based on a client/server >architecture, wherein the two components are the C written real-time engine >already known as FTS and a Java graphical user interface, jMax features a >high portability level.
		The first generation of systems lead in 1981 to the 4X processor, >designed at IRCAM by Giuseppe Di Giugno.
		The IRCAM >Signal Processing Workstation, designed in 1989 at IRCAM by a team leaded by >Eric Lindemann, has been adopted by a large number of composers as a choice >platform for real time interactive musical pieces.
	shoko.calarts.edu /pipermail/music-dsp/1999-July/001962.html (587 words)

	ICMA : Array
		My ICMA activities were mainly focused on dissemination, although I have been involved in the ICMA board Internet discussion and in several informal meetings with other ICMA officers and with people organizing ICMC 2002.
		Due to the nomination of Marc Battier as full professor at University Paris-Sorbonne, this project is postponed (at Ircam).
		Liaison with ISMIR organizing committee to which I was belonging for the purpose of organizing ISMIR at Ircam.
	www.computermusic.org /array.php?artid=110 (637 words)

	Computer Sound Transformation
		Realising that these notions of spectral transformation could in principle be generalised in a computing environment, when major computer music facilities became available in Europe (at IRCAM in Paris) I submitted a proposal for a work based on vocal transformation and was invited on the induction course in 1981.
		Immediately after the IRCAM project in 1986, working in the CDP environment, I developed a large number of other spectral transformation tools using the Phase Vocoder data as a starting point.
		Later IRCAM did decide to pursue Phase Vocoder based transformation and the Super Phase Vocoder (SVP) group was established (the basis of the later AudioSculpt).
	www.trevorwishart.co.uk /transformation.html (4927 words)

	Report on the Third International Conference on Music Information Retrieval (ISMIR 2002): 14 - 17 October 2002, Paris, ...
		Conference sessions were held at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM, the hosting organization) and in the neighboring Centre Pompidou (Georges Pompidou Center) located in the heart of Paris.
		Social events included a concert at the IRCAM concert hall by musicians using a variety of instruments and electronics, and a delightful evening banquet aboard the Bel Ami, which slowly cruised the Seine and offered glorious nighttime views of Paris, the "city of lights".
		The conference officially began on Monday, 14 October, with welcoming remarks by Michael Fingerhut, ISMIR 2002 General Chair and Director of the IRCAM Multimedia Library, Bruno Racine, President of the Pompidou Center, and Bernard Stiegler, IRCAM Director.
	www.dlib.org /dlib/november02/wilson/11wilson.html (846 words)

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