| | Timothy Steele - Introduction to Meter (Site not responding. Last check: 2007-10-30) |
 | | The line, however, remains conventionally iambic, since the poet maintains the fundamental lighter-to-heavier fluctuation and since the syllables in each individual foot reflect the lighter-to-heavier relationship characteristic of iambs. |
 | | Though such words can be integrated into the middle of the iambic line, it is useful also to have the option of setting them at the head of the line or at the end of it. |
 | | Still, loose iambic pentameters are interestingly employed by Frost in “Mowing,” “On Looking Up by Chance at the Constellations,” and “Wilful Homing.” And Hardy’s extraordinary “Afterwards” features a cross-rhyming quatrain whose first and third lines are loose iambic hexameters and whose second and fourth lines are loose iambic pentameters. |
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